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Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (16 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

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Text, Folio 142 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 142 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]), c. 1595Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years])c. 1595Cleveland Museum of Art
A blindfolded suitor is brought before a princess (recto), Fayzullah, 1755FayzullahA blindfolded suitor is brought before a princess (recto)1755Cleveland Museum of Art
Radha and Krishna (verso), from a Kalighat album, c. 1890Radha and Krishna (verso), from a Kalighat albumc. 1890Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Krishna Awaiting Radha, c. 1750–60Krishna Awaiting Radhac. 1750–60Cleveland Museum of Art
The woman conversing with her children, as the leopard returns, egged on by a fox who is tied to his leg, from a Tuti-nama (Tales of a Parrot): Thirtieth Night, c. 1560The woman conversing with her children, as the leopard returns, egged on by a fox who is tied to his leg, from a Tuti-nama (Tales of a Parrot): Thirtieth Nightc. 1560Cleveland Museum of Art
Maharana Ari Singh II of Mewar (r. 1761–73) with His Consort on a Terrace, c. 1761Maharana Ari Singh II of Mewar (r. 1761–73) with His Consort on a Terracec. 1761Cleveland Museum of Art
Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (verso); Stenciled Scenes of Lion and Gazelle (verso), c. 1710Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (verso); Stenciled Scenes of Lion and Gazelle (verso)c. 1710Cleveland Museum of Art
Text, Folio 67 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 67 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso), c. 1710–20A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso)c. 1710–20Cleveland Museum of Art
Shahr-Arai and her husband adopt her lover as a brother in the family, from a Tuti-nama (Tales of a Parrot): Fortieth Night, c. 1560Shahr-Arai and her husband adopt her lover as a brother in the family, from a Tuti-nama (Tales of a Parrot): Fortieth Nightc. 1560Cleveland Museum of Art
Krishna Ferrying Radha Across the Yamuna River (recto), c. 1890Krishna Ferrying Radha Across the Yamuna River (recto)c. 1890Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 10 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 10 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text, Folio 53 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 53 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Saint Catherine and Saint Barbara (pair), Master of the Holy Blood, c. 1520Master of the Holy BloodSaint Catherine and Saint Barbara (pair)c. 1520112 Northern RenaissanceCleveland Museum of Art
Leaf from a Book of Hours: The Raising of the Cross, c. 1510–20Leaf from a Book of Hours: The Raising of the Crossc. 1510–20Cleveland Museum of Art
St. Peter, St. Paul, St. George, and St. James the Greater, c. 1424St. Peter, St. Paul, St. George, and St. James the Greaterc. 1424111 German and Austrian GothicCleveland Museum of Art
A raven brings food to Elijah (folio 72 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier,, 1602–4A raven brings food to Elijah (folio 72 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier,1602–4Cleveland Museum of Art
Daniel Saving Susanna, the Judgment of Daniel, and the Execution of the Elders, Master of Apollo and Daphne, c. 1500Master of Apollo and DaphneDaniel Saving Susanna, the Judgment of Daniel, and the Execution of the Eldersc. 1500Salle 238Art Institute of Chicago
Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years]), c. 1595Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years])c. 1595Cleveland Museum of Art
Durga Killing the Demon Mahisha, c. 1890Durga Killing the Demon Mahishac. 1890Cleveland Museum of Art
Mahavira Gives Away his Possessions, Folio 35 (verso), from a Kalpa-sutra, c. 1475–1500Mahavira Gives Away his Possessions, Folio 35 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Historiated Initial Excised from a Bible (set of nine), 1200sHistoriated Initial Excised from a Bible (set of nine)1200sCleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Salome Receiving John the Baptist’s Head on a Platter (folio 112 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Salome Receiving John the Baptist’s Head on a Platter (folio 112 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4Cleveland Museum of Art
Five Poses of Krishna Making Love, from a Bikaner Bhagavata Purana, c. 1600Five Poses of Krishna Making Love, from a Bikaner Bhagavata Puranac. 1600Cleveland Museum of Art
A King Making Love in the Harem, c. 1720–30A King Making Love in the Haremc. 1720–30Cleveland Museum of Art
Vivaca Ragaputra, a Leaf from Ragamala Series, c. 1700–1720sVivaca Ragaputra, a Leaf from Ragamala Seriesc. 1700–1720sCleveland Museum of Art
Rishabha enthroned, folio 1 (verso) from a Yoga-shastra of Hemachandra, c. 1275Rishabha enthroned, folio 1 (verso) from a Yoga-shastra of Hemachandrac. 1275Cleveland Museum of Art
The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night, Sravana, c. 1560SravanaThe old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Nightc. 1560Cleveland Museum of Art
The Goddess Annihilates the Demon Raktabija, from a Devi-Mahatmya, c. 1640The Goddess Annihilates the Demon Raktabija, from a Devi-Mahatmyac. 1640Cleveland Museum of Art
A Prince Visiting a Holy Man in a Rocky Landscape (recto), c. 1590A Prince Visiting a Holy Man in a Rocky Landscape (recto)c. 1590Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 21 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 21 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Angels bring food to Jesus in the wilderness (folio 55 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, Muhammad Sharif, 1602–4Muhammad SharifAngels bring food to Jesus in the wilderness (folio 55 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4Cleveland Museum of Art
Celestial Dancers, folio 5 (recto), from Brahman Rishabhadatta's speech, from a Kalpa-sutra, c. 1475–1500Celestial Dancers, folio 5 (recto), from Brahman Rishabhadatta's speech, from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
A European Woman Pouring Wine into a Cup, c. 1710–20A European Woman Pouring Wine into a Cupc. 1710–20Cleveland Museum of Art
Leaf from a Book of Hours: The Visitation, Guillaume Vrelant, c. 1470–1480Guillaume VrelantLeaf from a Book of Hours: The Visitationc. 1470–1480Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
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