Giuliano de' Medici, Sandro Botticelli, c. 1478/1480
Sandro Botticelli, ritrattoSandro BotticelliItalia, 1445–1510

Giuliano de' Medici

c. 1478/1480 · Painting

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Dove si trova «Giuliano de' Medici» oggi? National Gallery of Art, Sala 7 · Edificio Ovest, piano principale, Washington. Sì, esposta ora. Verificato 29 settembre 2026.

National Gallery of Art

Washington, Stati Uniti

Sala7 · Edificio Ovest, piano principale

Aperto· fino alle 17:00

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Fonte
Il museo

Sul dipinto

Il Ritratto di Giuliano de' Medici è un dipinto a tempera su tavola (75,6x52,6 cm) di Sandro Botticelli, databile al 1478-1480 circa e conservato nella National Gallery of Art di Washington.

Esistono tre versioni di questo dipinto: una conservata a Berlino, una a Bergamo e una a Washington.

WikipediaCC BY-SA

Scheda

Numero di inventario
1952.5.56

Che cosa raffigura

In catalogo

Fonti

Nella vita di Sandro Botticelli

Tutta la vita
  1. 26 April 1476

    Death of Simonetta Vespucci

    On 26 April 1476 Simonetta Vespucci died suddenly of consumption — according to a number of scholars Botticelli's secret love and the model for many of his paintings; he never married. Later the painter asked to be buried at Simonetta's feet.

  2. 1478–1479

    The Pazzi conspiracy and the fresco of the executions

    After the Pazzi conspiracy of 1478, in which Giuliano de' Medici was assassinated, Botticelli painted for Florence's customs house a large fresco of the hanging of the plot's leaders, a “pittura infamante” with which Florence humiliated traitors. It was his first major fresco commission; the figure of Francesco Salviati, Archbishop of Pisa, was removed in 1479 after protests from the Pope.

  3. 1480s

    Lorenzo's circle: Ficino, Pico, Poliziano

    Botticelli frequented Lorenzo the Magnificent's Platonic Academy, where he met the humanists, poets and philosophers Marsilio Ficino, Pico della Mirandola and Angelo Poliziano; the influence of Neoplatonism shows in his secular paintings.

  4. 1481

    Summoned to Rome: the Sistine Chapel

    In 1481 Pope Sixtus IV summoned Botticelli and other prominent Florentine and Umbrian artists to fresco the walls of the newly completed Sistine Chapel; the Florentine contribution is thought to be part of a peace deal between Lorenzo de' Medici and the papacy. Botticelli painted three of the fourteen large scenes — the Temptations of Christ, the Youth of Moses and the Punishment of the Sons of Corah — and a large share of the imagined portraits of popes.

  5. 1481

    A printed Dante illustrated from Botticelli's drawings

    The first printed Dante of 1481 carried engravings by the goldsmith Baccio Baldini after Botticelli's drawings: one engraving was planned for each of the hundred cantos, but only 19 were engraved and most copies have just two or three. A leading painter's attempt to design the illustrations of a printed book was unprecedented, but it seems to have been something of a flop.

  6. 20 February 1482

    His father's death and the return from Rome

    On 17 February 1482 Botticelli's contract for the Sistine Chapel was extended, but three days later his father died and the painter had to return to Florence.

Tutte le opere

Nella stessa sala · M-007, National Gallery of Art

Pagina del museo

Sullo stesso tema · Uomo

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