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National Gallery of Art
Francisco Toledo

Francisco Toledo, Graciela Iturbide, 1987

Francisco Toledo

1987 · Photograph

Scheda

1987 · a 45 anni

1942oggi

Numero di inventario: 2024.104.53

Altre opere di Graciela Iturbide

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Painter

Tutte le opere sul tema

Graciela Iturbide, ritratto

Graciela IturbideMessico, 1942

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato: 3 giorni fa
Ultimo cambio di stato: 19 ago 2026
Fonte: Il museo

Sulla mappa Pagina del museo

Che cosa raffigura

Painter Piante Waist-length facing right Gardening

In catalogo

Fotografie Stampa ai sali d’argento Arte contemporanea XX secolo Mexican

Fonti

National Gallery of Art
Immagine: National Gallery of Art — © the artist or rights holder

Mujer ángel, Graciela Iturbide, negative 1979; print about 2000

Mujer ángel

negative 1979; print about 2000 · Getty Museum

Nuestra señora de las iguanas, Graciela Iturbide, negative 1979; print mid-1990s

Nuestra señora de las iguanas

negative 1979; print mid-1990s · Getty Museum

Saguaro, Graciela Iturbide, negative 1979; print later

Saguaro

negative 1979; print later · Getty Museum

Rosa, Juchitán, Oaxaca, Graciela Iturbide, negative 1979; print 1995

Rosa, Juchitán, Oaxaca

negative 1979; print 1995 · Getty Museum

Virgen Niña, Ocumicho, Michoacán, Graciela Iturbide, 1981

Virgen Niña, Ocumicho, Michoacán

1981 · Getty Museum

Procesión, Juchitán, Oaxaca, Graciela Iturbide, negative 1985; print 2005

Procesión, Juchitán, Oaxaca

negative 1985; print 2005 · Getty Museum

Iguanas, Graciela Iturbide, negative 1985; print mid-1990s

Iguanas

negative 1985; print mid-1990s · Getty Museum

Manos poderosas, Juchitán, Oaxaca, Graciela Iturbide, negative 1986; print later

Manos poderosas, Juchitán, Oaxaca

negative 1986; print later · Getty Museum

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", Allen Ginsberg, 1985

Allen Ginsberg

Willem De Kooning in his studio Springs Long Island. I visited with my stepmother, Edith, his fly unbuttoned, he showed me his brushes lined up neatly on a table, "I wash them, clean them all myself," and said of his new canvases, "I'm just a sign painter.", 1985

Non esposta · National Gallery of Art

Larry Rivers with his portrait of poet John Ashbery’s poem “Pyrography” (1977), his studio Southhampton L. I. July 7, 1985. He worked out with weightlift instructor too that day, as well as new styrofoam 3-D painting., Allen Ginsberg, 1985

Allen Ginsberg

Larry Rivers with his portrait of poet John Ashbery’s poem “Pyrography” (1977), his studio Southhampton L. I. July 7, 1985. He worked out with weightlift instructor too that day, as well as new styrofoam 3-D painting., 1985

Non esposta · National Gallery of Art

Francesco Clemente taking a break from painting my portrait in oil, his first from life model, here working on background of imaginary Afric head, his studio Broadway & Great Jones Street. We'd done several illuminated books together (notably _White Shroud_ 1984) & he'd published my Blake discourse "Your Reason & Blake's System" in his Palm-sized Hanuman Editions. Manhattan December 14, 1989., Allen Ginsberg, 1989, printed 1995

Allen Ginsberg

Francesco Clemente taking a break from painting my portrait in oil, his first from life model, here working on background of imaginary Afric head, his studio Broadway & Great Jones Street. We'd done several illuminated books together (notably _White Shroud_ 1984) & he'd published my Blake discourse "Your Reason & Blake's System" in his Palm-sized Hanuman Editions. Manhattan December 14, 1989., 1989, printed 1995

Non esposta · National Gallery of Art

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Non esposta · National Gallery of Art

Trieste Cafe corner Grant & Vallejo-- Neeli Cherkovski & his friend Dr. Jesse Cabrera, Gregory Corso holding son Nile, mother Kaye MacDonough behind them-- Painter daubing Trieste window- interior, morning haunt of poets & North Beach Bohemians to this day March 16, 1985., Allen Ginsberg, 1985, printed 1991

Allen Ginsberg

Trieste Cafe corner Grant & Vallejo-- Neeli Cherkovski & his friend Dr. Jesse Cabrera, Gregory Corso holding son Nile, mother Kaye MacDonough behind them-- Painter daubing Trieste window- interior, morning haunt of poets & North Beach Bohemians to this day March 16, 1985., 1985, printed 1991

Non esposta · National Gallery of Art

William Burroughs ready to leave "the Bunker" for supper, he was visiting New York staying in his former Bowery loft, maybe back from Europe where he was awarded rosette Chevalier des Arts, visible below the round American Institute of Arts & Letters pin on his lapel, very distinguished gentleman, March 26, 1985, just beginning his late additional career as a painter., Allen Ginsberg, 1985

Allen Ginsberg

William Burroughs ready to leave "the Bunker" for supper, he was visiting New York staying in his former Bowery loft, maybe back from Europe where he was awarded rosette Chevalier des Arts, visible below the round American Institute of Arts & Letters pin on his lapel, very distinguished gentleman, March 26, 1985, just beginning his late additional career as a painter., 1985

Non esposta · National Gallery of Art

Harry Smith, Film-maker, folklore archivist, ethnomusicologist, hermetic painter, alchemist & Bishop of O.T.O. erasing some note in his calendar, Packing boxes of books and rare phonograph records in his room prior to departure from Hotel Breslin 28th St. & Broadway where he lived several years. Some boxes were stored in basement of Film-Maker's Archive, some at my apartment. January 12, 1985., Allen Ginsberg, 1985

Allen Ginsberg

Harry Smith, Film-maker, folklore archivist, ethnomusicologist, hermetic painter, alchemist & Bishop of O.T.O. erasing some note in his calendar, Packing boxes of books and rare phonograph records in his room prior to departure from Hotel Breslin 28th St. & Broadway where he lived several years. Some boxes were stored in basement of Film-Maker's Archive, some at my apartment. January 12, 1985., 1985

Non esposta · National Gallery of Art

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., 1986, printed 1991

Non esposta · National Gallery of Art