ART WIKI32.963 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Victoria and Albert Museum/
  3. A cart and horses
A cart and horses, John Constable, 21/08/1821
John Constable, ritrattoJohn ConstableRegno Unito, 1776–1837

A cart and horses

21/08/1821 · Drawing · 16.2 × 23.8 cm

Si può ammirare?

Al momento non riceve

Victoria and Albert Museum

Londra, Regno Unito

Appartiene alla collezione, ma al momento non è esposta.

Verificato
12 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

21/08/1821 · a 45 anni
17761837
Numero di inventario
353-1888

Che cosa raffigura

Equus ferus caballusCartAlbero

In catalogo

Disegni e acquerelliGrafiteNeoclassicismoRomanticismoXIX secoloInghilterra

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London

Nel frattempo, nella vita di John Constable

Tutta la vita
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  3. 1821

    Son born: Charles Golding Constable

  4. 23 October 1821

    To Fisher: “I have done a good deal of skying”

    Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.

  5. 1822/1823

    Daughter born: Isabel Constable

Altre opere di John Constable

Tutte le opere
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museo del Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museo del Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museo del Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Metropolitan Museum of Art

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sullo stesso tema · Equus ferus caballus

Tutte le opere sul tema
Cavalier allant au galop, tête de cheval de profil, cheval vu par la croupe, Léonard de Vinci, Vers 1481/1493

Leonardo da Vinci

Cavalier allant au galop, tête de cheval de profil, cheval vu par la croupe, Vers 1481/1493

Museo del Louvre

Deux cavaliers combattant un dragon, deux chevaux, un cavalier, un chien et un cheval, Léonard de Vinci, Vers 1481/1483

Leonardo da Vinci

Deux cavaliers combattant un dragon, deux chevaux, un cavalier, un chien et un cheval, Vers 1481/1483

Museo del Louvre

Horse, Vincent van Gogh, 1886

Vincent van Gogh

Horse, 1886

Van Gogh Museum

Horse Chestnut Tree in Blossom, Vincent van Gogh, 1887

Vincent van Gogh

Horse Chestnut Tree in Blossom, 1887

Van Gogh Museum

Dream and Lie of Franco II, Pablo Picasso, 1937

Pablo Picasso

Dream and Lie of Franco II, 1937

Non esposta · National Gallery of Art

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906

Pablo Picasso

The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1906

Non esposta · National Gallery of Art

Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), Pablo Picasso, 1933

Pablo Picasso

Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), 1933

Non esposta · National Gallery of Art

At the Circus (Au cirque), Pablo Picasso, 1905, published 1913

Pablo Picasso

At the Circus (Au cirque), 1905, published 1913

Non esposta · National Gallery of Art