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  3. Das leere Café (The Empty Café)
Das leere Café (The Empty Café), Walter Gramatté, 1918

Das leere Café (The Empty Café)

1918 · Drawing

Scheda

1918 · a 21 anni
18971929
Numero di inventario
2007.71.2

Altre opere di Walter Gramatté

Tutte le opere

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Taverns/cafes/inns

Tutte le opere sul tema
Walter Gramatté, ritrattoWalter GramattéGermania, 1897–1929

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

Taverns/cafes/inns

In catalogo

Disegni e acquerelliPennaModernismoXX secoloGerman

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — Museum open access
The Burial (Begräbnis), Walter Gramatté, 1916

The Burial (Begräbnis)

1916 · Non esposta · National Gallery of Art

The Burial (Begrabnis), Walter Gramatté, 1916

The Burial (Begrabnis)

1916 · Non esposta · National Gallery of Art

Barracks (Kaserne), Walter Gramatté, 1916

Barracks (Kaserne)

1916 · Non esposta · National Gallery of Art

Barracks (Kaserne) (plate, loose leaf) from the periodical Das Kunstblatt, vol. 1, no. 9 (Sep 1917), Walter Gramatté, 1917 (executed 1916)

Barracks (Kaserne) (plate, loose leaf) from the periodical Das Kunstblatt, vol. 1, no. 9 (Sep 1917)

1917 (executed 1916) · Non esposta · Museum of Modern Art

Das leere Café (The Empty Café), Walter Gramatté, 1917

Das leere Café (The Empty Café)

1917 · Non esposta · National Gallery of Art

Scene in the Cafe with the Cripple, Walter Gramatté, 1918

Scene in the Cafe with the Cripple

1918 · Non esposta · National Gallery of Art

The Great Anxiety (Self-Portrait in Three-Quarter Profile to the Right) (Die große  Angst [Selbstportrat, Kopf im Halbprofil nach rechts]), Walter Gramatté, 1918

The Great Anxiety (Self-Portrait in Three-Quarter Profile to the Right) (Die große Angst [Selbstportrat, Kopf im Halbprofil nach rechts])

1918 · Non esposta · National Gallery of Art

Peter with a Gunshot Wound in His Forehead, Walter Gramatté, 1918

Peter with a Gunshot Wound in His Forehead

1918 · Non esposta · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Sketches from a Tavern: Woman Standing and Two Men Seated, Attributed to Rembrandt van Rijn

Rembrandt van Rijn

Sketches from a Tavern: Woman Standing and Two Men Seated

Non esposta · National Gallery of Art

A Corner of the Moulin de la Galette, Henri de Toulouse-Lautrec, 1892

Henri de Toulouse-Lautrec

A Corner of the Moulin de la Galette, 1892

National Gallery of Art

Quadrille at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892

Henri de Toulouse-Lautrec

Quadrille at the Moulin Rouge, 1892

National Gallery of Art

La Goulue and Her Sister, Henri de Toulouse-Lautrec, c. 1892

Henri de Toulouse-Lautrec

La Goulue and Her Sister, c. 1892

Non esposta · National Gallery of Art

The Railway Restaurant, Edouard Manet, c. 1879

Édouard Manet

The Railway Restaurant, c. 1879

Non esposta · National Gallery of Art

Plum Brandy, Edouard Manet, c. 1877

Édouard Manet

La prugna, c. 1877

National Gallery of Art

Henry Schlactner, Kerouac’s friend Al Sublette by Peter Orlovsky. Foster’s Cafeteria S.F. 1955. Me on right., Allen Ginsberg, 1955, printed later

Allen Ginsberg

Henry Schlactner, Kerouac’s friend Al Sublette by Peter Orlovsky. Foster’s Cafeteria S.F. 1955. Me on right., 1955, printed later

Non esposta · National Gallery of Art

Cafe, Max Liebermann

Max Liebermann

Cafe

Non esposta · National Gallery of Art