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  1. Collezione/
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  3. Design for a Stage Setting
Design for a Stage Setting, Alexandra Exter, ca. 1925

Design for a Stage Setting

ca. 1925 · Watercolour · 56 × 62.5 cm

Scheda

ca. 1925
18821949
Numero di inventario
E.792-1963

Nel frattempo, nella vita di Alexandra Exter

Tutta la vita
  1. 1921–1923

    Chintz designs, fashion and uniforms for the Red Army

    From 1921 she designs chintz patterns for industrial production and works with the Workshop of Contemporary Costume and then with the Moskvoshvei fashion house, and in 1922–1923 on dress uniforms for the Red Army. Her mass-production designs were wearable, but most of her fashion work was highly decorative and innovative, usually falling under haute couture.

  2. 1921–1924

    Employed by: Vkhutemas

  3. 1924

    Emigrates to France

    She and her husband emigrate to France and settle in Paris; she will never return to Soviet Russia.

  4. spring 1924

    The Soviet pavilion at the Venice Biennale

    In the spring of 1924 she travels to Venice to take part in organising the 14th Venice Biennale and the Soviet pavilion; most of her works are not shown but appear in the catalogue, and for the entrance hall on the pavilion's second floor she creates a special painting inspired by Venice.

  5. 1925–1930

    Teaches at Léger's Académie d'Art Contemporain

    At Fernand Léger's invitation she teaches at the Académie d'Art Contemporain in Paris from 1925 to 1930; other accounts say she first taught at the Académie Moderne and from 1926 to 1930 at Léger's Académie d'Art Contemporain.

  6. 1927

Altre opere di Alexandra Exter

Tutte le opere

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo

Sullo stesso tema · Theatre design

Tutte le opere sul tema

First solo exhibition at the Sturm gallery

The Berlin gallery Der Sturm organises her first solo exhibition.

Alexandra Exter, ritrattoAlexandra ExterPolonia, 1882–1949

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
12 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

Theatre designBallet

In catalogo

Disegni e acquerelliGuazzoModernismoXX secoloParigi

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London
Theatrical Composition, Alexandra Exter, c. 1925

Theatrical Composition

c. 1925 · Museum of Modern Art

Конструктивный натюрморт, Alexandra Exter, 1920-1921

Конструктивный натюрморт

1920-1921 · Museo russo

Cubist Nude, Alexandra Exter, c. 1912

Cubist Nude

c. 1912 · Non esposta · Museum of Modern Art

Город ночью, Alexandra Exter, 1913

Город ночью

1913 · Museo russo

Plate (facing page 96) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2, Alexandra Exter, 1914

Plate (facing page 96) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2

1914 · Non esposta · Museum of Modern Art

Plate (facing page 81) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2, Alexandra Exter, 1914

Plate (facing page 81) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2

1914 · Non esposta · Museum of Modern Art

Neuvazhitel'nyia osnovaniia (Weak Foundations), Alexandra Exter, 1916

Neuvazhitel'nyia osnovaniia (Weak Foundations)

1916 · Non esposta · Museum of Modern Art

Composition, Alexandra Exter, c. 1916

Composition

c. 1916 · Non esposta · Museum of Modern Art

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Drawing, Forbes-Robertson, 1901

Forbes-Robertson

Drawing, 1901

Non esposta · Victoria and Albert Museum

Drawing, Forbes-Robertson, 1902

Forbes-Robertson

Drawing, 1902

Non esposta · Victoria and Albert Museum

Design for stage Scene: 'The Hour Glass' by W B Yeats., Edward Gordon Craig, 1910

Edward Gordon Craig

Design for stage Scene: 'The Hour Glass' by W B Yeats., 1910

Non esposta · Victoria and Albert Museum

David Garrick as Don John in his adaptation of 'The Chances' by Beaumont and Fletcher, Act 1, Scene 2, with a view intended to be Naples in the background, Philip James de Loutherbourg, 1774

Philip James de Loutherbourg

David Garrick as Don John in his adaptation of 'The Chances' by Beaumont and Fletcher, Act 1, Scene 2, with a view intended to be Naples in the background, 1774

Non esposta · Victoria and Albert Museum

Drawing, Forbes-Robertson, 1910

Forbes-Robertson

Drawing, 1910

Non esposta · Victoria and Albert Museum

Drawing, Forbes-Robertson, 1884

Forbes-Robertson

Drawing, 1884

Non esposta · Victoria and Albert Museum

Design for stage scene for 'Hamlet', Edward Gordon Craig, 1910

Edward Gordon Craig

Design for stage scene for 'Hamlet', 1910

Non esposta · Victoria and Albert Museum

Drawing, Glyn Warren Philpot, ca.1930

Glyn Warren Philpot

Drawing, ca.1930

Non esposta · Victoria and Albert Museum