Boris Kustodiev1878–1927Автопортрет
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San Pietroburgo, Russia
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- Ultimo cambio di stato
- Fonte
- Il museo
Sull’opera
Con le parole del museo — in russo
Подобно другим русским мастерам начала ХХ века Кустодиев постоянно работал над автопортретами, что было и актом самосознания художника, и отражением постоянного его стремления совершенствовать свое ремесло. Большая часть созданного им – графические поплечные изображения с лицом в фас или трехчетвертном положении. Если ранним автопортретам свойственны прямодушие, открытость миру, веселость, порой – кокетливое любование собой, то в поздних преобладают строгость и внутренний драматизм.
Museo russo
Scheda
- Numero di inventario
- Р-53189
Che cosa raffigura
In catalogo
Fonti
- Museo russo
- Immagine: Museo russo — © State Russian Museum
Nella vita di Boris Kustodiev
Tutta la vita1903
Grand gold medal in Munich
Even before finishing his studies, Kustodiev showed at international exhibitions in St Petersburg and Munich, winning the grand gold medal of the International Association — the Grand Prize of the Association of Viennese Artists at the International Art Exhibition in Munich.
1903
Birth of his son Kirill
His son Kirill (1903–1971) was born; he too became an artist.
8 January 1903
Marries Yulia Proshinskaya
Kustodiev and Yulia Proshinskaya were married in a small church on the Catherine Canal in St Petersburg; she took her husband's name, and he later painted several portraits of her.
30 October 1903
Graduates with a gold medal for “At the Market”
Kustodiev completed the course with a gold medal: for his competition picture “At the Market” (now lost) he received the title of artist and the right to a year's travel abroad and around Russia on an Academy grant.
1903
Academy travel grant: Paris
Kustodiev arrived in Paris with his wife and son and joined René Ménard's studio; during the trip he visited Germany, Italy and Spain, studying and copying the old masters.
1905–1907
Cartoonist for Zhupel, Adskaya Pochta and Iskry
Kustodiev worked as a cartoonist for the satirical magazine Zhupel — home of his well-known drawing “Introduction. Moscow” — and after it was closed drew for Adskaya Pochta and Iskry.
