Joaquín SorollaSpagna, 1863–1923Busto masculino
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Madrid, Spagna
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- Ultimo cambio di stato
- Fonte
- Il museo
Sull’opera
Con le parole del museo — in spagnolo
Busto masculino prolongado, de perfil a la derecha. Representa a un hombre maduro, con entradas y bigote poblado pero pequeña perilla puntiaguda. Los demás rasgos del rostro no se han dibujado.
Museo Sorolla
Scheda
Che cosa raffigura
In catalogo
Fonti
- Museo Sorolla
- Immagine: Museo Sorolla — In Copyright
Nella vita di Joaquín Sorolla
Tutta la vita1907
Post: vocal of the Junta para Ampliación de Estudios e Investigaciones científicas
1908
Meets Archer Huntington
Large exhibitions in Germany and London met with more restraint than the Paris show, but in England Sorolla met Archer Milton Huntington, who made him a member of the Hispanic Society of America in New York and invited him to exhibit there.
1909
New York show: 195 of 356 paintings sold
The exhibition at the Hispanic Society of America comprised 356 paintings, 195 of which were sold. Sorolla spent five months in America and painted more than twenty portraits.
1911
Contract with Huntington for a series on Spain
In Paris Sorolla signed a contract with the American magnate and patron Archer Huntington for a series of paintings on life in Spain. The major commission of his career, it dominated his last years.
early 1911
Second US visit: St. Louis and Chicago
Sorolla visited the United States a second time and showed 152 new paintings at the Saint Louis Art Museum and, a few weeks later, 161 at the Art Institute of Chicago.
1911–1919
Through the provinces of Spain to paint from life
Huntington had envisioned a history of Spain; Sorolla preferred a “Vision of Spain” and finally images of the regions of the peninsula, “The Provinces of Spain”. He painted all but one of the huge canvases en plein air, travelling to Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipúzcoa, Castile, León and Ayamonte and posing models in local costume.
