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  1. Collezione/
  2. Albertina/
  3. Das Budweiser Tor in Krumau
Das Budweiser Tor in Krumau, Egon Schiele, 1906
Egon Schiele, ritrattoEgon SchieleAustria, 1890–1918

Das Budweiser Tor in Krumau

1906 · Drawing

Si può ammirare?

Non si sa: il museo mantiene il riserbo

Albertina

Vienna, Austria

Il proprietario è noto. Se oggi sia esposta, il museo non lo dice, e a indovinare non ci hanno insegnato.

Ultimo cambio di stato
27 set 2026
Fonte
I dati di collezione del museo stesso
Sulla mappaPagina del museo

Scheda

1906 · a 16 anni
18901918

In catalogo

Disegni e acquerelliModernismoXX secolo

Fonti

  • Albertina: i dati aperti del museo · acquisita 8 giorni fa
  • Immagine: Albertina — Public Domain Mark 1.0

Nel frattempo, nella vita di Egon Schiele

Tutta la vita
  1. c. 1905

    His father’s death and the family’s ruin

    When Schiele was 14 his father died of syphilis, and the family, which had been fairly wealthy, was left impoverished: before his death the father, in a fit of insanity, had burned the railway stocks that would have supported them. His elder sister Melanie, hired as a ticket clerk at the local station, became the sole breadwinner.

  2. after 1905

    His uncle Czihaczek’s guardianship and the tutor Strauch

    Schiele and his sister Gerti became wards of Leopold Czihaczek, the husband of their aunt and also a railway official: he wanted his nephew to follow in his footsteps but, recognising Schiele’s talent for drawing, allowed him a tutor, the artist Ludwig Karl Strauch. Later the uncle renounced his guardianship and Schiele depended on his mother’s support until it was cut off because his sister Melanie objected to the expense, which caused a rift in the family.

  3. 1906

    The School of Arts and Crafts, then the Academy

    In 1906 Schiele entered the Kunstgewerbeschule (School of Arts and Crafts) in Vienna, where Gustav Klimt had once studied, and tried his hand at sculpture, making small clay and plaster pieces; within his first year, at the insistence of several faculty members, he was sent to the more traditional Academy of Fine Arts.

  4. 1906–1909

    The Academy: the strict Griepenkerl

    Schiele’s main teacher at the Academy was Christian Griepenkerl, a painter whose strict doctrine and ultra-conservative style frustrated and dissatisfied Schiele so much that he left after three years.

  5. 1907

    Gustav Klimt: mentor and patron

    In 1907 Schiele sought out Gustav Klimt, who generously mentored younger artists: Klimt bought his drawings, offered to exchange them for some of his own, arranged models for him and introduced him to potential patrons and to the Wiener Werkstätte. Schiele’s earliest works of 1907–1909 show strong similarities with Klimt’s, as well as influences from Art Nouveau.

  6. 1908

    The first exhibition, in Klosterneuburg

    In 1908 Schiele’s first exhibition took place in the town of Klosterneuburg near Vienna, where he had earlier attended school.

Altre opere di Egon Schiele

Tutte le opere
Portrait of Albert Paris von Gütersloh, Egon Schiele, 1918

Portrait of Albert Paris von Gütersloh

1918 · Minneapolis Institute of Art

Head of a Woman, Egon Schiele, 1908

Head of a Woman

1908 · Non esposta · National Gallery of Art

Portrait of Gerti Schiele, Egon Schiele, 1909

Portrait of Gerti Schiele

1909 · Non esposta · Museum of Modern Art

Standing Male Nude with Arm Raised, Back View, Egon Schiele, 1910

Standing Male Nude with Arm Raised, Back View

1910 · Non esposta · Museum of Modern Art

Standing Girl Wrapped in Blanket, Egon Schiele, 1911

Standing Girl Wrapped in Blanket

1911 · Non esposta · Museum of Modern Art

Girl with Black Hair (Mädchen mit schwarzem Haar), Egon Schiele, 1911

Girl with Black Hair (Mädchen mit schwarzem Haar)

1911 · Non esposta · Museum of Modern Art

Self-Portrait, Egon Schiele, 1912

Self-Portrait

1912 · Non esposta · National Gallery of Art

Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar), Egon Schiele, 1912

Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar)

1912 · Non esposta · Museum of Modern Art