ART WIKI33.040 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Victoria and Albert Museum/
  3. CYBERFLOWER, Sunshine Version I
CYBERFLOWER, Sunshine Version I, Roman Verostko, 2008
RRoman VerostkoStati Uniti

CYBERFLOWER, Sunshine Version I

2008 · Drawing

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
13 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Sull’opera

Roman Verostko (born 1929 USA) was one of the earliest artists experimenting with algorithmic art - work created using an algorithm or set of instructions written by the artist - and has been a key figure in its development. He was a member of the ‘The Algorists’, a term coined in 1995 to describe a set of artists, who, since the 1960s and 1970s, had been working with a shared interest in the use of bespoke software for generating art using the computer.

This drawing began from a set of co-ordinates randomly chosen by the computer which offered a starting point for each of the curved lines. By subtly adjusting the parameters within which the computer could make its choices, Verostko was able to maintain some control over the image. This balance between what the artist has described as 'random selection and rational control' is the driving force behind much of Verostko's work.

Victoria and Albert Museum

Scheda

Numero di inventario
E.945-2008

In catalogo

Disegni e acquerelliArte contemporaneaXXI secoloUSA

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London

Altre opere di Roman Verostko

Tutte le opere
Untitled, Roman Verostko, 1967

Untitled

1967 · Non esposta · Victoria and Albert Museum

Untitled, Series: 20 Pathway, Roman Verostko, 1987

Untitled, Series: 20 Pathway

1987 · Non esposta · Whitney Museum of American Art

Untitled, Roman Verostko, 1987

Untitled

1987 · Non esposta · Victoria and Albert Museum

Pathway Series, Roman Verostko, 1987

Pathway Series

1987 · Non esposta · Victoria and Albert Museum

Untitled, Roman Verostko, 1987

Untitled

1987 · Non esposta · Victoria and Albert Museum

Untitled, Series: 11 Pathway, Roman Verostko, 1988

Untitled, Series: 11 Pathway

1988 · Non esposta · Whitney Museum of American Art

Meditation, Roman Verostko, 1989

Meditation

1989 · Non esposta · Victoria and Albert Museum

Gaia Series, Roman Verostko, 1989-2003

Gaia Series

1989-2003 · Non esposta · Victoria and Albert Museum

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024