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  1. Collezione/
  2. Herzog Anton Ulrich-Museum/
  3. Die Kreuzabnahme
Die Kreuzabnahme, Giorgio Vasari, 16th century
Giorgio Vasari, ritrattoGiorgio VasariItalia, 1511–1574

Die Kreuzabnahme

16th century · Drawing

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Herzog Anton Ulrich-Museum

Braunschweig, Germania

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
27 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

Nel frattempo, nella vita di Giorgio Vasari

Tutta la vita
  1. 30 luglio 1511

    Born

  2. 1550

    Finishes the manuscript of the “Lives”

    Vasari took great care over his work on the artists of his day: he gave part of the manuscript to Annibale Caro, who helped with comments, and the monk Matteo Faetani made substantial corrections at his request; the book was finished in 1550.

  3. 1550

    The first edition of the “Lives”

    The “Lives of the Most Excellent Painters, Sculptors, and Architects”, dedicated to Grand Duke Cosimo I de' Medici, presented the development of art as a history of heroic creators; Vasari introduced in print the term “Rinascita” (“rebirth”) for the change in artistic styles that began with Giotto.

  4. 1563

    Helps found the Accademia delle Arti del Disegno

    With Grand Duke Cosimo I de' Medici and Michelangelo as heads of the institution, Vasari helped found the Florentine Accademia e Compagnia delle Arti del Disegno; thirty-six artists were chosen as members.

  5. 1568

    The second edition of the “Lives”, with portraits

    In 1568 the book appeared partly rewritten and extended, with woodcut portraits of artists (some conjectural); between the editions Vasari visited Venice, and the second edition gave more attention to Venetian art, finally including Titian.

  6. 27 giugno 1574

Altre opere di Giorgio Vasari

Tutte le opere

Dalla collezione: Herzog Anton Ulrich-Museum

Pagina del museo

Sullo stesso tema · Kreuz

Tutte le opere sul tema

Died

Che cosa raffigura

KreuzKreuzabnahmeLeichnamPassionTrauer

In catalogo

Disegni e acquerelliRinascimentoXVI secolo

Fonti

  • Herzog Anton Ulrich-Museum
  • Immagine: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0
Six Tuscan Poets, Giorgio Vasari, 1543–44

Six Tuscan Poets

1543–44 · Minneapolis Institute of Art

L'Annonciation, Vasari, Giorgio, Fin du XVIe siècle - début du XVIIè siècle (1575 - 1625)

L'Annonciation

Fin du XVIe siècle - début du XVIIè siècle (1575 - 1625) · Museo del Louvre

Saint Mark, Giorgio Vasari, 1570-1571

Saint Mark

1570-1571 · National Gallery of Art

Saint Luke, Giorgio Vasari, 1570-1571

Saint Luke

1570-1571 · National Gallery of Art

Allegory of Peace, Italian 16th Century after Giorgio Vasari

Allegory of Peace

Non esposta · National Gallery of Art

Die Predigt des Paulus vom Areopag in Athen, Giorgio Vasari

Die Predigt des Paulus vom Areopag in Athen

Albertina

Christus am Ölberg, Giorgio Vasari

Christus am Ölberg

Albertina

Zwei nach links schreitende weibliche Figuren, Giorgio Vasari

Zwei nach links schreitende weibliche Figuren

Museum Kunstpalast

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

[Der Hl. Franziskus unter einem Baum im Gebet; St. Francis Beneath a Tree Praying; Saint François à genoux], Rembrandt, 1657

Rembrandt van Rijn

[Der Hl. Franziskus unter einem Baum im Gebet; St. Francis Beneath a Tree Praying; Saint François à genoux], 1657

Herzog Anton Ulrich-Museum

[Skizze mit der Kreuzabnahme; The Descent from the Cross. A Sketch; Descente de croix], Rembrandt, 1642

Rembrandt van Rijn

[Skizze mit der Kreuzabnahme; The Descent from the Cross. A Sketch; Descente de croix], 1642

Herzog Anton Ulrich-Museum

[Die Enthauptung Johannes des Täufers; The Beheading of St John the Baptist; Décollation de S. Jean Baptiste], Rembrandt, 1631

Rembrandt van Rijn

[Die Enthauptung Johannes des Täufers; The Beheading of St John the Baptist; Décollation de S. Jean Baptiste], 1631

Herzog Anton Ulrich-Museum

Die drei Kreuze, Rembrandt

Rembrandt van Rijn

Die drei Kreuze

Kupferstich-Kabinett

[Mann mit Kreuz und Halskette an einem Schreibtisch; Man at a Desk Wearing a Cross and Chain; Homme avec chaîne et croix], Rembrandt, 1641

Rembrandt van Rijn

[Mann mit Kreuz und Halskette an einem Schreibtisch; Man at a Desk Wearing a Cross and Chain; Homme avec chaîne et croix], 1641

Herzog Anton Ulrich-Museum

Die drei Kreuze, Rembrandt, 1653

Rembrandt van Rijn

Die drei Kreuze, 1653

Kupferstich-Kabinett

Christus am Kreuz mit der Engelbordüre, Albrecht Dürer, 1516

Albrecht Dürer

Christus am Kreuz mit der Engelbordüre, 1516

Herzog Anton Ulrich-Museum

Christus wird an das Kreuz genagelt, Albrecht Dürer, 1509

Albrecht Dürer

Christus wird an das Kreuz genagelt, 1509

Herzog Anton Ulrich-Museum