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ART WIKI

Où voir des œuvres et quand le musée est ouvert.

Collections : Art Institute of Chicago, Centre d'art britannique de Yale, Cleveland Museum of Art, Cooper Hewitt, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale University Art Gallery, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (44 musées), Paris Musées (12 musées), Joconde, la base des musées du ministère de la Culture (495 musées) et le Catalogo generale dei Beni Culturali du ministère italien de la Culture (25 musées). Les images appartiennent à leurs ayants droit.

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Catalogue

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130 252 œuvres de 146 musées133 exposées en ce momentTout effacer

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Technique
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  • Eau-forte130 252
  • Lithographie89 179
  • Gravure au burin63 364
  • Gravure sur bois56 703
  • Pointe sèche9 308
  • Sérigraphie8 459
  • Aquatinte7 452
  • Impression photomécanique6 933
  • Manière noire6 751
  • Linogravure2 658
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96), William Blake, 1804 to 1820William Blake"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)1804 to 1820Centre d'art britannique de Yale
"Albion cold lays on his Rock..." (Plate 94), William Blake, 1804 to 1820William Blake"Albion cold lays on his Rock..." (Plate 94)1804 to 1820Centre d'art britannique de Yale
"They call'd her Pity, and fled..." (Plate 17), William Blake, 1794William Blake"They call'd her Pity, and fled..." (Plate 17)1794Centre d'art britannique de Yale
'Behold him, when past by; what then is seen' (Page 25), William Blake, ca. 1797William Blake'Behold him, when past by; what then is seen' (Page 25)ca. 1797Centre d'art britannique de Yale
"The Feminine separates from the Masculine..." (Plate 90), William Blake, 1804 to 1820William Blake"The Feminine separates from the Masculine..." (Plate 90)1804 to 1820Centre d'art britannique de Yale
"And One stood forth from the Divine Family..." (Plate 37), William Blake, 1804 to 1820William Blake"And One stood forth from the Divine Family..." (Plate 37)1804 to 1820Centre d'art britannique de Yale
"Repose on me till the morning of the Grave..." (Plate 62), William Blake, 1804 to 1820William Blake"Repose on me till the morning of the Grave..." (Plate 62)1804 to 1820Centre d'art britannique de Yale
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50), William Blake, 1804 to 1820William Blake"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)1804 to 1820Centre d'art britannique de Yale
Spring (Plate 12), William Blake, 1789William BlakeSpring (Plate 12)1789Centre d'art britannique de Yale
IV. "None could have other than natural or organic thoughts..." (Plate 6), William Blake, ca. 1788William BlakeIV. "None could have other than natural or organic thoughts..." (Plate 6)ca. 1788Centre d'art britannique de Yale
Rev. John Caspar Lavater, William Blake, 1800William BlakeRev. John Caspar Lavater1800Centre d'art britannique de Yale
'Angels should paint it, angels ever there' (Page 40), William Blake, ca. 1797William Blake'Angels should paint it, angels ever there' (Page 40)ca. 1797Centre d'art britannique de Yale
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, ca. 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)ca. 1797Centre d'art britannique de Yale
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16), William Blake, 1804 to 1820William Blake"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)1804 to 1820Centre d'art britannique de Yale
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13), William Blake, 1794William BlakeChapter V, "Thus the Eternal Prophet was divided..." (Plate 13)1794Centre d'art britannique de Yale
"In Great Eternity every particular Form..." (Plate 54), William Blake, 1804 to 1820William Blake"In Great Eternity every particular Form..." (Plate 54)1804 to 1820Centre d'art britannique de Yale
Cupid & Psyche, William Blake, 1794William BlakeCupid & Psyche1794Centre d'art britannique de Yale
Venus Counsels Cupid, William Blake, 1794William BlakeVenus Counsels Cupid1794Centre d'art britannique de Yale
Infant Joy (Plate 28), William Blake, 1789William BlakeInfant Joy (Plate 28)1789Centre d'art britannique de Yale
"Such are Cathedrons golden Halls..." (Plate 73), William Blake, 1804 to 1820William Blake"Such are Cathedrons golden Halls..." (Plate 73)1804 to 1820Centre d'art britannique de Yale
Earth's Answer (Plate 35), William Blake, 1794William BlakeEarth's Answer (Plate 35)1794Centre d'art britannique de Yale
