Odilon RedonFranciaország, 1840–1916C'est le Diable
Megnézhető?
Jelenleg nincs kiállítva
Hol van most a(z) „C'est le Diable”? Gyűjtemény: National Gallery of Art, Washington. Jelenleg nincs kiállítva. Ellenőrizve 2026. november 2.
Washington, Amerikai Egyesült Államok
A gyűjteményhez tartozik, de jelenleg nincs kiállítva.
- Ellenőrizve
- Ebben az állapotban ettől kezdve
- Forrás
- A múzeum
Adatok
- Leltári szám
- 2006.150.2
Mit ábrázol?
A katalógusban
Források
- National Gallery of Art
- Kép: National Gallery of Art — Museum open access
Odilon Redon életében
A teljes életút1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
1880s
Death of his firstborn son Jean
Redon and Camille’s firstborn son, Jean, died at six months old. The artist was so downcast that for a time he could not work; the birth of a second son in 1889 helped him recover from his grief.
1886
The eighth Impressionist exhibition
Redon took part in the eighth and last Impressionist exhibition.
1886
Exhibitions of Les XX in Brussels
In the same year, 1886, Redon began to take part in the exhibitions of Les XX in Brussels.
1889. április 30.
Son born: Arï Redon
from 1890
The turn from “noirs” to colour
From 1890 Redon turned more and more to oil and pastel and gave up his “black” works; after 1900 he made no more noirs. He explained the change by saying he had realised that the unwinding ribbon of life brings not only sorrow but joy.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
