Jacques CallotFrancia, 1592–1635Drie dolfijnen en een dode krokodil
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Amsterdam, Paesi Bassi
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- Fonte
- Il museo
Sull’opera
Con le parole del museo — in olandese
Voorstelling van twee volwassen dolfijnen en een babydolfijn, die zwemmen in de buurt van een strand waarop een dode krokodil ligt. Dit blad is onderdeel van de embleemserie 'Leven van Maria in emblemen'. De eerste staat van deze serie behelst naast een titelpagina en 26 emblemen ook drie bladen met lofzangen op Maria in boekdruk zonder afbeelding.
Rijksmuseum
Scheda
- Numero di inventario
- RP-P-OB-4933
Che cosa raffigura
In catalogo
Fonti
- Rijksmuseum
- Immagine: Rijksmuseum — public domain
Nel frattempo, nella vita di Jacques Callot
Tutta la vita1621–1635 · Luogo di lavoro
Nancy
1627
In the Netherlands at Infanta Isabella’s invitation
At the invitation of the Infanta Isabella Callot visits the Netherlands; views of Holland, like those of Italy and France, and characteristic portraits of soldiers, circus performers and actors are reflected in his work.
1627
Van Dyck paints his portrait in Brussels
In Brussels Callot meets Anthony van Dyck, who paints his portrait; it is later engraved by Lucas Vorsterman and enters the famous “Iconography”.
1627 · Luogo di lavoro
Breda
1627
Meets Honthorst in Utrecht
In Utrecht Callot meets the Caravaggist G. van Honthorst, one of the main representatives of the school of the Utrecht Caravaggisti.
1629–1630
Declines to serve Louis XIII
King Louis XIII of France offers Callot a place at his court, but the artist declines; by one account, as a patriot of Lorraine he could not forgive the king for the devastation of his homeland by French troops.
