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Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

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38 812 œuvres de 308 musées777 exposées en ce momentTout effacer

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Text, Folio 44 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 44 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Posthumous portrait of Raja Chhatar Singh of Chamba smoking a hookah, c. 1700Posthumous portrait of Raja Chhatar Singh of Chamba smoking a hookahc. 1700Cleveland Museum of Art
Krishna Abhisarika Nayika, from a Rasikapriya manuscript, c. 1615–25Krishna Abhisarika Nayika, from a Rasikapriya manuscriptc. 1615–25Cleveland Museum of Art
Kedara Ragini, c. 1660–70Kedara Raginic. 1660–70Cleveland Museum of Art
Text, Folio 61 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 61 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text, Folio 129 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 129 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Rama, Sita, and Lakshmana in the forest, c. 1830Rama, Sita, and Lakshmana in the forestc. 1830Cleveland Museum of Art
Maharana Sangram Singh II (r. 1710–34) Worshipping a Linga Under a Banyan Tree, c. 1712–15Maharana Sangram Singh II (r. 1710–34) Worshipping a Linga Under a Banyan Treec. 1712–15Cleveland Museum of Art
Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”, c. 1560–70Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”c. 1560–70Cleveland Museum of Art
Folio 2, from a Kalpa-sutra and Story of Kalakacharya: Monk Holding a Flower (recto); text (verso), 1287Folio 2, from a Kalpa-sutra and Story of Kalakacharya: Monk Holding a Flower (recto); text (verso)1287Cleveland Museum of Art
Kali Dancing on Shiva (recto), from a Kalighat album, c. 1890Kali Dancing on Shiva (recto), from a Kalighat albumc. 1890Cleveland Museum of Art
Text, Folio 88 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 88 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Diptych with the Passion of Christ, c. 1400Diptych with the Passion of Christc. 1400111 German and Austrian GothicCleveland Museum of Art
The Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possession, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night, c. 1560The Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possession, from a Tuti-nama (Tales of a Parrot): Forty-sixth Nightc. 1560Cleveland Museum of Art
Balarama and Krishna, c. 1890Balarama and Krishnac. 1890Cleveland Museum of Art
Text, Folio 5 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 5 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text, folio 184 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 184 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 105 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 105 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, Basavana, c. 1560BasavanaThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Nightc. 1560Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot), Banavari 2, c. 1560Banavari 2The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
Prince Amar Singh (1672–1710) Drives His Own Elephant, Mewar Stipple Master, c. 1695Mewar Stipple MasterPrince Amar Singh (1672–1710) Drives His Own Elephantc. 1695Cleveland Museum of Art
Shri Raga: An Illustration from a Ragamala Series, c. 1740Shri Raga: An Illustration from a Ragamala Seriesc. 1740Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
King Vikrama summons Madhava, folio 15 from a Madhavanala-Kamakandala, c. 1720King Vikrama summons Madhava, folio 15 from a Madhavanala-Kamakandalac. 1720Cleveland Museum of Art
Draupadi Rescued from Abduction, from a Mahabharata, c. 1615Draupadi Rescued from Abduction, from a Mahabharatac. 1615Cleveland Museum of Art
Folio from a Kalpa-sutra and Story of Kalakacharya of Devachandra: Text (recto); Brahmanshanti Yaksha (verso), Devachandra, 1279DevachandraFolio from a Kalpa-sutra and Story of Kalakacharya of Devachandra: Text (recto); Brahmanshanti Yaksha (verso)1279Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, Basavana, c. 1560BasavanaPage from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
The wolf and the jackal, serving as viziers, instigate the lion who pursues the Brahman up a tree, from a Tuti-nama (Tales of a Parrot): Twenty-first Night, c. 1560The wolf and the jackal, serving as viziers, instigate the lion who pursues the Brahman up a tree, from a Tuti-nama (Tales of a Parrot): Twenty-first Nightc. 1560Cleveland Museum of Art
The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Night, c. 1560The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Nightc. 1560Cleveland Museum of Art
Leaf Excised from a Psalter: Initial B with King David, c. 1260Leaf Excised from a Psalter: Initial B with King Davidc. 1260Cleveland Museum of Art
Jesus among the doctors in the Temple, Mir Kalan Khan, c. 1760Mir Kalan KhanJesus among the doctors in the Templec. 1760Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Eleven-Headed, Thousand-Armed Bodhisattva of Compassion (Avalokiteshvara), c. 1500Eleven-Headed, Thousand-Armed Bodhisattva of Compassion (Avalokiteshvara)c. 1500Cleveland Museum of Art
A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, Govardhan, c. 1605–10GovardhanA Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Swordc. 1605–10Cleveland Museum of Art
Leaf from a Kalighat album: Hanuman attacks Indrajit holding an apparition of Sita by the hair (recto); Goddesses Lakshmi and Sarasvati (verso), c. 1890Leaf from a Kalighat album: Hanuman attacks Indrajit holding an apparition of Sita by the hair (recto); Goddesses Lakshmi and Sarasvati (verso)c. 1890Cleveland Museum of Art
Text, Folio 70 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 70 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 87 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 87 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, Ghulam 'Ali, c. 1560Ghulam 'AliThe prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Cleveland Museum of Art
Initial I: Entwined Beast and Serpent: Leaf from a Bible (2 of 2 Excised Leaves), c. 1225–50Initial I: Entwined Beast and Serpent: Leaf from a Bible (2 of 2 Excised Leaves)c. 1225–50113 French Tapestries & Illuminated ManuscriptsCleveland Museum of Art
Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Cleveland Museum of Art
Bottom Cover for a Buddhist Manuscript (verso), c. 1700Bottom Cover for a Buddhist Manuscript (verso)c. 1700Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
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