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  1. Collezione/
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  3. Boats, Marseille
Boats, Marseille, László Moholy-Nagy, 1929
László Moholy-Nagy, ritrattoLászló Moholy-NagyStati Uniti, 1895–1946

Boats, Marseille

1929 · Photograph

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
9 giorni fa
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1929 · a 34 anni
18951946
Numero di inventario
1792.2001

In catalogo

FotografieStampa ai sali d’argentoModernismoXX secolo

Fonti

  • Museum of Modern Art
  • Immagine: Museum of Modern Art — © the artist or rights holder

Nel frattempo, nella vita di László Moholy-Nagy

Tutta la vita
  1. 1920–1933 · Residenza

    Berlin

  2. 1928

    Leaves the Bauhaus for his own Berlin studio

    In 1928 Moholy-Nagy left the Bauhaus (Marianne Brandt took over the metal workshop) and set up his own design studio in Berlin, employing István Seboek, György Kepes and Andor Weininger. He designed sets for operatic and theatrical productions (including Erwin Piscator's political theatre) as well as exhibitions and books, ad campaigns and films.

  3. 1929

    Helps organise “Film und Foto” in Stuttgart

    Moholy-Nagy was brought in to help organise the famous “Film und Foto” exhibition in Stuttgart.

  4. 1929

    Separates from Lucia

    In 1929 Moholy-Nagy separated from his first wife Lucia, photographer and collaborator in his photogram experiments.

  5. 1931

    Meets Sibylle Pietzsch

    Moholy-Nagy met the actress and scriptwriter Sibylle Pietzsch, who became his wife and companion for the rest of his life and later an art and architectural historian. Together they made the now-classic film “A Lightplay: Black White Gray”, based on the Light-Space Modulator, as well as “Gypsies” and “Berlin Still Life”.

  6. summer 1931

    A trip to Finland as Alvar Aalto's guest

    In the summer of 1931 Moholy-Nagy travelled to Finland with his then girlfriend, the actress Ellen Frank (Walter Gropius's sister-in-law), as the guest of the architect Alvar Aalto. There he visited the Holy Cross Church in Hattula — and in 1933 he named his first daughter Hattula.

Altre opere di László Moholy-Nagy

Tutte le opere
Nickel Construction, László Moholy-Nagy, 1921

Nickel Construction

1921 · Museum of Modern Art

Untitled, László Moholy-Nagy, c. 1924

Untitled

c. 1924 · Museum of Modern Art

Untitled, László Moholy-Nagy, 1925-28

Untitled

1925-28 · Museum of Modern Art

Z VII, László Moholy-Nagy, 1926

Z VII

1926 · National Gallery of Art

Construction, László Moholy-Nagy, 1922

Construction

1922 · Harvard Art Museums

Nuclear I, CH, László Moholy-Nagy, 1945

Nuclear I, CH

1945 · Art Institute of Chicago

Untitled, László Moholy-Nagy, n.d.

Untitled

n.d. · Non esposta · Museum of Modern Art

Kubisches Stadtbild, László Moholy-Nagy

Kubisches Stadtbild

Museum Kunstpalast

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950