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Alice Key Pendleton, Hiram Powers, model 1870, carved 1870
Hiram Powers arcképeHiram PowersAmerikai Egyesült Államok, 1805–1873

Alice Key Pendleton

model 1870, carved 1870 · Sculpture

Megnézhető?

Jelenleg nincs kiállítva

Hol van most a(z) „Alice Key Pendleton”? Gyűjtemény: National Gallery of Art, Washington. Jelenleg nincs kiállítva. Ellenőrizve 2026. november 9.

National Gallery of Art

Washington, Amerikai Egyesült Államok

A gyűjteményhez tartozik, de jelenleg nincs kiállítva.

Ellenőrizve
Ebben az állapotban ettől kezdve
Forrás
A múzeum
A térképenA múzeum oldala
Beágyazás

Adatok

Leltári szám
2015.19.3659

Mit ábrázol?

Bust facing rightPendleton, Alice Key

A katalógusban

SzobrokMárványRealizmusImpresszionizmus19. századAmericanNeoclassic

Források

Hiram Powers további művei

Összes mű
Andrew Jackson, Hiram Powers, 1834–35; carved 1839

Andrew Jackson

1834–35; carved 1839 · Metropolitan Művészeti Múzeum

George Washington, Hiram Powers, 1838–44, carved after 1844

George Washington

1838–44, carved after 1844 · Metropolitan Művészeti Múzeum

The Greek Slave, Hiram Powers, model 1841-1843, carved 1846

The Greek Slave

model 1841-1843, carved 1846 · National Gallery of Art

Fisher Boy, Hiram Powers, 1841–44; carved 1857

Fisher Boy

1841–44; carved 1857 · Metropolitan Művészeti Múzeum

Proserpine, Hiram Powers, model 1844, carved 1846 or later

Proserpine

model 1844, carved 1846 or later · National Gallery of Art

The Greek Slave, Hiram Powers, 1850, after an original of 1844

The Greek Slave

1850, after an original of 1844 · Yale University Art Gallery

Bust of "The Greek Slave", Hiram Powers, 1848

Bust of "The Greek Slave"

1848 · National Gallery of Art

America, Hiram Powers, model 1850-1854, carved after 1854

America

model 1850-1854, carved after 1854 · National Gallery of Art

Kiállítva itt: National Gallery of Art

A múzeum oldala
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Ugyanebben a témában · Bust facing right

A téma összes műve
Self-Portrait of Rembrandt, Georg Friedrich Schmidt, after Rembrandt van Rijn, 1771

Rembrandt van Rijn

Self-Portrait of Rembrandt, 1771

Nincs kiállítva · National Gallery of Art

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, Allen Ginsberg, 1961, printed 1995

Allen Ginsberg

William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye, 1961, printed 1995

Nincs kiállítva · National Gallery of Art

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, Pisanello, c. 1449

Pisanello

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443, c. 1449

Nincs kiállítva · National Gallery of Art

Portrait of a Man, Facing Right, Alex Katz, 1950s

Alex Katz

Portrait of a Man, Facing Right, 1950s

Nincs kiállítva · National Gallery of Art

Gian Galeazzo Maria Sforza, Duke of Milan, Workshop of Benedetto Briosco, early 1490s

anonymous

Gian Galeazzo Maria Sforza, Duke of Milan, early 1490s

Nincs kiállítva · National Gallery of Art

Bust of a Youth, Studio of Giovanni Bernardi

anonymous

Bust of a Youth

Nincs kiállítva · National Gallery of Art

Filippo Maria Visconti, Imitator of Benedetto Briosco, part before 1878, part 1930

anonymous

Filippo Maria Visconti, part before 1878, part 1930

Nincs kiállítva · National Gallery of Art

Joel Barlow, after Jean-Antoine Houdon, model 1803, cast by 1913

Jean-Antoine Houdon

Joel Barlow, model 1803, cast by 1913

Nincs kiállítva · National Gallery of Art