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A klasszicizmus kora, 1760–1830

275 726 mű 553 múzeumból4220 most kiállítvaTörlés

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Dos grupos de picadores arrollados  de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull), Francisco Goya, in or before 1816Francisco de GoyaDos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)in or before 1816National Gallery of Art
Don Antonio Noriega, Francisco Goya, 1801Francisco de GoyaDon Antonio Noriega1801Terem 52 · Nyugati épület, főszintNational Gallery of Art
Si quebro el cantaro (Yes He Broke the Pot), Francisco Goya, 1799Francisco de GoyaSi quebro el cantaro (Yes He Broke the Pot)1799National Gallery of Art
Disparate desordenado (Disorderly Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate desordenado (Disorderly Folly)in or after 1816National Gallery of Art
No te escaparas (You Will Not Escape), Francisco Goya, published 1799Francisco de GoyaNo te escaparas (You Will Not Escape)published 1799National Gallery of Art
Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), Francisco Goya, published 1799Francisco de GoyaFrancesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)published 1799National Gallery of Art
Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull), Francisco Goya, in or before 1816Francisco de GoyaPedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)in or before 1816National Gallery of Art
Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Francisco Goya, in or before 1816Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)in or before 1816National Gallery of Art
Estan Calientes (They Are Hot), Francisco Goya, 1799Francisco de GoyaEstan Calientes (They Are Hot)1799National Gallery of Art
Duendecitos (Hobgoblins), Francisco Goya, published 1799Francisco de GoyaDuendecitos (Hobgoblins)published 1799National Gallery of Art
Disparate desordenado (Disorderly Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate desordenado (Disorderly Folly)in or after 1816National Gallery of Art
Modo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way  in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Francisco Goya, in or before 1816Francisco de GoyaModo con que los antiguos Espanoles cazaban los toros a caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country)in or before 1816National Gallery of Art
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)in or before 1816National Gallery of Art
El Cid Campeador lanceando otro toro  (The Cid Campeador Spearing Another Bull), Francisco Goya, in or before 1816Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)in or before 1816National Gallery of Art
Ni mas ni menos (Neither More nor Less), Francisco Goya, published 1799Francisco de GoyaNi mas ni menos (Neither More nor Less)published 1799National Gallery of Art
Disparate conocido (Well-Known Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate conocido (Well-Known Folly)in or after 1816National Gallery of Art
El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaEl esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid)in or before 1816National Gallery of Art
Isabel de Borbon, Francisco Goya after Diego Velázquez, 1778Francisco de GoyaIsabel de Borbon1778National Gallery of Art
Un enano (A Dwarf), Francisco Goya after Diego Velázquez, 1778Francisco de GoyaUn enano (A Dwarf)1778National Gallery of Art
Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls), Francisco Goya, in or before 1816Francisco de GoyaPalenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)in or before 1816National Gallery of Art
El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body), Francisco Goya, in or before 1816Francisco de GoyaEl diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)in or before 1816National Gallery of Art
Moenippvs (Moenippus), Francisco Goya after Diego Velázquez, 1778Francisco de GoyaMoenippvs (Moenippus)1778National Gallery of Art
Gaspar de Guzman, Conde Duque de Olivares, Francisco Goya after Diego Velázquez, 1778Francisco de GoyaGaspar de Guzman, Conde Duque de Olivares1778National Gallery of Art
Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), Francisco Goya, in or after 1816Francisco de GoyaDios los cria y ellos se juntan (God Creates Them and They Join Up Together)in or after 1816National Gallery of Art
Disparate pobre (Poor Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate pobre (Poor Folly)in or after 1816National Gallery of Art
Subir y bajar (To Rise and To Fall), Francisco Goya, 1799Francisco de GoyaSubir y bajar (To Rise and To Fall)1799National Gallery of Art
Por que fue sensible (Because She Was Susceptible), Francisco Goya, published 1799Francisco de GoyaPor que fue sensible (Because She Was Susceptible)published 1799National Gallery of Art
Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull), Francisco Goya, in or before 1816Francisco de GoyaCaida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)in or before 1816National Gallery of Art
Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), Francisco Goya, in or after 1816Francisco de GoyaSanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words)in or after 1816National Gallery of Art
The Blind Singer, Francisco Goya, 1824/1828Francisco de GoyaThe Blind Singer1824/1828National Gallery of Art
Disparate de miedo (Folly of Fear), Francisco Goya, in or after 1816Francisco de GoyaDisparate de miedo (Folly of Fear)in or after 1816National Gallery of Art
Picador Caught by a Bull, Francisco Goya, 1825Francisco de GoyaPicador Caught by a Bull1825National Gallery of Art
Brujas à volar (Witches Preparing to Fly) [verso], Francisco Goya, 1796/1797Francisco de GoyaBrujas à volar (Witches Preparing to Fly) [verso]1796/1797National Gallery of Art
Un enano (A Dwarf), Francisco Goya after Diego Velázquez, 1778Francisco de GoyaUn enano (A Dwarf)1778National Gallery of Art
Disparate de Carnabal (Carnival Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate de Carnabal (Carnival Folly)in or after 1816National Gallery of Art
Mendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux), Francisco Goya, 1824/1827Francisco de GoyaMendigos que se llevan solos en Bordeaux (Beggars Who Get about on Their Own in Bordeaux)1824/1827National Gallery of Art
Nada (Nothing), Francisco Goya, 1810/1820Francisco de GoyaNada (Nothing)1810/1820National Gallery of Art
El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), Francisco Goya, published 1799Francisco de GoyaEl sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters)published 1799National Gallery of Art
Cogida de un moro estando en la plaza  (A Moor Caught by the Bull in the Ring), Francisco Goya, in or before 1816Francisco de GoyaCogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)in or before 1816National Gallery of Art
Old Woman on a Swing, Francisco Goya, 1824/1828Francisco de GoyaOld Woman on a Swing1824/1828National Gallery of Art
No se puede saber por que (One Can't Tell Why), Francisco Goya, 1810/1820Francisco de GoyaNo se puede saber por que (One Can't Tell Why)1810/1820National Gallery of Art
Buen Viage (Bon Voyage), Francisco Goya, 1799Francisco de GoyaBuen Viage (Bon Voyage)1799National Gallery of Art
Isabel de Borbon, Francisco Goya after Diego Velázquez, 1778, printed laterFrancisco de GoyaIsabel de Borbon1778, printed laterNational Gallery of Art
Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa), Francisco Goya, in or before 1816Francisco de GoyaTemeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)in or before 1816National Gallery of Art
Dios se lo pague a vsted (May God Repay You), Francisco Goya, probably c. 1804Francisco de GoyaDios se lo pague a vsted (May God Repay You)probably c. 1804National Gallery of Art
Volaverunt (They Have Flown), Francisco Goya, published 1799Francisco de GoyaVolaverunt (They Have Flown)published 1799National Gallery of Art
No hay quien nos desate? (Can't Anyone Untie Us?), Francisco Goya, 1799Francisco de GoyaNo hay quien nos desate? (Can't Anyone Untie Us?)1799National Gallery of Art
Que viene el coco (Here Comes the Bogey-Man), Francisco Goya, published 1799Francisco de GoyaQue viene el coco (Here Comes the Bogey-Man)published 1799National Gallery of Art
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