Lowell Smith
Megnézhető?
Nem tudjuk
Hol van most a(z) „Lowell Smith”? Gyűjtemény: Rijksmuseum, Amszterdam. Nem tudjuk, hogy ma ki van-e állítva.
Amszterdam, Hollandia
A tulajdonos ismert; azt nem tudjuk, hogy ma ki van-e állítva.
- Forrás
- A múzeum
A műről
Mapplethorpe photographed the human body, or parts thereof, often against a geometric, abstract background, as can be seen next to this in the naked photo of George Bradshaw. Mapplethorpe was a perfectionist, so produced many of his photos in his studio, giving him total control over composition and lighting.
Rijksmuseum
Adatok
- Leltári szám
- RP-F-2019-243-8
Mit ábrázol?
A katalógusban
Források
- Rijksmuseum
- Kép: Rijksmuseum — © the artist or rights holder
Robert Mapplethorpe életében
A teljes életút1977–1980
A relationship with Jack Fritscher and the Mineshaft
From 1977 to 1980 Mapplethorpe is the lover of the writer and Drummer editor Jack Fritscher, who introduces him to the Mineshaft, a members-only gay bar and sex club in Manhattan devoted to BDSM.
1980
Meets Milton Moore
At the gay bar Sneakers in the West Village Mapplethorpe meets Milton Moore, who is AWOL from the US Navy, and Moore becomes his muse; in November 1981 they move into a studio apartment at 88 Bleecker Street. Mapplethorpe supports Moore, pays his legal expenses and urges him to study photography at Parsons, but after a difficult visit to Moore’s family in rural Tennessee Moore moves out, leaving Mapplethorpe grief-stricken.
1980
Publishes “Black Males”
His interest in the Black male nude, inspired by the photographs of George Dureau, leads to the publication of “Black Males”; he will go on photographing Black male nudes, often his lovers, throughout the 1980s.
1982
A relationship with Jack Walls
An on-off relationship begins with Jack Walls, a clerk-typist from Chicago who becomes his muse; it is marred by arguments over money and drug use, and in 1984 Mapplethorpe evicts Walls from his Bleecker Street apartment after accusing him of stealing, but later reconciles with him and promotes his career, believing he could become the “new Ben Vereen”.
1982. június 19. – 1982. szeptember 28.
Exhibition: documenta 7
1983
Mapplethorpe and Warhol photograph each other
In 1983 Mapplethorpe and Andy Warhol photograph one another, and Warhol makes a silkscreen portrait of Mapplethorpe; in 1986 Mapplethorpe photographs Warhol again.
