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ART WIKI

Où voir des œuvres et quand le musée est ouvert.

Collections : Art Institute of Chicago, Centre d'art britannique de Yale, Cleveland Museum of Art, Cooper Hewitt, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale University Art Gallery, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (44 musées), Paris Musées (12 musées), Joconde, la base des musées du ministère de la Culture (495 musées) et le Catalogo generale dei Beni Culturali du ministère italien de la Culture (25 musées). Les images appartiennent à leurs ayants droit.

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Catalogue

Eau-forte

114 143 œuvres de 146 musées133 exposées en ce momentTout effacer

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Technique
  • Toutes
  • Eau-forte114 143
  • Lithographie84 657
  • Gravure au burin55 555
  • Gravure sur bois49 710
  • Pointe sèche9 100
  • Sérigraphie8 458
  • Aquatinte7 310
  • Impression photomécanique6 899
  • Manière noire6 372
  • Linogravure2 652
'Measuring his motions by revolving spheres' (Page 26), William Blake, 1797William Blake'Measuring his motions by revolving spheres' (Page 26)1797Centre d'art britannique de Yale
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10), William Blake, 1804 to 1820William Blake"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)1804 to 1820Centre d'art britannique de Yale
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53), William Blake, 1804 to 1820William Blake"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)1804 to 1820Centre d'art britannique de Yale
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7), William Blake, 1789William BlakeIII, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)1789Centre d'art britannique de Yale
"And this the form of mighty Hand..." (Plate 70), William Blake, 1804 to 1820William Blake"And this the form of mighty Hand..." (Plate 70)1804 to 1820Centre d'art britannique de Yale
'Like that, the dial speaks; and points to thee' (Page 33), William Blake, ca. 1797William Blake'Like that, the dial speaks; and points to thee' (Page 33)ca. 1797Centre d'art britannique de Yale
The Little Girl Found (Plate 22), William Blake, 1789William BlakeThe Little Girl Found (Plate 22)1789Centre d'art britannique de Yale
'The goddess bursts in thunder and in flame' (Page 95), William Blake, 1797William Blake'The goddess bursts in thunder and in flame' (Page 95)1797Centre d'art britannique de Yale
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6), William Blake, 1804 to 1820William Blake"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)1804 to 1820Centre d'art britannique de Yale
"Highgates heights & Hampsteads..." (Plate 84), William Blake, 1804 to 1820William Blake"Highgates heights & Hampsteads..." (Plate 84)1804 to 1820Centre d'art britannique de Yale
'The longest night though longer far, would fail' (Page 15), William Blake, ca. 1797William Blake'The longest night though longer far, would fail' (Page 15)ca. 1797Centre d'art britannique de Yale
Fable XLI. The Owl and the Farmer, William Blake, 1793William BlakeFable XLI. The Owl and the Farmer1793Centre d'art britannique de Yale
The Chimney Sweeper (Plate 10), William Blake, 1789William BlakeThe Chimney Sweeper (Plate 10)1789Centre d'art britannique de Yale
Anacreon Ode LII, William Blake, 1794William BlakeAnacreon Ode LII1794Centre d'art britannique de Yale
'Where sense runs savage broke from reason's chain' (Page 46), William Blake, 1797William Blake'Where sense runs savage broke from reason's chain' (Page 46)1797Centre d'art britannique de Yale
The Shepherd, from Songs of Innocence, William Blake, ca. 1795William BlakeThe Shepherd, from Songs of Innocenceca. 1795Centre d'art britannique de Yale
"In beauty the Daughters of Albion divide..." (Plate 58), William Blake, 1804 to 1820William Blake"In beauty the Daughters of Albion divide..." (Plate 58)1804 to 1820Centre d'art britannique de Yale
The Chimney Sweeper (Plate 45), William Blake, 1794William BlakeThe Chimney Sweeper (Plate 45)1794Centre d'art britannique de Yale
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)1797Centre d'art britannique de Yale
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)1797Centre d'art britannique de Yale
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4), William Blake, 1789William BlakeI, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)1789Centre d'art britannique de Yale
