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  1. Collezione/
  2. Smithsonian American Art Museum/
  3. Coming to the Parson
Coming to the Parson, John Rogers, patented 1870

Coming to the Parson

patented 1870 · Sculpture · 54.5 × 42 cm

Sulla scultura

John Rogers sold more than eight thousand copies of the group Coming to the Parson, making it by far his most successful piece. This group was particularly favored as a wedding present. Rogers included a newspaper titled The Union, which was inspired by a newspaper he read while working as a mechanic in Manchester, New Hampshire.

Smithsonian American Art Museum

Scheda

patented 1870 · a 62 anni
18081888
Numero di inventario
1882.1.9

Altre opere di John Rogers

Tutte le opere

Sotto lo stesso tetto: Smithsonian American Art Museum

Pagina del museo

Sullo stesso tema · Rites and ceremonies

Tutte le opere sul tema
JJohn RogersStati Uniti, 1808–1888

Si può ammirare?

Non si sa

Smithsonian American Art Museum

Washington, Stati Uniti

Il proprietario è noto; non si sa se oggi sia esposta.

Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

Rites and ceremoniesWeddingOccupationsFigure groupReligionClergy

In catalogo

SculturaGessoRealismoImpressionismoXIX secolo

Fonti

  • Smithsonian American Art Museum
  • Immagine: Smithsonian American Art Museum — CC0
Portret van Hugh Latimer, John Rogers, 1818 - 1888

Portret van Hugh Latimer

1818 - 1888 · Rijksmuseum

Portret van Lodewijk Filips I, koning van Frankrijk, John Rogers, 1821 - 1877

Portret van Lodewijk Filips I, koning van Frankrijk

1821 - 1877 · Rijksmuseum

Portret van George III, John Rogers, 1824

Portret van George III

1824 · Rijksmuseum

Oude man met brief, John Rogers, 1826

Oude man met brief

1826 · Rijksmuseum

Portret van Cornelis van der Geest, John Rogers, 1830 - 1836

Portret van Cornelis van der Geest

1830 - 1836 · Rijksmuseum

The Tap on the Window, John Rogers, 1870s

The Tap on the Window

1870s · Smithsonian American Art Museum

Alice Carey, John Rogers, about 1850–1871

Alice Carey

about 1850–1871 · Non esposta · Getty Museum

"Is It So Nominated in the Bond?", John Rogers, patented 1860

"Is It So Nominated in the Bond?"

patented 1860 · Smithsonian American Art Museum

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934

Sham Fight, Mandan Boys, George Catlin, 1832-1833

George Catlin

Sham Fight, Mandan Boys, 1832-1833

Smithsonian American Art Museum

Alaska Building with Totems at St. Louis Exposition, Theodore J. Richardson, 1904

Theodore J. Richardson

Alaska Building with Totems at St. Louis Exposition, 1904

Smithsonian American Art Museum

Buffalo Dance No.8, George Catlin, n.d.

George Catlin

Buffalo Dance No.8, n.d.

Smithsonian American Art Museum

Buffalo Dance No.8, George Catlin, n.d.

George Catlin

Buffalo Dance No.8, n.d.

Smithsonian American Art Museum

National Inauguration Ball March 4th, 1865, J. Goldsborough Bruff, 1865

J. Goldsborough Bruff

National Inauguration Ball March 4th, 1865, 1865

Smithsonian American Art Museum

Drawing, Carlo Maratti

Carlo Maratta

Drawing

Smithsonian American Art Museum

Medicine Buffalo of the Sioux, George Catlin, 1837-1839

George Catlin

Medicine Buffalo of the Sioux, 1837-1839

Smithsonian American Art Museum

Dias de Fiesta #1, George Overbury "Pop" Hart, ca. 1924

George Overbury (Pop) Hart

Dias de Fiesta #1, ca. 1924

Smithsonian American Art Museum