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A cottage near Dolgelly, James Bourne, ca. 1800-50
James Bourne1773–1854

A cottage near Dolgelly

ca. 1800-50 · Watercolour · 29.5 × 45.4 cm

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Dove si trova «A cottage near Dolgelly» oggi? Collezione: Victoria and Albert Museum, Londra. Non esposta al momento. Verificato 25 settembre 2026.

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

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Il museo
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Scheda

Numero di inventario
1706-1871

Che cosa raffigura

Wales

In catalogo

Disegni e acquerelliAcquerelloNeoclassicismoRomanticismoXIX secoloRegno Unito

Fonti

Altre opere di James Bourne

Tutte le opere
Watercolour, James Bourne, 1773-1854

Watercolour

1773-1854 · Non esposta · Victoria and Albert Museum

Beddington, Surrey, James Bourne, ca. late 18th century - early 19th century

Beddington, Surrey

ca. late 18th century - early 19th century · Non esposta · Victoria and Albert Museum

Drawing, James Bourne, 1773-1854

Drawing

1773-1854 · Non esposta · Victoria and Albert Museum

View near Halifax, James Bourne, ca. 1795-1854

View near Halifax

ca. 1795-1854 · Non esposta · Victoria and Albert Museum

View near Halifax, James Bourne, ca. 1795-1854

View near Halifax

ca. 1795-1854 · Non esposta · Victoria and Albert Museum

Landscape with Bridge and Stream, James Bourne, ca. 1800-1830

Landscape with Bridge and Stream

ca. 1800-1830 · Non esposta · Victoria and Albert Museum

Dalby Hall, Lincolnshire, James Bourne, ca.1800

Dalby Hall, Lincolnshire

ca.1800 · Non esposta · Victoria and Albert Museum

Landscape with House by a Pond, James Bourne, ca. 1800-1830

Landscape with House by a Pond

ca. 1800-1830 · Non esposta · Victoria and Albert Museum

Anche in sala: Victoria and Albert Museum

Pagina del museo
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Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sullo stesso tema · Wales

Tutte le opere sul tema
Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., 1995

Non esposta · National Gallery of Art

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, Allen Ginsberg, 1995

Allen Ginsberg

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, 1995

Non esposta · National Gallery of Art

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., 1995

Non esposta · National Gallery of Art

View on the River Wye, Looking towards Chepstow, John Martin, 1844

John Martin

View on the River Wye, Looking towards Chepstow, 1844

Non esposta · National Gallery of Art

Caerau, Wales, Robert Frank, 1953

Robert Frank

Caerau, Wales, 1953

Non esposta · National Gallery of Art

Ben James, Coal Miner, Robert Frank, 1953

Robert Frank

Ben James, Coal Miner, 1953

Non esposta · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Non esposta · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Non esposta · National Gallery of Art