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  3. Champs Délicieux
Champs Délicieux, Man Ray, 1922
Man Ray, ritrattoMan RayStati Uniti, 1890–1976

Champs Délicieux

1922 · Photograph

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
16 giorni fa
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1922 · a 32 anni
18901976
Numero di inventario
253.1935.1-12

In catalogo

FotografieStampa ai sali d’argentoModernismoXX secolo

Fonti

  • Museum of Modern Art
  • Immagine: Museum of Modern Art — © the artist or rights holder

Nel frattempo, nella vita di Man Ray

Tutta la vita
  1. 1920

    Founding the Société Anonyme

    Man Ray, Katherine Dreier and Marcel Duchamp found the Société Anonyme, an itinerant collection that becomes the first museum of modern art in the United States; in 1941 its collection is donated to the Yale University Art Gallery.

  2. 1920s

    A photography studio: portraits of Paris bohemia

    Convinced that he cannot make a living from his art alone, Ray buys a camera and opens a studio; he creates a series of famous photographic portraits of Erik Satie, James Joyce, Gertrude Stein and Jean Cocteau.

  3. c. 1921

    Rayographs: photograms without a camera

    His accidental rediscovery of the cameraless photogram, which he calls 'rayographs', produces images hailed by Tristan Tzara as 'pure Dada creations'.

  4. 1921

    His first Paris exhibition at the Galerie Six

    Ray's first solo exhibition in Paris is held at the Galerie Six, organised by Philippe Soupault; for it he creates his first Dadaist work in France, The Gift (Le Cadeau).

  5. c. 1921

    Meeting Kiki de Montparnasse

    Shortly after arriving in Paris Ray meets and falls in love with Alice Prin, known as Kiki de Montparnasse, an artists' model and celebrated figure of Paris bohemian circles. She remains his companion for most of the 1920s, the subject of some of his most famous photographs, and stars in his films Le Retour à la raison and L'Étoile de mer.

  6. July 1921

    Moving to Paris, Montparnasse

    In July 1921 Ray goes to live and work in Paris, settling in the Montparnasse quarter favoured by many artists.

Altre opere di Man Ray

Tutte le opere
Untitled, Man Ray, 1915

Untitled

1915 · Museum of Modern Art

Untitled, Man Ray, 1931

Untitled

1931 · Museum of Modern Art

Departure of Summer, Man Ray, 1914

Departure of Summer

1914 · Art Institute of Chicago

Invention, Man Ray, 1916

Invention

1916 · Art Institute of Chicago

New York, Man Ray, 1917/1966

New York

1917/1966 · Whitney Museum of American Art

Cadeau (Gift), Man Ray, 1963 (1921 original now lost)

Cadeau (Gift)

1963 (1921 original now lost) · Art Institute of Chicago

Puériculture, Man Ray, mid–1940s (conceived c. 1921)

Puériculture

mid–1940s (conceived c. 1921) · Art Institute of Chicago

Chess Set, Man Ray, 1927

Chess Set

1927 · Art Institute of Chicago

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950