'O treacherous conscience! while she seems to sleep" (Page 27), William Blake, 1797William Blake'O treacherous conscience! while she seems to sleep" (Page 27)1797Centre d'art britannique de Yale
Fable XIII. The Tame Stag, William Blake, 1793William BlakeFable XIII. The Tame Stag1793Centre d'art britannique de Yale
'Disease invades the chastest temperence' (Page 10), William Blake, ca. 1797William Blake'Disease invades the chastest temperence' (Page 10)ca. 1797Centre d'art britannique de Yale
"To decide Two Worlds with a great decision..." (Plate 65), William Blake, 1804 to 1820William Blake"To decide Two Worlds with a great decision..." (Plate 65)1804 to 1820Centre d'art britannique de Yale
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)1797Centre d'art britannique de Yale
Songs of Innocence, Title Page (Plate 2), William Blake, 1789William BlakeSongs of Innocence, Title Page (Plate 2)1789Centre d'art britannique de Yale
Night (Plate 30), William Blake, 1789William BlakeNight (Plate 30)1789Centre d'art britannique de Yale
'What, though my soul fantastick measures trod' (Page 4), William Blake, 1797William Blake'What, though my soul fantastick measures trod' (Page 4)1797Centre d'art britannique de Yale
The Clod & the Pebble (Plate 36), William Blake, 1794William BlakeThe Clod & the Pebble (Plate 36)1794Centre d'art britannique de Yale
'But for the blessing wrestle not with heaven' (Page 88), William Blake, 1797William Blake'But for the blessing wrestle not with heaven' (Page 88)1797Centre d'art britannique de Yale
Urizen (Plate 22), William Blake, 1794William BlakeUrizen (Plate 22)1794Centre d'art britannique de Yale
Chapter V, "The globe of life blood trembled..." (Plate 15), William Blake, 1794William BlakeChapter V, "The globe of life blood trembled..." (Plate 15)1794Centre d'art britannique de Yale
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6), William Blake, 1789William BlakeIII. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)1789Centre d'art britannique de Yale
"These were his last words, and the merciful Saviour in his arms..." (Plate 48), William Blake, 1804 to 1820William Blake"These were his last words, and the merciful Saviour in his arms..." (Plate 48)1804 to 1820Centre d'art britannique de Yale
'Oft bursts my song beyond the bounds of life' (Page 16), William Blake, 1797William Blake'Oft bursts my song beyond the bounds of life' (Page 16)1797Centre d'art britannique de Yale
The Shepherd (Plate 4), William Blake, 1789William BlakeThe Shepherd (Plate 4)1789Centre d'art britannique de Yale
Chapter IV, "From the caverns of his jointed spine..." (Plate 10), William Blake, 1794William BlakeChapter IV, "From the caverns of his jointed spine..." (Plate 10)1794Centre d'art britannique de Yale
'Time, in advance, behind him hides his wings' (Page 24), William Blake, 1797William Blake'Time, in advance, behind him hides his wings' (Page 24)1797Centre d'art britannique de Yale
"Bath who is Legions..." (Plate 41), William Blake, 1804 to 1820William Blake"Bath who is Legions..." (Plate 41)1804 to 1820Centre d'art britannique de Yale
I. "Man cannot naturally Percieve..."(Plate 3), William Blake, ca. 1788William BlakeI. "Man cannot naturally Percieve..."(Plate 3)ca. 1788Centre d'art britannique de Yale
"Of the Mundane Shell which froze..." (Plate 64), William Blake, 1804 to 1820William Blake"Of the Mundane Shell which froze..." (Plate 64)1804 to 1820Centre d'art britannique de Yale
"My tents are fall'n! my pillars are in ruins!..." (Plate 79), William Blake, 1804 to 1820William Blake"My tents are fall'n! my pillars are in ruins!..." (Plate 79)1804 to 1820Centre d'art britannique de Yale
"The banks of the Thames are clouded..." (Plate 5), William Blake, 1804 to 1820William Blake"The banks of the Thames are clouded..." (Plate 5)1804 to 1820Centre d'art britannique de Yale
"And formed into Four precious stones..." (Plate 59), William Blake, 1804 to 1820William Blake"And formed into Four precious stones..." (Plate 59)1804 to 1820Centre d'art britannique de Yale
Songs of Experience, Frontispiece (Plate 32), William Blake, 1794William BlakeSongs of Experience, Frontispiece (Plate 32)1794Centre d'art britannique de Yale
The Different Kinds of Wrestling, William Blake, 1800William BlakeThe Different Kinds of Wrestling1800Centre d'art britannique de Yale
"O Skofield why art thou cruel?..." (Plate 68), William Blake, 1804 to 1820William Blake"O Skofield why art thou cruel?..." (Plate 68)1804 to 1820Centre d'art britannique de Yale
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