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National Gallery of Art
Bajur, Pakistan

Bajur, Pakistan, Edward Grazda, 1980

Bajur, Pakistan

1980 · Photograph

Scheda

1980 · a 33 anni

1947oggi

Numero di inventario: 2015.19.5145

Altre opere di Edward Grazda

Sotto lo stesso tetto: National Gallery of Art

Pagina del museo

Sullo stesso tema · Car

Tutte le opere sul tema

EEdward GrazdaStati Uniti, 1947

Si può ammirare?

Al momento non riceve

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato: 3 giorni fa
Ultimo cambio di stato: 19 ago 2026
Fonte: Il museo

Sulla mappa Pagina del museo

Che cosa raffigura

Car Landscape Pakistan

In catalogo

Fotografie Stampa ai sali d’argento Arte contemporanea XX secolo American

Fonti

National Gallery of Art
Immagine: National Gallery of Art — © the artist or rights holder

Mitla, Mexico, Edward Grazda, 1972

Mitla, Mexico

1972 · Non esposta · National Gallery of Art

Tepoztlán, Mexico, Edward Grazda, 1972

Tepoztlán, Mexico

1972 · Non esposta · National Gallery of Art

Antigua, Guatemala, Edward Grazda, 1972

Antigua, Guatemala

1972 · Non esposta · National Gallery of Art

Zipolite, Mexico, Edward Grazda, 1972

Zipolite, Mexico

1972 · Non esposta · National Gallery of Art

Juarez, Mexico, Edward Grazda, 1972

Juarez, Mexico

1972 · Non esposta · National Gallery of Art

Tepoztlán, Mexico, Edward Grazda, 1972

Tepoztlán, Mexico

1972 · Non esposta · National Gallery of Art

Huancayo, Peru, Edward Grazda, 1973

Huancayo, Peru

1973 · Non esposta · National Gallery of Art

Cuzco, Peru, Edward Grazda, 1973

Cuzco, Peru

1973 · Non esposta · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Jed Johnson and Roland Waden, Andy Warhol, July 22, 1980

Andy Warhol

Jed Johnson and Roland Waden, July 22, 1980

Non esposta · National Gallery of Art

Automobilist, Marc Chagall, 1922

Marc Chagall

Automobilist, 1922

Non esposta · National Gallery of Art

The Motorist (L'automobiliste), Henri de Toulouse-Lautrec, 1896

Henri de Toulouse-Lautrec

The Motorist (L'automobiliste), 1896

Non esposta · National Gallery of Art

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., Allen Ginsberg, 1956, printed later

Allen Ginsberg

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., 1956, printed later

Non esposta · National Gallery of Art

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, Allen Ginsberg, 1985

Allen Ginsberg

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, 1985

Non esposta · National Gallery of Art

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, Allen Ginsberg, 1956, printed later

Allen Ginsberg

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, 1956, printed later

Non esposta · National Gallery of Art

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., 1984

Non esposta · National Gallery of Art

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Non esposta · National Gallery of Art