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  1. Collezione/
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  3. Giorgio de Chirico
Giorgio de Chirico, Cecil Beaton, 1936
Cecil Beaton, ritrattoCecil BeatonInghilterra, 1904–1980

Giorgio de Chirico

1936 · Photograph

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
9 giorni fa
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1936 · a 32 anni
19041980
Numero di inventario
273.1982

In catalogo

FotografieStampa ai sali d’argentoModernismoXX secolo

Fonti

  • Museum of Modern Art
  • Immagine: Museum of Modern Art — © the artist or rights holder

Nel frattempo, nella vita di Cecil Beaton

Tutta la vita
  1. 1922–1974

    Diaries, 1922–1974

    Six volumes of his diaries, spanning the years 1922–1974, are published in his lifetime. According to Hugo Vickers, who edited a fuller edition, opinions in the published volumes are softened, whereas in the originals Beaton can be truly venomous.

  2. 1930–1945

    Leases Ashcombe House in Wiltshire

    At the country estate of Ashcombe House he entertains many notable figures and develops his theatrical style of interior decoration.

  3. 3 June 1937

    Wedding portraits of the Duke and Duchess of Windsor

    He takes the official wedding photographs of the Duke and Duchess of Windsor at relatively short notice; Wallis Simpson is marrying the former King Edward VIII.

  4. late 1930s

    Begins a long association with the royal household

    From the late 1930s he photographs Queen Elizabeth (later the Queen Mother), his favourite royal sitter, and later Elizabeth II, over several decades. After one successful sitting he even kept the Queen Mother’s scented handkerchief as a memento.

  5. 1938

    Scandal at American Vogue and dismissal

    He inserts small but legible anti-Semitic phrases into an illustration about New York society in American Vogue; the issue is recalled and reprinted, and Beaton is dismissed from the magazine.

Altre opere di Cecil Beaton

Tutte le opere
Edith Sitwell, Cecil Beaton, 1927

Edith Sitwell

1927 · Non esposta · Museum of Modern Art

Warfront Study, Cecil Beaton, 1944

Warfront Study

1944 · Non esposta · National Gallery of Art

Maria Callas, Cecil Beaton, 1956

Maria Callas

1956 · Non esposta · Museum of Modern Art

Portrait of Gilbert & George at the Photographer's Home, Cecil Beaton, 1974

Portrait of Gilbert & George at the Photographer's Home

1974 · Non esposta · Museum of Modern Art

Drawing of Trees, Cecil Beaton, 20th century

Drawing of Trees

20th century · Non esposta · Victoria and Albert Museum

Irene Worth, Cecil Beaton, mid 20th century

Irene Worth

mid 20th century · Non esposta · Victoria and Albert Museum

Drawing of Trees, Cecil Beaton, 20th century

Drawing of Trees

20th century · Non esposta · Victoria and Albert Museum

Lady Diana Cooper, Cecil Beaton, mid-1920s

Lady Diana Cooper

mid-1920s · Non esposta · Getty Museum

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950