Jacob Isaacksz. van RuisdaelHollandia, 1628–1682Mountainous Landscape
Megnézhető?
Igen, most kiállítva
Hol van most a(z) „Mountainous Landscape”? Ermitázs, Terem 249, Szentpétervár. Igen, most kiállítva. Ellenőrizve 2026. augusztus 29.
Szentpétervár, Oroszország
Zárva· nyitás ma: 12:00
A közönség számára kiállítva.
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A festményről
Mountainous Landscape (c. 1675-1679) is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Hermitage, in Saint Petersburg.
This painting was documented by Hofstede de Groot in 1911, who wrote; "155. A WATER-MILL IN A NORWEGIAN LANDSCAPE. Sm. 307. A dark rocky landscape is intersected by a river, on which are a raft of timber and a small sailing boat. To the right, on the farther bank, are a cottage, a pile of timber, and a mill. Near the centre is a castle on a rocky hill. Farther to the left in the distance is a lofty conical hill, the top of which is hidden in a cloud. One of Ruisdael's most important pictures. Probably an evening effect, but very much darkened by time. Attributed in the 1838 catalogue to Salomon van Ruisdael.
Tovább
Canvas, 40 inches by 43 inches. Engraved by P. E. Moitte in the Brühl collection. In the collection of Count Brühl.
In the Hermitage Palace, St. Petersburg, 1901 catalogue, No. 1147; it was there in 1835 (Sm., who valued it at £300)."
This scene is very similar to other paintings Ruisdael made in this period and these often served as inspiration for later painters of landscape.
Adatok
- Leltári szám
- ГЭ-932
A katalógusban
Források
- Ermitázs
- Kép: Ermitázs — Museum open access
Jacob Isaacksz. van Ruisdael életében
A teljes életút1668
Witness at the wedding of his pupil Meindert Hobbema
In 1668 Ruisdael witnesses the marriage of Meindert Hobbema, his only registered pupil. He himself never married — according to Houbraken, to reserve time to serve his old father.
1672
Still comfortable after the Disaster Year
There is no record of Ruisdael owning land or shares, yet he appears to have lived comfortably even after the downturn of the disaster year 1672: in inventories of 1650–1679 his paintings averaged 40 guilders against 19 for attributed paintings generally. The legend that he died poor in a Haarlem almshouse confuses him with his cousin Jacob Salomonszoon.
15 October 1676
A disputed record of a medical degree from Caen
A list of Amsterdam doctors bears the crossed-out name “Jacobus Ruijsdael”, with a note that he earned his medical degree in Caen on 15 October 1676. Art historians consider it most likely a case of mistaken identity (Pieter Scheltema suggested the artist's cousin), but the evidence is inconclusive.
