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  1. Collezione/
  2. National Gallery of Art/
  3. Convex and Concave
Convex and Concave, M.C. Escher, 1955
Maurits Cornelis Escher, ritrattoMaurits Cornelis EscherPaesi Bassi, 1898–1972

Convex and Concave

1955 · Print

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1955 · a 57 anni
18981972
Numero di inventario
1974.28.55

Che cosa raffigura

ArchitetturaLadderFlagReptileEdificioBannerFigures

In catalogo

StampeLitografiaArte del dopoguerraXX secoloDutch

Fonti

  • National Gallery of Art
  • Immagine: National Gallery of Art — © the artist or rights holder

Nel frattempo, nella vita di Maurits Cornelis Escher

Tutta la vita
  1. 1954

    An exhibition for the Mathematical Congress

    In 1954, for the International Congress of Mathematicians in Amsterdam, an exhibition of Escher’s work organised by N. G. de Bruijn opened at the Stedelijk Museum; Roger Penrose and H. S. M. Coxeter were deeply impressed by his intuitive grasp of mathematics. The exhibition took up so much time that in 1954 Escher made only two works.

  2. 27 April 1955

    Knight of the Order of Orange-Nassau

    On 27 April 1955 Escher was made a Knight (fifth class) of the Order of Orange-Nassau; in 1967 Queen Juliana raised him to the rank of Officer.

  3. 1956–1960

    The Penroses and “impossible figures”

    “House of Stairs” (1951) attracted the interest of the mathematician Roger Penrose and his father, the biologist Lionel Penrose; in 1956 they published a paper on impossible objects and later sent Escher a copy. He replied, admiring their continuously rising flights of steps, and enclosed a print of “Ascending and Descending” (1960); he went on to use the Penrose triangle repeatedly, notably in “Waterfall” (1961).

  4. 1957–1959

    Coxeter and “Circle Limit”

    In 1957 the geometer Donald Coxeter, with Escher’s permission, used two of his drawings in a paper on crystal symmetry and sent him a copy; the figure of a hyperbolic tessellation, with tiles shrinking rapidly towards the edge of a circle, “gave him quite a shock” — here was a way to represent infinity on a plane. He called his experiments “Coxetering”; they gave the series of wood engravings “Circle Limit I–IV”, and in 1959 Coxeter concluded that they were accurate to the millimetre.

Altre opere di Maurits Cornelis Escher

Tutte le opere
Green Sea, M.C. Escher

Green Sea

Non esposta · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d

Study for Regular Division of the Plane

n.d · Non esposta · National Gallery of Art

Portrait, M.C. Escher

Portrait

Non esposta · National Gallery of Art

(Color test for unidentified print), M.C. Escher

(Color test for unidentified print)

Non esposta · National Gallery of Art

Pond, M.C. Escher

Pond

Non esposta · National Gallery of Art

Railroad, M.C. Escher

Railroad

Non esposta · National Gallery of Art

City with Rocks (verso), M.C. Escher

City with Rocks (verso)

Non esposta · National Gallery of Art

Study for Regular Division of the Plane, M.C. Escher, n.d.

Study for Regular Division of the Plane

n.d. · Non esposta · National Gallery of Art

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Sullo stesso tema · Architettura

Tutte le opere sul tema
American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Art Institute of Chicago

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942

Art Institute of Chicago

Longitudinal View of Saint Peter's, Rome, Ambrogio Brambilla, after Michelangelo, 1575/1590

Michelangelo

Longitudinal View of Saint Peter's, Rome, 1575/1590

Non esposta · National Gallery of Art

Munich - Meiserstrasse ?, Andy Warhol, June 1, 1982

Andy Warhol

Munich - Meiserstrasse ?, June 1, 1982

Non esposta · National Gallery of Art

Buildings, Andy Warhol, n.d.

Andy Warhol

Buildings, n.d.

Non esposta · National Gallery of Art

Munich - Meiserstrasse ?, Andy Warhol, June 1, 1982

Andy Warhol

Munich - Meiserstrasse ?, June 1, 1982

Non esposta · National Gallery of Art

Flash—November 22, 1963, Andy Warhol, 1968

Andy Warhol

Flash—November 22, 1963, 1968

Non esposta · National Gallery of Art

Munich - Meiserstrasse ?, Andy Warhol, June 1, 1982

Andy Warhol

Munich - Meiserstrasse ?, June 1, 1982

Non esposta · National Gallery of Art