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  1. Collezione/
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  3. Guinea pigs gardening
Guinea pigs gardening, Beatrix Potter, 01/1893

Guinea pigs gardening

01/1893 · Watercolour · 10.2 × 16.3 cm

Sull’opera

Beatrix Potter (1866-1943) is one of the world's best-loved children's authors and illustrators. She wrote the majority of the twenty-three Original Peter Rabbit Books between 1901 and 1913. The Tale of Peter Rabbit (Frederick Warne, 1902) is her most famous and best-loved tale.

This work dates from 1893, when Potter is known to have borrowed guinea pigs from her friend and neighbour Miss Paget to make drawings: she wrote in her journal on 5 February 1893 that one of the guinea pigs ‘took to eating blotting paper, pasteboard, string and other curious substances, and expired in the night’. This composition was later redrawn for Cecily Parsley’s Nursery Rhymes (published 1922) to accompany Potter’s verses:

We have a little garden,

A garden of our own,

And every day we water there

The seeds that we have sown.

We love our little garden,

And tend it with such care,

You will not find a faded leaf

Continua a leggere

Or blighted blossom there.

Victoria and Albert Museum

Scheda

01/1893 · a 27 anni
18661943
Numero di inventario
BP.521(a)

Nel frattempo, nella vita di Beatrix Potter

Tutta la vita
  1. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

  2. 1890–1894

    First commissions: cards, rabbits and frogs

    In the 1890s Beatrix printed Christmas and other greeting cards of her own design — her first commercially successful works. In 1890 the firm of Hildesheimer and Faulkner bought several drawings of her rabbit Benjamin Bunny to illustrate Frederic Weatherly’s verses “A Happy Pair”, in 1893 several more for “Our Dear Relations”, and in 1894 the publisher Ernest Nister took a series of frog illustrations and verses for the annual “Changing Pictures”.

  3. summer 1892

    Charles McIntosh and the fungi

    In the summer of 1892, at Dunkeld in Perthshire, Beatrix met Charles McIntosh, a revered naturalist and amateur mycologist: he helped make her illustrations more accurate, taught her taxonomy and supplied her with live specimens to paint in winter. By the 1890s her scientific interests had centred on mycology; she was first drawn to fungi by their colours and their evanescence.

  4. September 1893

    A letter to Noel Moore about four rabbits

    In September 1893, on holiday at Eastwood near Dunkeld, Beatrix ran out of things to write to Noel, the often-ill eldest son of her former governess Annie Carter Moore, and told him a story about “four little rabbits whose names were Flopsy, Mopsy, Cottontail, and Peter”. It became one of the most famous children’s letters ever written and the basis of her future career; it was Annie who later suggested that such letters might make good children’s books.

Altre opere di Beatrix Potter

Tutte le opere

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo

Sullo stesso tema · Illustrations

Tutte le opere sul tema
  • 1895–1897

    A theory of spore germination, and Kew Gardens

    In 1895, curious about how fungi reproduce, Beatrix began microscopic drawings of agaric spores and developed a theory of their germination. Through her uncle, the chemist Sir Henry Roscoe, she consulted botanists at Kew and convinced George Massee of her ability to germinate spores, but William Thiselton-Dyer, the director of Kew, rebuffed her because of her sex and amateur status.

  • Beatrix Potter, ritrattoBeatrix Potter1866–1943

    Si può ammirare?

    Al momento non riceve

    Victoria and Albert Museum

    Londra, Regno Unito

    Appartiene alla collezione, ma al momento non è esposta.

    Verificato
    13 giorni fa
    Ultimo cambio di stato
    25 set 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    Che cosa raffigura

    IllustrationsGuinea pigGardeningGarden tools

    In catalogo

    Disegni e acquerelliAcquerelloImpressionismoXIX secoloBritish

    Fonti

    • Victoria and Albert Museum
    • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London
    drawing, Beatrix Potter, late 19th century - early 20th century

    drawing

    late 19th century - early 20th century · Non esposta · Victoria and Albert Museum

    Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

    Pink and white tulips

    late 19th century-early 20th century · Non esposta · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Non esposta · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Non esposta · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Non esposta · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Non esposta · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Non esposta · Victoria and Albert Museum

    Watercolour, Beatrix Potter, late 19th century - early 20th century

    Watercolour

    late 19th century - early 20th century · Non esposta · Victoria and Albert Museum

    Bird of Paradise, Hashimoto Chitaka, 2026

    Hashimoto Chitaka

    Bird of Paradise, 2026

    Torsion 2, Taruma Shoko, 2025

    Taruma Shoko

    Torsion 2, 2025

    Fu, Someya Satoshi, 2025

    Someya Satoshi

    Fu, 2025

    Bow Before the Curtain Falls, 2024

    Bow Before the Curtain Falls, 2024

    Summer, 2024

    Summer, 2024

    Red Flow, Ishizuka Genta, 2024

    Ishizuka Genta

    Red Flow, 2024

    3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

    Factum Arte

    3D replica of Michelangelo's Prisoner (4117-1854), 2024

    Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

    Zhao Lin

    Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

    drawing, Beatrix Potter, ca.1890s-1919

    Beatrix Potter

    drawing, ca.1890s-1919

    Non esposta · Victoria and Albert Museum

    Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca. 1890s

    Beatrix Potter

    Cinderella's coach drawn by three pairs of rabbits, ca. 1890s

    Non esposta · Victoria and Albert Museum

    Pumpkin carriage drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

    Beatrix Potter

    Pumpkin carriage drawn by three pairs of rabbits, ca.1890s

    Non esposta · Victoria and Albert Museum

    Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

    Beatrix Potter

    Cinderella's coach drawn by three pairs of rabbits, ca.1890s

    Non esposta · Victoria and Albert Museum

    The frog in his boat, fishing, Beatrix Potter, 1894

    Beatrix Potter

    The frog in his boat, fishing, 1894

    Non esposta · Victoria and Albert Museum

    And the Merry-Making O!, Randolph Caldecott, 1881

    Randolph Caldecott

    And the Merry-Making O!, 1881

    Non esposta · Victoria and Albert Museum

    Grand Parade of Volunteer Mowers, Randolph Caldecott, 1881

    Randolph Caldecott

    Grand Parade of Volunteer Mowers, 1881

    Non esposta · Victoria and Albert Museum

    Pawnbroker's Shop, George Cruikshank, ca. 1836

    George Cruikshank

    Pawnbroker's Shop, ca. 1836

    Non esposta · Victoria and Albert Museum