Gulls and Spray
Si può ammirare?
Al momento non riceve
Minneapolis, Stati Uniti
Appartiene alla collezione, ma al momento non è esposta.
- Verificato
- Ultimo cambio di stato
- Fonte
- Il museo
Sull’opera
Eva Auld Watson loved printing on linoleum, specifically Armstrong-brand blocks that she glued to stiff board. While many block printers carved planks of wood, Watson loved the uniform color possible with linoleum. Even though Gulls and Spray consists of twelve colors, it was made with only four separate blocks. That’s because Watson used the linoleum like a palette, graduating some colors and introducing entirely new ones all on the same block. She then applied the block to wet paper, finding that the damp fibers made the colors blend further. In the midst of these harmonies reigns disharmony, as these seagulls flee the watery assault on their perch.
Minneapolis Institute of Art
Scheda
- Numero di inventario
- 2017.126.12
In catalogo
Fonti
- Minneapolis Institute of Art
- Immagine: Minneapolis Institute of Art — © Minneapolis Institute of Art
