ART WIKI
Approaching Bideford Station, Mary Stella Edwards, 1926-7
Mary Stella Edwards, ritrattoMary Stella Edwards1893–1989

Approaching Bideford Station

1926-7 · Watercolour · 36.7 × 27.1 cm

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Non esposta al momento

Dove si trova «Approaching Bideford Station» oggi? Collezione: Victoria and Albert Museum, Londra. Non esposta al momento. Verificato 25 settembre 2026.

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
Ultimo cambio di stato
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Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
P.2-1985

Che cosa raffigura

WalesBideford

In catalogo

Disegni e acquerelliAcquerelloModernismoXX secolo

Fonti

Altre opere di Mary Stella Edwards

Tutte le opere
Llyn Tyn-Y-Mynydd, North Wales, Mary Stella Edwards, 1920

Llyn Tyn-Y-Mynydd, North Wales

1920 · Non esposta · Victoria and Albert Museum

Preliminary sketch for a watercolour of the entrance to the Cast Court containing Trajan's Column at the Victoria and Albert Museum, Mary Stella Edwards, 1924

Preliminary sketch for a watercolour of the entrance to the Cast Court containing Trajan's Column at the Victoria and Albert Museum

1924 · Non esposta · Victoria and Albert Museum

The entrance to the Cast Court containing Trajan's Column at the Victoria and Albert Museum, Mary Stella Edwards, 1924

The entrance to the Cast Court containing Trajan's Column at the Victoria and Albert Museum

1924 · Non esposta · Victoria and Albert Museum

Preliminary sketch for a watercolour of the entrance to the Cast Court containing Trajan's Column at the Victoria and Albert Museum, Mary Stella Edwards, 1924

Preliminary sketch for a watercolour of the entrance to the Cast Court containing Trajan's Column at the Victoria and Albert Museum

1924 · Non esposta · Victoria and Albert Museum

Llyn Idwal, Mary Stella Edwards, 1929

Llyn Idwal

1929 · Non esposta · Victoria and Albert Museum

'J' painting 'Long Shadows' above Yeo Vale, Devon, November 1949, Mary Stella Edwards, 1949

'J' painting 'Long Shadows' above Yeo Vale, Devon, November 1949

1949 · Non esposta · Victoria and Albert Museum

Anche in sala: Victoria and Albert Museum

Pagina del museo
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Factum Arte

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Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sullo stesso tema · Wales

Tutte le opere sul tema
Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., 1995

Non esposta · National Gallery of Art

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, Allen Ginsberg, 1995

Allen Ginsberg

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, 1995

Non esposta · National Gallery of Art

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., 1995

Non esposta · National Gallery of Art

View on the River Wye, Looking towards Chepstow, John Martin, 1844

John Martin

View on the River Wye, Looking towards Chepstow, 1844

Non esposta · National Gallery of Art

Caerau, Wales, Robert Frank, 1953

Robert Frank

Caerau, Wales, 1953

Non esposta · National Gallery of Art

Ben James, Coal Miner, Robert Frank, 1953

Robert Frank

Ben James, Coal Miner, 1953

Non esposta · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Non esposta · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Non esposta · National Gallery of Art