Anders ZornSvezia, 1860–1920After the Bath
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Museo nazionale di Stoccolma
Stoccolma, Svezia
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- Ultimo cambio di stato
- 27 set 2026
- Fonte
- I dati di collezione del museo stesso
About the painting
Anders Zorn has come to be associated with paintings of nude young women bathing. In his early paintings on this theme, such as After the Bath from 1895, the women seem unaware of the spectator. They are not posing, but are simply captured on canvas while undressing or concentrating on getting out of the water. This spontaneous character is naturally false, and the nudity is a vital element in the painting. Nevertheless, these paintings are not primarily erotic; instead, the emphasis is on the effect of light. The nude body is hazy, to serve as a sculptural shape in the play of light and shadow in the overall composition.
Museo nazionale di Stoccolma
Scheda
Fonti
- Museo nazionale di Stoccolma: the museum's own open data · acquisita 5 giorni fa
- Immagine: Museo nazionale di Stoccolma — Public Domain Mark 1.0
Nel frattempo, nella vita di Anders Zorn
Tutta la vita1890s
In Paris he spends much time with the Finn Edelfelt
During the 1890s in Paris Zorn spends much of his time with the Finn Albert Edelfelt.
1893–1911
Travel: United States
1897
A trip to Russia
In 1897 Zorn, a great traveller, visits Russia; at other times he also visited North Africa, Palestine, the United States and Mexico.
