Fall Games - The Apple-Bee, after Winslow Homer, published 1859
Winslow Homer, ritrattoWinslow HomerStati Uniti, 1836–1910

Fall Games - The Apple-Bee

published 1859 · Print

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Dove si trova «Fall Games - The Apple-Bee» oggi? Collezione: National Gallery of Art, Washington. Non esposta al momento. Verificato 29 settembre 2026.

National Gallery of Art

Washington, Stati Uniti

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Numero di inventario
1958.3.11

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Nella vita di Winslow Homer

Tutta la vita
  1. 1857

    Freelance illustrator: “I have had no master”

    By 1857 Homer, having turned down an offer to join the staff of Harper's Weekly, was working as a freelance illustrator, drawing Boston and rural New England life for Ballou's Pictorial and Harper's Weekly, and opened his own studio in Boston. “From the time I took my nose off that lithographic stone,” he later said, “I have had no master, and never shall have any.”

  2. 1859

    Moves to New York

    Until 1859 Homer lived with his family in Belmont, where his uncle's mansion inspired a number of his early illustrations and paintings, including croquet scenes. In 1859 he moved to New York, the artistic and publishing capital of the country, and opened a studio in the Tenth Street Studio Building.

  3. 1860

    “Skating in Central Park” on show

    In 1860 Homer's watercolour “Skating in Central Park” was shown at the National Academy of Design, where he attended classes in 1859, 1860 and 1863. That same year he was eager to go to Europe, but the Civil War put the plans off.

  4. 1861

    Oil-painting lessons with Rondel

    In 1861 Homer learned to paint in oils, taking private lessons from the painters Frederick Rondel and Thomas Seir Cummings. Rondel taught him only the basics, and after about a year of teaching himself Homer was producing excellent oil work.

  5. 1861

    At the front of the Civil War

    His mother tried to raise family funds to send him to Europe to study, but instead Harper's sent Homer to the front lines of the Civil War; his first sketches were of the camp, commanders and army of General George B. McClellan on the banks of the Potomac in October 1861. The work was dangerous and exhausting, but his drawings of battles and camp life mark his growth from illustrator to painter.

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