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  3. Evening, San Giorgio Maggiore, Venice
Evening, San Giorgio Maggiore, Venice, Eugène Vail, c. 1900-1920

Evening, San Giorgio Maggiore, Venice

c. 1900-1920 · Drawing

Scheda

c. 1900-1920
18571934
Numero di inventario
2015.19.572

Altre opere di Eugène Vail

Tutte le opere

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Italia

Tutte le opere sul tema
Eugène Vail, ritrattoEugène VailStati Uniti, 1857–1934

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

ItaliaVeniceEvening

In catalogo

Disegni e acquerelliCarboncinoImpressionismoModernismoXX secoloAmerican

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — Museum open access
Along the Riva, Eugene Laurent Vail, n.d.

Along the Riva

n.d. · Smithsonian American Art Museum

Barques à Concarneau, Eugène Lawrence Vail, 19th century

Barques à Concarneau

19th century · Museo d'Orsay

Study for "Pêcheurs de la mer du Nord" (Study for "Fishermen of the North Sea"), Eugène Vail, c. 1893

Study for "Pêcheurs de la mer du Nord" (Study for "Fishermen of the North Sea")

c. 1893 · Non esposta · National Gallery of Art

Memory of Venice: the Palazzo Ducale and the Piazzetta, Eugène Vail, c. 1900-1920

Memory of Venice: the Palazzo Ducale and the Piazzetta

c. 1900-1920 · Non esposta · National Gallery of Art

The Piazzetta, Venice, Eugène Vail, c. 1900-1920

The Piazzetta, Venice

c. 1900-1920 · Non esposta · National Gallery of Art

Gondola, Evening in Venice, Eugène Vail, c. 1900-1920

Gondola, Evening in Venice

c. 1900-1920 · Non esposta · National Gallery of Art

Bridge, Venice, Eugène Vail, c. 1900-1920

Bridge, Venice

c. 1900-1920 · Non esposta · National Gallery of Art

Reflections, Venetian Canal, Eugène Vail, c. 1900-1920

Reflections, Venetian Canal

c. 1900-1920 · Non esposta · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Non esposta · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Non esposta · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Non esposta · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Non esposta · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Non esposta · National Gallery of Art