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  3. Branches in Snow
Branches in Snow, Ansel Adams, c. 1932
Ansel Adams, ritrattoAnsel AdamsStati Uniti, 1902–1984

Branches in Snow

c. 1932 · Photograph

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
9 giorni fa
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

c. 1932
19021984
Numero di inventario
1685.1968

In catalogo

FotografieStampa ai sali d’argentoModernismoXX secolo

Fonti

  • Museum of Modern Art
  • Immagine: Museum of Modern Art — © the artist or rights holder

Nel frattempo, nella vita di Ansel Adams

Tutta la vita
  1. c. 1930

    Taos: Strand, O'Keeffe, Marin, Jeffers

    Bender takes Adams to Taos, where he befriends the poet Robinson Jeffers, the artists John Marin and Georgia O'Keeffe, and the photographer Paul Strand; his first book, “Taos Pueblo,” with text by Mary Hunter Austin, is published in 1930. Strand proves especially influential: he shares the secrets of his technique, convinces Adams to pursue photography fully, and recommends glossy paper to intensify tonal values.

  2. 1931

    First solo museum exhibition at the Smithsonian

    In 1931 the Smithsonian Institution hosts Adams's first solo museum exhibition, “Pictorial Photographs of the Sierra Nevada Mountains by Ansel Adams” — sixty prints taken in the High Sierra and the Canadian Rockies. The Washington Post writes that his photographs are like portraits of giant peaks inhabited by mythical gods.

  3. 1932

    Group f/64: the de Young exhibition and manifesto

    In 1932 Adams, Imogen Cunningham and Edward Weston show together at the M. H. de Young Museum and soon form Group f/64, which stands for “pure” or “straight” photography against pictorialism. Adams writes the group's manifesto for the exhibition: pure photography, it declares, has no qualities of technique, composition or idea derived from any other art form.

  4. 1933

    Opens his own gallery in San Francisco

    Following the example of Alfred Stieglitz, Adams opens his own art and photography gallery in San Francisco in 1933. He begins publishing essays in photography magazines, and in 1935 writes his first instructional book, “Making a Photograph.”

  5. 1934

    First defines “visualization” in print

    In 1934 Adams first defines in print the concept of “visualization” — picturing each image before taking it — which becomes a core principle of his photography. With it he pursues higher quality, relying on small apertures and long exposures in natural light, as in “Rose and Driftwood” (1933).

  6. 1934

    Elected to the Sierra Club's board of directors

    In 1934 Adams is first elected to the Sierra Club's board of directors, on which he will serve for thirty-seven years; his wife also served as a director.

Altre opere di Ansel Adams

Tutte le opere
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Rock, Bakers Beach, San Francisco, California

c. 1931 · Museum of Modern Art

Bridgeport Valley, Flooded Meadow, Ansel Adams, n.d.

Bridgeport Valley, Flooded Meadow

n.d. · Non esposta · Museum of Modern Art

Leaves, near Bishop, California, Ansel Adams, n.d.

Leaves, near Bishop, California

n.d. · Non esposta · Museum of Modern Art

From Glacier Point, Yosemite, Ansel Adams, n.d.

From Glacier Point, Yosemite

n.d. · Non esposta · Museum of Modern Art

Cliffs in Paradise Valley, Ansel Adams, n.d.

Cliffs in Paradise Valley

n.d. · Non esposta · Museum of Modern Art

Sierra Juniper, Ansel Adams, n.d.

Sierra Juniper

n.d. · Non esposta · Museum of Modern Art

Door, Abandoned Church, Sierra Foothills, Ansel Adams, n.d.

Door, Abandoned Church, Sierra Foothills

n.d. · Non esposta · Museum of Modern Art

Rocks, Sierra Foothills, California, Ansel Adams, n.d.

Rocks, Sierra Foothills, California

n.d. · Non esposta · Museum of Modern Art

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950