Édouard ManetFranciaország, 1832–1883Skating
Megnézhető?
Igen, most kiállítva
Hol van most a(z) „Skating”? Harvard Art Museums, Gallery 1220, floor 1, European Art, 19th–20th century, Cambridge. Igen, most kiállítva. Ellenőrizve 2026. november 2.
Cambridge, Amerikai Egyesült Államok
Terem1220, floor 1, European Art, 19th–20th century
A közönség számára kiállítva.
- Ellenőrizve
- Ebben az állapotban ettől kezdve
- Forrás
- A múzeum
A festményről
Although he never exhibited with the impressionists, Manet had a formative influence on the group. He shared their commitment to depicting modern pastimes, as in this scene of a popular roller skating rink. The sport had exploded as a fashionable French pursuit in the 1870s, with five lavish rinks opening in Paris over a two-year period. The main figure here wears a chic outfit, which is displayed at its most alluring angle, accentuating its wearer’s curves. The dress contrasts starkly with the more typical all-black day dresses of the women in the middle ground. As he worked on this composition, Manet made the young child in the foreground increasingly indistinct, focusing the viewer’s attention almost exclusively on her stylish and attractive mother. The model for this figure, Henriette Hauser, was the mistress of the Prince of Orange and an aspiring actress. Manet painted her several times.
Harvard Art Museums
Adatok
- Leltári szám
- 1951.50
A katalógusban
Források
- Harvard Art Museums
- Kép: Harvard Art Museums — © President and Fellows of Harvard College
Édouard Manet életében
A teljes életút1870s
Refuses to exhibit with the Impressionists
Although his own work influenced and anticipated the Impressionist style, Manet resisted involvement in Impressionist exhibitions: he did not wish to be seen as the representative of a group identity and held that modern artists should seek to exhibit at the Salon.
1874–1876
The Salon jury rejects his paintings again
In 1874 the jury rejected “Masked Ball at the Opera”, and in 1876 both paintings Manet sent. Independent exhibitions in those years brought nothing but public censure and the mockery of critics.
1879 · Lakóhely
8th arrondissement of Paris
1879
The Salon warmly receives “In the Conservatory” and “In the Boat”
Only in 1879 did the Salon appreciate Manet's perseverance: his canvases “In the Conservatory” and “In the Boat” were received very warmly.
1879
The first attack of rheumatism and ataxia
In September 1879 Manet suffered his first acute attack of rheumatism; it soon turned out that he had ataxia, a disorder of movement coordination. The illness progressed rapidly and limited his creative possibilities.
1879
“The Execution of Maximilian” first shown in New York
In December 1879 the singer Émilie Ambre and her lover Gaston de Beauplan organised in New York the first exhibition of “The Execution of Emperor Maximilian”.
