Jacques CallotFrancia, 1592–1635Bossu
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Musée de la faïence et des beaux-arts
Nevers, Francia
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- Ultimo cambio di stato
- Fonte
- Il museo
Sull’opera
Con le parole del museo — in francese
Gravure à l'eau-forte et rehauts de burin
Musée de la faïence et des beaux-arts
Scheda
- Numero di inventario
- NG 117 ; n° 170 (Catalogue Gallois)
Che cosa raffigura
In catalogo
Fonti
- Musée de la faïence et des beaux-arts
- Immagine: Musée de la faïence et des beaux-arts — © Evelyne Fougeret; Ministère de la Culture (France), base Joconde
Nel frattempo, nella vita di Jacques Callot
Tutta la vita1611–1621 · Luogo di lavoro
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1621
Returns to Nancy after the death of Cosimo II
After the death of Grand Duke Cosimo II de’ Medici, Callot responds to Duke Charles IV of Lorraine’s wish to see him at his court and returns to Lorraine, where he is received with flattering honours; staying in Nancy, he sends his prints all over Europe, and Rembrandt becomes a keen collector of them.
1621–1635 · Luogo di lavoro
Nancy
