
Peter Aldridge works with light in much the same way that a musician works with sound. He has said:
‘The underlying mathematical progression of individual notes, the multiplicity of overlaying rhythms, tonal range and chromatic intervals all have their parallels when composing with light.
The objects I make have an inherent mathematical progression, just as a musical instrument has proportion in its fingerboard and precision in its construction, both critical to the sound it produces.’
Victoria and Albert Museum
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