ART WIKI32.979 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Victoria and Albert Museum/
  3. Female Riding Camel
Female Riding Camel, Frederick Goodall, 1893

Female Riding Camel

1893 · Watercolour · 27.3 × 38.9 cm

Sull’opera

Camels were used for a variety of domestic purposes throughout Egypt. Some, like the baggage camel depicted in a companion watercolour to the one shown here (also in the Searight Collection, SD.438), were bred for their strength and stamina, and were capable of carrying heavy loads long distances across the desert. The more slender type seen in this watercolour was faster and better suited for riding. She therefore carries a saddle, and her master's dagger and decorated woollen saddlebag. Goodall was a prolific and successful Orientalist painter. He first visited Egypt in 1858-59. He shared a house in Cairo with Carl Haag (see SD.458-473), and they made many sketches together in the streets, outside the city around the Pyramids, and also near Suez. During the 1860s Goodall used these for several carefully constructed paintings of rural and urban Egyptian life and of Biblical scenes.

Continua a leggere

When he visited Egypt again in 1870-71 he lived at Saqqarah, a few miles south of Cairo, so that he could observe the daily life of the Bedouin. In England for the next three decades he continued to paint variations on the same themes as before.

Victoria and Albert Museum

Scheda

1893 · a 71 anni

Altre opere di Frederick Goodall

Tutte le opere

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo

Sullo stesso tema · Camels

Tutte le opere sul tema
18221904
Numero di inventario
SD.437

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London
Frederick Goodall, ritrattoFrederick GoodallInghilterra, 1822–1904

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
12 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo
The Tired Soldier Resting at a Roadside Well, Frederick Goodall, 1842

The Tired Soldier Resting at a Roadside Well

1842 · National Gallery

The Village Holiday, Frederick Goodall, 1847

The Village Holiday

1847 · National Gallery

The Ploughman and the Shepherdess: Time of the Evening Prayer, Frederick Goodall, 1897

The Ploughman and the Shepherdess: Time of the Evening Prayer

1897 · National Gallery

Watercolour drawing, Frederick Goodall, 17 August 1839

Watercolour drawing

17 August 1839 · Non esposta · Victoria and Albert Museum

The Irish Piper, Frederick Goodall, 1847

The Irish Piper

1847 · Non esposta · Victoria and Albert Museum

The Village Post Office, Frederick Goodall, 1849

The Village Post Office

1849 · Non esposta · Victoria and Albert Museum

The Pedlar, Frederick Goodall, 1849

The Pedlar

1849 · Non esposta · Victoria and Albert Museum

Cranmer, at Traitor's Gate, Frederick Goodall, 1856

Cranmer, at Traitor's Gate

1856 · Non esposta · Victoria and Albert Museum

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

The Ark, Lodewijk Tieling, ca. 1700

Lodewijk Tieling

The Ark, ca. 1700

Metropolitan Museum of Art

Mustafa.Ibrahim-, William Holman Hunt, 1869-1872

William Holman Hunt

Mustafa.Ibrahim-, 1869-1872

Non esposta · Victoria and Albert Museum

Revenge for Bloodshed (Syrian Desert), Carl Haag, 1859

Carl Haag

Revenge for Bloodshed (Syrian Desert), 1859

Non esposta · Victoria and Albert Museum

Street Scene in Tangier, Joseph Crawhall, 1884-1893

Joseph Crawhall

Street Scene in Tangier, 1884-1893

Non esposta · Victoria and Albert Museum

Drawing, ca. 1820

Drawing, ca. 1820

Non esposta · Victoria and Albert Museum

Studies of camels, William Simpson, 1869

William Simpson

Studies of camels, 1869

Non esposta · Victoria and Albert Museum

The Beast Of Burden, John Tenniel, 1884

John Tenniel

The Beast Of Burden, 1884

Non esposta · Victoria and Albert Museum

Copy after William Hamilton's design for a painted panel in the Saloon of Kedleston Hall, William Hamilton, 1789

William Hamilton

Copy after William Hamilton's design for a painted panel in the Saloon of Kedleston Hall, 1789

Non esposta · Victoria and Albert Museum

Che cosa raffigura

CamelsEgypt

In catalogo

Disegni e acquerelliAcquerelloImpressionismoXIX secoloOrientalismoBritish schoolEgitto