Spring, from Songs of Innocence, William Blake, ca. 1795William BlakeSpring, from Songs of Innocenceca. 1795Centre d'art britannique de Yale
"Bath, mild Physician of Eternity..." (Plate 46), William Blake, 1804 to 1820William Blake"Bath, mild Physician of Eternity..." (Plate 46)1804 to 1820Centre d'art britannique de Yale
Thel's Motto (Plate 1), William Blake, 1789William BlakeThel's Motto (Plate 1)1789Centre d'art britannique de Yale
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8), William Blake, 1789William BlakeIV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)1789Centre d'art britannique de Yale
"To labours mighty, with vast strength..." (Plate 11), William Blake, 1804 to 1820William Blake"To labours mighty, with vast strength..." (Plate 11)1804 to 1820Centre d'art britannique de Yale
Night the Second. On Time, Death, and Friendship; Title Page (Page 17), William Blake, 1797William BlakeNight the Second. On Time, Death, and Friendship; Title Page (Page 17)1797Centre d'art britannique de Yale
Chapter II, "Muster around the bleak desarts..." (Plate 4), William Blake, 1794William BlakeChapter II, "Muster around the bleak desarts..." (Plate 4)1794Centre d'art britannique de Yale
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78), William Blake, 1804 to 1820William BlakeChapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)1804 to 1820Centre d'art britannique de Yale
"Los shudder'd at beholding Albion..." (Plate 40), William Blake, 1804 to 1820William Blake"Los shudder'd at beholding Albion..." (Plate 40)1804 to 1820Centre d'art britannique de Yale
'The present moment terminates our sight' (Page 13), William Blake, ca. 1797William Blake'The present moment terminates our sight' (Page 13)ca. 1797Centre d'art britannique de Yale
'Disease invades the chastest temperence' (Page 10), William Blake, 1797William Blake'Disease invades the chastest temperence' (Page 10)1797Centre d'art britannique de Yale
From a Globe of Blood Rises Enitharmon (Plate 16), William Blake, 1794William BlakeFrom a Globe of Blood Rises Enitharmon (Plate 16)1794Centre d'art britannique de Yale
'Emblem of that which shall awake the dead' (Page 19), William Blake, 1797William Blake'Emblem of that which shall awake the dead' (Page 19)1797Centre d'art britannique de Yale
'Its favours here are trials, not rewards' (Page 12), William Blake, ca. 1797William Blake'Its favours here are trials, not rewards' (Page 12)ca. 1797Centre d'art britannique de Yale
'The Sun beheld it – No, the shocking scene' (Page 75), William Blake, 1797William Blake'The Sun beheld it – No, the shocking scene' (Page 75)1797Centre d'art britannique de Yale
"Condens'd his Emanations..." (Plate 9), William Blake, 1804 to 1820William Blake"Condens'd his Emanations..." (Plate 9)1804 to 1820Centre d'art britannique de Yale
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)1797Centre d'art britannique de Yale
'When faith is virtue, reason makes it so' (Page 92), William Blake, 1797William Blake'When faith is virtue, reason makes it so' (Page 92)1797Centre d'art britannique de Yale
'Ungrateful, shall we grieve their hovering shades' (Page 55), William Blake, ca. 1797William Blake'Ungrateful, shall we grieve their hovering shades' (Page 55)ca. 1797Centre d'art britannique de Yale
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3), William Blake, 1789William BlakeThel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)1789Centre d'art britannique de Yale
A Poison Tree (Plate 41), William Blake, 1794William BlakeA Poison Tree (Plate 41)1794Centre d'art britannique de Yale
"Help! Help!" (Plate 12), William Blake, 1826William Blake"Help! Help!" (Plate 12)1826Centre d'art britannique de Yale
"Was living: panting like a frighted wolf..." (Plate 7), William Blake, 1804 to 1820William Blake"Was living: panting like a frighted wolf..." (Plate 7)1804 to 1820Centre d'art britannique de Yale
'And vapid; sense and reason shew the door' (Page 72), William Blake, ca. 1797William Blake'And vapid; sense and reason shew the door' (Page 72)ca. 1797Centre d'art britannique de Yale
'Angels should paint it, angels ever there' (Page 40), William Blake, 1797William Blake'Angels should paint it, angels ever there' (Page 40)1797Centre d'art britannique de Yale
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, ca. 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)ca. 1797Centre d'art britannique de Yale
Ancient Ballads, Headpiece, William Blake, 1783William BlakeAncient Ballads, Headpiece1783Centre d'art britannique de Yale
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