
Ernst Ludwig KirchnerGermania, 1880–1938Si può ammirare?
Minneapolis, Stati Uniti
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The many nudes in Kirchner's works reflect his interest in sexual freedom and the contemporary cults of nudity and athleticism. He also frequently used the dance atelier to symbolize his own studio, a communal workshop for members of The Bridge (Die Brücke). By combining nude figures with studio settings, Kirchner evoked the frank spontaneity and bohemian sensuality so admired by all the Brücke painters.
Minneapolis Institute of Art
October 1911
Moves to Berlin
In October 1911 Kirchner moved to Berlin; new themes entered his painting — life in the big city, its streets and architecture, the human types characteristic of the capital.
1913
The “Brücke Chronicle” and the break-up of the group
In 1913 Kirchner wrote the “Chronicle of the Brücke group,” in which, his comrades felt, he overstated his own role in its creation; a quarrel followed, Kirchner left the Brücke and the group fell apart.
1913
First solo exhibition in Essen
In 1913 the Folkwang Museum in Essen held Kirchner’s first solo exhibition, which established his individual identity beyond the group.
September 1914
Volunteers for the First World War
In September 1914, at the outbreak of the First World War, Kirchner volunteered for military service.
July 1915
Driver training in Halle and discharge
In July 1915 Kirchner was sent to Halle an der Saale to train as a driver in the reserve unit of the 75th Mansfeld Field Artillery Regiment; after a mental breakdown his riding instructor, Professor Hans Fehr, arranged for Kirchner’s discharge from service.
summer 1917
The Reusch Hut on the Stafelalp
Resenting Dr. Spengler’s constant watch and doing all he could to deceive him, Kirchner moved to the Reusch Hut on the Stafelalp in the summer of 1917; Erna Schilling stayed in Berlin, looking after the apartment and studio and keeping up commercial and personal contacts in Germany.