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  1. Collezione/
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  3. Cypress, Pebble Beach
Cypress, Pebble Beach, Edward Weston, 1932
Edward Weston, ritrattoEdward WestonStati Uniti, 1886–1958

Cypress, Pebble Beach

1932 · Photograph

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1932 · a 46 anni
18861958
Numero di inventario
2020.29.81

Che cosa raffigura

AlberoCaliforniaSpiaggiaNature

In catalogo

FotografieStampa ai sali d’argentoModernismoXX secoloAmerican

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — © the artist or rights holder

Nel frattempo, nella vita di Edward Weston

Tutta la vita
  1. 1930–1931

    A series of one-man exhibitions, 1930–1931

    The first is at Alma Reed’s Delphic Studio Gallery in New York, followed closely by the same show at the Denny Watrous Gallery in Carmel; both receive rave reviews, including a two-page article in the New York Times Magazine. Shows at the De Young Museum in San Francisco and the Galerie Jean Naert in Paris follow.

  2. 1932

    The first book on his work: “The Art of Edward Weston”

    The Art of Edward Weston, edited by Merle Armitage, is published, the first book devoted exclusively to Weston’s work; it is dedicated to Alice Rohrer, an admirer and patron whose $500 donation helped pay for its publication.

  3. November 1932

    The Group f/64 exhibition at the De Young Museum

    A small group of like-minded photographers in the San Francisco area, led by Van Dyke and Ansel Adams, inspired by Weston’s show at the De Young Museum the previous year, approach the museum with the idea of a group exhibition; calling themselves Group f/64, they open a show of 80 of their prints there in November 1932, and it is a critical success.

  4. 1933

    Buys a 4 × 5 Graflex camera

    The new camera is much smaller and lighter than the large view camera he had used for many years; he begins taking close-up nudes of Noskowiak and other models — the smaller camera lets him interact more with them — and the nudes begin to resemble the contorted roots and vegetables he had photographed the year before.

  5. early 1934

    Meets Charis Wilson at a concert

    Meeting Charis Wilson at a concert, he is immediately captivated by her beauty and personality, even more than with his previous lovers; a new and important chapter opens in his life. He writes that a new and most beautiful love has come into his life, one that he believes will stand the test of time.

  6. 1934

    Stops writing his Daybooks

    Perhaps because of the intensity of his new relationship, he stops writing in his Daybooks, and six months later makes one final entry, looking back from 22 April: Charis, he writes, may be remembered as the great love of his life.

Altre opere di Edward Weston

Tutte le opere
Shell, Edward Weston, 1927

Shell

1927 · Museum of Modern Art

Cypress Root and Succulents, Point Lobos, Edward Weston, 1930

Cypress Root and Succulents, Point Lobos

1930 · Museum of Modern Art

Guadalupe, Mexico, Edward Weston, 1924

Guadalupe, Mexico

1924 · Minneapolis Institute of Art

Violet Romer. (reaching for tall reed, wearing fairy costume), Edward Weston, c. 1917

Violet Romer. (reaching for tall reed, wearing fairy costume)

c. 1917 · Non esposta · Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Non esposta · Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Non esposta · Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Non esposta · Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Non esposta · Museum of Modern Art

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Sullo stesso tema · Albero

Tutte le opere sul tema
From Glacier Point, Ansel Adams, 1927

Ansel Adams

From Glacier Point, 1927

Non esposta · National Gallery of Art

Young Oaks, Winter, Yosemite National Park, California, Ansel Adams, 1938, printed later

Ansel Adams

Young Oaks, Winter, Yosemite National Park, California, 1938, printed later

Non esposta · National Gallery of Art

Trees and Houses Near the Jas de Bouffan, Paul Cézanne, 1885–86

Paul Cézanne

Trees and Houses Near the Jas de Bouffan, 1885–86

Metropolitan Museum of Art

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

Art Institute of Chicago

The Flowering Orchard, Vincent van Gogh, 1888

Vincent van Gogh

The Flowering Orchard, 1888

Metropolitan Museum of Art

The Acrobats (Les saltimbanques), Pablo Picasso, 1905, published 1913

Pablo Picasso

The Acrobats (Les saltimbanques), 1905, published 1913

Non esposta · National Gallery of Art

L'atelier de Cannes (The Studio in Cannes), Pablo Picasso, 1955

Pablo Picasso

L'atelier de Cannes (The Studio in Cannes), 1955

Non esposta · National Gallery of Art

The Acrobats (Les saltimbanques), Pablo Picasso, 1905, published 1913

Pablo Picasso

The Acrobats (Les saltimbanques), 1905, published 1913

Non esposta · National Gallery of Art