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Goethe, Berlin, Alfred Stieglitz, probably 1886, printed 1895/1896

Goethe, Berlin

probably 1886, printed 1895/1896 · Photograph

Scheda

probably 1886, printed 1895/1896
18641946
Numero di inventario
1949.3.48

Nel frattempo, nella vita di Alfred Stieglitz

Tutta la vita
  1. 1884

    Stays in Germany for photography

    In 1884 his parents returned to America, but the 20-year-old Alfred stayed in Germany: he collected books on photography, bought his first camera, an 8 × 10 plate camera, and travelled through the Netherlands, Italy and Germany, photographing landscapes and country workers. Photography, he later wrote, “fascinated me, first as a toy, then as a passion, then as an obsession.”

  2. 1887

    First prize for “The Last Joke, Bellagio”

    His photograph The Last Joke, Bellagio won first place in the annual photography competition of the British magazine Amateur Photographer.

  3. 1888

    First and second prizes in the same competition

    The following year his works took both first and second places in the same competition. His reputation grew sharply, and British and German magazines began publishing his photographs.

  4. 1890

    His sister Flora dies; he returns to New York

    In 1890 his sister Flora died in childbirth, and Stieglitz returned to New York. Considering himself an artist, he refused to sell his photographs, so his father bought him a small photography business, the Photochrome Engraving Company, which rarely made a profit because of his demand for quality and the high wages he paid.

  5. c. 16.11.1893

    Married: Emmeline Stieglitz

Altre opere di Alfred Stieglitz

Tutte le opere

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Scultura

Tutte le opere sul tema

July 1897

First issue of Camera Notes

Stieglitz turned the Camera Club's newsletter into a magazine, Camera Notes, with full control over it; the first issue appeared in July 1897, and it was soon considered the finest photographic magazine in the world. The critic Sadakichi Hartmann wrote that artistic photography, the Camera Club and Alfred Stieglitz seemed to him three names for one and the same thing.

Alfred Stieglitz, ritrattoAlfred StieglitzStati Uniti, 1864–1946

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

SculturaTravelMonumentBerlinMemorialGermanyEncke, Erdmann

In catalogo

FotografiePlatinotipiaImpressionismoXIX secoloAmerican

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — © the artist or rights holder
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Non esposta · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Non esposta · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Non esposta · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Non esposta · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Cemetery Statue and Oil Derricks, Long Beach, California, Ansel Adams, 1939, printed 1976

Ansel Adams

Cemetery Statue and Oil Derricks, Long Beach, California, 1939, printed 1976

Non esposta · National Gallery of Art

Marie-Thérèse Considering a Surrealist Sculpture of Her Effigy (Marie-Thérèse considérant son effigie surréaliste sculptée), Pablo Picasso, 1933

Pablo Picasso

Marie-Thérèse Considering a Surrealist Sculpture of Her Effigy (Marie-Thérèse considérant son effigie surréaliste sculptée), 1933

Non esposta · National Gallery of Art

Sculptures Representing Marie-Thérèse and the Head of the Sculptor, with a Vase of Three Flowers (Sculptures représentant Marie-Thérèse et la tête du sculpteur, avec le vase aux trois fleurs), Pablo Picasso, 1933

Pablo Picasso

Sculptures Representing Marie-Thérèse and the Head of the Sculptor, with a Vase of Three Flowers (Sculptures représentant Marie-Thérèse et la tête du sculpteur, avec le vase aux trois fleurs), 1933

Non esposta · National Gallery of Art

An Unattractive Woman Before the Sculpture of an Athletic Marie-Thérèse Leaning on a Self-Portrait of the Sculptor (Femme laide devant la sculpture d'une Marie-Thérèse athlétique sur un autoportrait du sculpteur), Pablo Picasso, 1933

Pablo Picasso

An Unattractive Woman Before the Sculpture of an Athletic Marie-Thérèse Leaning on a Self-Portrait of the Sculptor (Femme laide devant la sculpture d'une Marie-Thérèse athlétique sur un autoportrait du sculpteur), 1933

Non esposta · National Gallery of Art

Fortitude, Marcantonio Raimondi after Raphael, c. 1515-1525

Raphael

Fortitude, c. 1515-1525

Non esposta · National Gallery of Art

The Phoenix or the Statue Overthrown, Rembrandt van Rijn, 1658

Rembrandt van Rijn

The Phoenix or the Statue Overthrown, 1658

Non esposta · National Gallery of Art

The Sculptor and the Statue of Jupiter, Marc Chagall, 1927/1930

Marc Chagall

The Sculptor and the Statue of Jupiter, 1927/1930

Non esposta · National Gallery of Art

Title Page for Hubert Goltzius's Icones Imperatorvm Romanorvm (Opera Omnia, V), Cornelis Galle I after Erasmus Quellinus II after Sir Peter Paul Rubens, 1645

Peter Paul Rubens

Title Page for Hubert Goltzius's Icones Imperatorvm Romanorvm (Opera Omnia, V), 1645

Non esposta · National Gallery of Art