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Où voir des œuvres et quand le musée est ouvert.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

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Catalogue

Sculpture

110 348 œuvres de 637 musées15 189 exposées en ce momentEffacer

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Technique
  • Toutes
  • Bronze17 237
  • Plâtre15 353
  • Bois10 617
  • Terre cuite et céramique9 445
  • Marbre9 435
  • Pierre7 476
  • Métal3 651
  • Ivoire1 707
Modular Wall Structure, Sol LeWitt, 1968Sol LeWittModular Wall Structure1968National Gallery of Art
The Man Who Flew into His Picture, Ilya Kabakov, 1981-88Ilya KabakovThe Man Who Flew into His Picture1981-88Museum of Modern Art
Spielautomat (Slot Machine), Isa Genzken, 1999Isa GenzkenSpielautomat (Slot Machine)1999Museum of Modern Art
Lines in Four Directions Superimposed, Covering the Entire Surface of the Wall, Sol LeWitt, conceived 1969; first executed 1974Sol LeWittLines in Four Directions Superimposed, Covering the Entire Surface of the Wallconceived 1969; first executed 1974Museum of Modern Art
Cubic-Modular Wall Structure, Black, Sol LeWitt, 1966Sol LeWittCubic-Modular Wall Structure, Black1966MoMA, 4e étage, 413Museum of Modern Art
Wall Drawing #1144, Broken Bands of Color in Four Directions, Sol LeWitt, 2004Sol LeWittWall Drawing #1144, Broken Bands of Color in Four Directions2004MoMA, 1er étageMuseum of Modern Art
Boom! Boom!, Arman, 1960ArmanBoom! Boom!1960Museum of Modern Art
Marsyas, Balthasar Permoser, ca. 1680–85Balthasar PermoserMarsyasca. 1680–85Salle 548Metropolitan Museum of Art
Hercules and Lichas, Florentine 17th Century, after a model by Giovanni Bologna, first half 17th centuryGiambolognaHercules and Lichasfirst half 17th centuryNational Gallery of Art
Rearing Stallion, Antonio Susini, possibly after a model by Giovanni Bologna, late 16th or early 17th centuryGiambolognaRearing Stallionlate 16th or early 17th centuryNational Gallery of Art
Venus and Cupid, Follower of Giovanni Bologna, c. 1575/1580GiambolognaVenus and Cupidc. 1575/1580National Gallery of Art
Lion Attacking a Stallion, Antonio Susini, probably after a model by Giovanni Bologna, late 16th or early 17th centuryGiambolognaLion Attacking a Stallionlate 16th or early 17th centuryNational Gallery of Art
Helikon, Barbara Hepworth, 1948Barbara HepworthHelikon1948Museum of Modern Art
New Design for World Receivers, Isa Genzken, 2002Isa GenzkenNew Design for World Receivers2002Museum of Modern Art
Prinz Friedrich von Homburg, Ein Schauspiel, 3X, Frank Stella, 1998-2001Frank StellaPrinz Friedrich von Homburg, Ein Schauspiel, 3X1998-2001EBLNational Gallery of Art
Giufà, la luna, i ladri e le guardie, Frank Stella, 1984Frank StellaGiufà, la luna, i ladri e le guardie1984Museum of Modern Art
The Wheelbarrow (B #3, 2X), Frank Stella, 1988Frank StellaThe Wheelbarrow (B #3, 2X)1988Museum of Modern Art
Broken Obelisk, Barnett Newman, 1963-69Barnett NewmanBroken Obelisk1963-69Museum of Modern Art
Passage, Shirin Neshat, 2001Shirin NeshatPassage2001Museum of Modern Art
Lion Attacking a Stallion, Antonio Susini, probably after a concept by Giovanni Bologna, late 16th or early 17th centuryGiambolognaLion Attacking a Stallionlate 16th or early 17th centuryNational Gallery of Art
Wall Drawing #260, On Black Walls, All Two-Part Combinations of White Arcs from Corners and Sides, and White Straight, Not-Straight, and Broken Lines, Sol LeWitt, 1975Sol LeWittWall Drawing #260, On Black Walls, All Two-Part Combinations of White Arcs from Corners and Sides, and White Straight, Not-Straight, and Broken Lines1975Museum of Modern Art
