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  1. Collezione/
  2. Musée départemental de l'Oise/
  3. Etude d'homme (Titre d'usage)
Etude d'homme (Titre d'usage), Thomas Couture, 1852-1856
Thomas Couture, ritrattoThomas CoutureFrancia, 1815–1879

Etude d'homme (Titre d'usage)

1852-1856 · Painting · 79.5 × 111.5 cm

Sul dipinto

Con le parole del museo — in francese

Peinture à l'huile sur toile sur châssis. Cadre en bois mouluré doré à ornementaions moulées.

MDLMusée départemental de l'Oise

Scheda

1852-1856
18151879
Numero di inventario
68.448

Nel frattempo, nella vita di Thomas Couture

Tutta la vita
  1. late 1840s – 1850s

    Commissions for murals from the state and the Church

    His innovative technique draws much attention, and from the late 1840s through the 1850s Couture receives government and church commissions for murals. He never completed the first two, and the third met with mixed criticism.

  2. 1848–1852

    The commission for “The Enrolment of the Volunteers in 1792” is cancelled

    The commission for the picture “The Enrolment of the Volunteers in 1792” (1848–1852), intended for the hall of the National Assembly and on which Couture pinned great hopes of recognition, is cancelled after Louis-Napoleon comes to power.

  3. January 1850

    Manet becomes his pupil

    From January 1850 Couture teaches Édouard Manet for more than six years. In the end Manet broke with his teacher and with academism and became one of the founders of Impressionism.

  4. 1855

    The 1855 World’s Fair: “The Falconer” misses the top award

    At the 1855 World’s Fair Couture shows the picture “The Falconer”, but it does not win the highest award, which he regards as a major setback. As a result he renounces the first-class medal awarded to him for this picture and for “The Romans of the Decadence”.

  5. 1855

    A major quarrel with Manet over his new work

    In 1855 a major conflict breaks out between Couture and Manet over the young artist’s new work: Couture declares that if Manet claims to lead an art school, he should found it somewhere else. Their disagreements arose over other matters too: in the heat of one quarrel Manet packed his things and abandoned his studies, but returned at his father’s insistence.

Altre opere di Thomas Couture

Tutte le opere
  • after 1858

    The final break with Manet over “The Absinthe Drinker”

    Manet invites Couture to his home, where Couture declares himself outraged by the “drunkard” and by the “vileness” the artist has created. The cause is Manet’s “The Absinthe Drinker” (1858–1859); after that, teacher and pupil never meet again.

  • Si può ammirare?

    Non si sa

    MDL
    Musée départemental de l'Oise

    Beauvais, Francia

    Il proprietario è noto; non si sa se oggi sia esposta.

    Ultimo cambio di stato
    5 ott 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    Che cosa raffigura

    Figure (homme : couché, nu, de face)

    In catalogo

    DipintiOlioPittura franceseRealismoXIX secoloFrancia

    Fonti

    • Musée départemental de l'Oise
    • Immagine: Musée départemental de l'Oise — © Réunion des musées nationaux-Grand Palais (MUDO - Musée de l'Oise) / Adrien Didierjean - Utilisation des photographies soumise à autorisation; Ministère de la Culture (France), base Joconde
    Jeune femme en buste, les épaules dénudées., Couture, Thomas, 2e tiers du XIXe siècle (1835 - 1879)

    Jeune femme en buste, les épaules dénudées.

    2e tiers du XIXe siècle (1835 - 1879) · Museo del Louvre

    Marie Simonet, du village de Villemoyenne (Aisne)., Couture, Thomas, 2e quart du XIXe siècle (1836)

    Marie Simonet, du village de Villemoyenne (Aisne).

    2e quart du XIXe siècle (1836) · Museo del Louvre

    Adolphe Moreau (1827-1882), fils du collectionneur Adolphe Moreau et père du donateur des MuséesNationaux, Étienne Moreau-Nélaton., Couture, Thomas, 2e quart du XIXe siècle (1845)

    Adolphe Moreau (1827-1882), fils du collectionneur Adolphe Moreau et père du donateur des MuséesNationaux, Étienne Moreau-Nélaton.

    2e quart du XIXe siècle (1845) · Museo del Louvre

    Romans of the Decadence, Thomas Couture, 1847

    Romans of the Decadence

    1847 · Harvard Art Museums

    The Bird Catcher, Thomas Couture, c. 1857

    The Bird Catcher

    c. 1857 · Art Institute of Chicago

    The Romans of the Decadence, Thomas Couture, 1847

    The Romans of the Decadence

    1847 · Museo d'Orsay

    Armstudie, Thomas Couture

    Armstudie

    Österreichische Galerie Belvedere

    La Courtisane, Thomas Couture, c. 19th century

    La Courtisane

    c. 19th century · Museo d'Orsay