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Où voir des œuvres et quand le musée est ouvert.

Collections : Art Institute of Chicago, Centre d'art britannique de Yale, Cleveland Museum of Art, Cooper Hewitt, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale University Art Gallery, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (44 musées), Paris Musées (12 musées), Joconde, la base des musées du ministère de la Culture (495 musées) et le Catalogo generale dei Beni Culturali du ministère italien de la Culture (25 musées). Les images appartiennent à leurs ayants droit.

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Catalogue

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130 252 œuvres de 146 musées133 exposées en ce momentTout effacer

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Technique
  • Toutes
  • Eau-forte130 252
  • Lithographie89 179
  • Gravure au burin63 364
  • Gravure sur bois56 703
  • Pointe sèche9 308
  • Sérigraphie8 459
  • Aquatinte7 452
  • Impression photomécanique6 933
  • Manière noire6 751
  • Linogravure2 658
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir), Goya, 1810Francisco de GoyaPlate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)1810Metropolitan Museum of Art
Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia), Goya, 1810 (published 1863)Francisco de GoyaPlate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)1810 (published 1863)Metropolitan Museum of Art
Plate 19 from "Los Caprichos": All will fall (Todos Caerán), Goya, 1799Francisco de GoyaPlate 19 from "Los Caprichos": All will fall (Todos Caerán)1799Metropolitan Museum of Art
Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco), Goya, 1810Francisco de GoyaPlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)1810Metropolitan Museum of Art
Plate 70  from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)1814–15 (published 1863)Metropolitan Museum of Art
Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió), Goya, 1810 (published 1863)Francisco de GoyaPlate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)1810 (published 1863)Metropolitan Museum of Art
Plate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está), Goya, 1810 (published 1863)Francisco de GoyaPlate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está)1810 (published 1863)Metropolitan Museum of Art
Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!), Goya, 1799Francisco de GoyaPlate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)1799Metropolitan Museum of Art
Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!), Goya, 1799Francisco de GoyaPlate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)1799Metropolitan Museum of Art
Plate 1 from "Los Caprichos": Self-portrait, Goya, 1799 (published 1881–86)Francisco de GoyaPlate 1 from "Los Caprichos": Self-portrait1799 (published 1881–86)Metropolitan Museum of Art
Plate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!), Goya, 1799Francisco de GoyaPlate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)1799Metropolitan Museum of Art
Plate 13: They are Hot (Estan Calientes), from "Los Caprichos", Goya, ca. 1798Francisco de GoyaPlate 13: They are Hot (Estan Calientes), from "Los Caprichos"ca. 1798Metropolitan Museum of Art
Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia), Goya, 1810Francisco de GoyaPlate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)1810Metropolitan Museum of Art
Plate 9: Tantalus (Tantalo), from "Los Caprichos", Goya, ca. 1798–99Francisco de GoyaPlate 9: Tantalus (Tantalo), from "Los Caprichos"ca. 1798–99Metropolitan Museum of Art
Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh!  Cuidado! si no...), Goya, 1799Francisco de GoyaPlate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...)1799Metropolitan Museum of Art
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull, Goya, 1816Francisco de GoyaPlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull1816Metropolitan Museum of Art
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid1816Metropolitan Museum of Art
Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!), Goya, 1799Francisco de GoyaPlate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)1799Metropolitan Museum of Art
Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)1811–12 (published 1863)Metropolitan Museum of Art
Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!), Goya, 1799Francisco de GoyaPlate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)1799Metropolitan Museum of Art
Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco), Goya, 1810 (published 1863)Francisco de GoyaPlate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)1810 (published 1863)Metropolitan Museum of Art
Plate 9 from "Los Caprichos": Tantalus (Tantalo), Goya, 1799Francisco de GoyaPlate 9 from "Los Caprichos": Tantalus (Tantalo)1799Metropolitan Museum of Art
Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?)1814–15 (published 1863)Metropolitan Museum of Art
Portrait of the court dwarf known as el Primo, after Velázquez, Goya, 1778Francisco de GoyaPortrait of the court dwarf known as el Primo, after Velázquez1778Metropolitan Museum of Art
Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro), Goya, 1799Francisco de GoyaPlate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro)1799Metropolitan Museum of Art
Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos), Goya, 1799Francisco de GoyaPlate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)1799Metropolitan Museum of Art
Plate 62  from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)1811–12 (published 1863)Metropolitan Museum of Art
Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!), Goya, 1799Francisco de GoyaPlate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)1799Metropolitan Museum of Art
Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes), Goya, 1799Francisco de GoyaPlate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)1799Metropolitan Museum of Art
Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!), Goya, 1799Francisco de GoyaPlate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)1799Metropolitan Museum of Art
Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)1814–15 (published 1863)Metropolitan Museum of Art
Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar), Goya, 1799Francisco de GoyaPlate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)1799Metropolitan Museum of Art
Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)1814–15 (published 1863)Metropolitan Museum of Art
Plate 78  from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan), Goya, 1881–86Francisco de GoyaPlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)1881–86Metropolitan Museum of Art
'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto), Goya, ca. 1815 (published 1859)Francisco de Goya'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)ca. 1815 (published 1859)Metropolitan Museum of Art
Plate 49  from "Los Caprichos": Hobgoblins (Duendecitos), Goya, 1799Francisco de GoyaPlate 49 from "Los Caprichos": Hobgoblins (Duendecitos)1799Metropolitan Museum of Art
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a hard step!' (Duro es el paso!), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a hard step!' (Duro es el paso!)ca. 1810 (published 1863)Metropolitan Museum of Art
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos", Goya, 1799Francisco de GoyaEven thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"1799Metropolitan Museum of Art
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia", Goya, 1816Francisco de GoyaCharles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"1816Metropolitan Museum of Art
Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien), Goya, 1810 (published 1863)Francisco de GoyaPlate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)1810 (published 1863)Metropolitan Museum of Art
Plate 46 from "Los Caprichos": Correction (Correccion), Goya, 1799Francisco de GoyaPlate 46 from "Los Caprichos": Correction (Correccion)1799Metropolitan Museum of Art
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar), Goya, 1799Francisco de GoyaPlate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)1799Metropolitan Museum of Art
Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid1816Metropolitan Museum of Art
Plate 35 from "Los Caprichos": She fleeces him (Le descañona), Goya, 1799Francisco de GoyaPlate 35 from "Los Caprichos": She fleeces him (Le descañona)1799Metropolitan Museum of Art
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio), Goya, 1810Francisco de GoyaPlate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)1810Metropolitan Museum of Art
Plate 66 from "Los Caprichos": There it goes (Allá vá eso), Goya, 1799Francisco de GoyaPlate 66 from "Los Caprichos": There it goes (Allá vá eso)1799Metropolitan Museum of Art
A False Bacchus Crowning Drunkards, Goya, 1778Francisco de GoyaA False Bacchus Crowning Drunkards1778Metropolitan Museum of Art
Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino), Goya, 1799Francisco de GoyaPlate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)1799Metropolitan Museum of Art
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