Lion, Giovanni Francesco Susini, after a model by Giovanni Bologna, second quarter 17th centuryGiambolognaLionsecond quarter 17th centuryNational Gallery of Art
Venus Drying Herself ("Cesarini Venus"), Antonio Susini, after a model by Giovanni Bologna, late 16th or early 17th centuryGiambolognaVenus Drying Herself ("Cesarini Venus")late 16th or early 17th centuryNational Gallery of Art
Crouching Bather, Antonio Susini after a model by Giovanni Bologna, late 16th or early 17th centuryGiambolognaCrouching Batherlate 16th or early 17th centuryNational Gallery of Art
Melnikov, Richard Serra, 1987Richard SerraMelnikov1987Museum of Modern Art
Floor Structure Black, Sol LeWitt, 1965Sol LeWittFloor Structure Black1965National Gallery of Art
1 3 1 (5 Unit Cross), Sol LeWitt, 1971Sol LeWitt1 3 1 (5 Unit Cross)1971National Gallery of Art
Serial Project, I (ABCD), Sol LeWitt, 1966Sol LeWittSerial Project, I (ABCD)1966Museum of Modern Art
Intersection II, Richard Serra, 1992-93Richard SerraIntersection II1992-93Museum of Modern Art
Close Pin Prop, Richard Serra, 1969-81Richard SerraClose Pin Prop1969-81Museum of Modern Art
Lekcja Spiewu (Singing Lesson II), Artur Zmijewski, 2002Artur ZmijewskiLekcja Spiewu (Singing Lesson II)2002Museum of Modern Art
Wall Drawing #1187, Scribbles: Curves, Sol LeWitt, 2005Sol LeWittWall Drawing #1187, Scribbles: Curves2005Museum of Modern Art
Floor Structure, Sol LeWitt, 1963Sol LeWittFloor Structure1963Museum of Modern Art
Birdcatcher or Fowler, Giovanni Bologna, late 16th centuryGiambolognaBirdcatcher or Fowlerlate 16th centuryNational Gallery of Art
Christ Crucified, Giovanni Bologna, probably before 1588GiambolognaChrist Crucifiedprobably before 1588National Gallery of Art
Nessus and Deianira, Antonio Susini, after a model by Giovanni Bologna, late 16th or early 17th centuryGiambolognaNessus and Deianiralate 16th or early 17th centuryNational Gallery of Art
Rose II, Isa Genzken, 2007Isa GenzkenRose II2007Museum of Modern Art
One Ton Prop (House of Cards), Richard Serra, 1969 (refabricated 1986)Richard SerraOne Ton Prop (House of Cards)1969 (refabricated 1986)Museum of Modern Art
Untitled, Richard Serra, 1967Richard SerraUntitled1967Museum of Modern Art
Угловой контррельеф, Vladimir Yevgrafovich Tatlin, 1914Vladimir Yevgrafovich TatlinУгловой контррельеф1914Korpus Benua, Zal 76. K. S. Malevich, M. V. Matyushin, V. Ye. TatlinMusée russe
Democracies, Artur Zmijewski, 2009Artur ZmijewskiDemocracies2009Museum of Modern Art
Torqued Ellipse IV, Richard Serra, 1998Richard SerraTorqued Ellipse IV1998Museum of Modern Art
Madame de Wailly, née Adélaïde-Flore Belleville (1765–1838), Augustin Pajou, 1789Augustin PajouMadame de Wailly, née Adélaïde-Flore Belleville (1765–1838)1789Salle 633Metropolitan Museum of Art
Constellation Number 18, Arman, 1976ArmanConstellation Number 181976Museum of Modern Art
Mars, Giovanni Francesco Susini, after a model by Giovanni Bologna, second quarter 17th centuryGiambolognaMarssecond quarter 17th centuryNational Gallery of Art
Kneeling Bather Taken by Surprise, Antonio Susini, after a model by Giovanni Bologna, model possibly 1550-1560s, cast 1626-1640GiambolognaKneeling Bather Taken by Surprisemodel possibly 1550-1560s, cast 1626-1640National Gallery of Art
Sleeping Nymph with Satyr, Antonio Susini, after a model by Giovanni Bologna, late 16th or early 17th centuryGiambolognaSleeping Nymph with Satyrlate 16th or early 17th centuryNational Gallery of Art
Groupe sculpté : l'Enlèvement de Déjanire, Bologne, JeanGiambolognaGroupe sculpté : l'Enlèvement de DéjanireSalle 529, Aile Richelieu, Niveau 1Musée du Louvre
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