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Collections : Art Institute of Chicago, Centre d'art britannique de Yale, Cleveland Museum of Art, Cooper Hewitt, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale University Art Gallery, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (44 musées), Paris Musées (12 musées), Joconde, la base des musées du ministère de la Culture (495 musées) et le Catalogo generale dei Beni Culturali du ministère italien de la Culture (25 musées). Les images appartiennent à leurs ayants droit.

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Catalogue

Dessins et aquarelles

506 509 œuvres de 314 musées703 exposées en ce momentEffacer

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Technique
  • Toutes
  • Graphite137 439
  • Plume60 822
  • Aquarelle58 381
  • Encre51 491
  • Craie39 881
  • Gouache9 482
  • Fusain8 850
  • Pastel4 205
  • Huile2 434
  • Pointe d’argent430
  • Technique mixte297
Long-haired Woman in Front of Tall Rosebushes (Chapter Heading, "Le Morte d'Arthur," J. M. Dent, 1893–4, Part IX, book xiii, chapter viii, p. 700, and Part XII, book xxi, chapter viii, p. 972), Aubrey Vincent Beardsley, by February 6, 1894Aubrey BeardsleyLong-haired Woman in Front of Tall Rosebushes (Chapter Heading, "Le Morte d'Arthur," J. M. Dent, 1893–4, Part IX, book xiii, chapter viii, p. 700, and Part XII, book xxi, chapter viii, p. 972)by February 6, 1894Metropolitan Museum of Art
Studies for Sculpture, Henry Moore, c. 1934Henry MooreStudies for Sculpturec. 1934Museum of Modern Art
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock, William Hogarth, ca. 1750William HogarthGeorge Taylor's Epitaph: Death Giving George Taylor a Cross Buttockca. 1750Centre d'art britannique de Yale
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentre d'art britannique de Yale
Girl Reading, Henry Moore, 1947Henry MooreGirl Reading1947Museum of Modern Art
Seated Figures, II, Henry Moore, 1942Henry MooreSeated Figures, II1942Museum of Modern Art
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentre d'art britannique de Yale
Studies for Stone Sculpture, Henry Moore, 1938Henry MooreStudies for Stone Sculpture1938Centre d'art britannique de Yale
Sheet of Studies of Heads, William Hogarth, ca. 1795William HogarthSheet of Studies of Headsca. 1795Metropolitan Museum of Art
Standing Figures, Henry Moore, 1942Henry MooreStanding Figures1942Yale University Art Gallery
Sketches for Sculpture, Henry Moore, 1944Henry MooreSketches for Sculpture1944Yale University Art Gallery
Studies for the Raising of Lazarus and Other Compositions [verso], Veronese, c. 1582Paolo VeroneseStudies for the Raising of Lazarus and Other Compositions [verso]c. 1582National Gallery of Art
Study of a Female Nude, William Hogarth, undatedWilliam HogarthStudy of a Female NudeundatedCentre d'art britannique de Yale
Ideas for Two-Figure Sculpture, Henry Moore, 1942, dated 1944Henry MooreIdeas for Two-Figure Sculpture1942, dated 1944Museum of Modern Art
Sculpture and Red Rocks, Henry Moore, 1942Henry MooreSculpture and Red Rocks1942Museum of Modern Art
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentre d'art britannique de Yale
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death, William Hogarth, ca. 1750William HogarthGeorge Taylor's Epitaph: George Taylor Breaking the Ribs of Deathca. 1750Centre d'art britannique de Yale
Grotesque Female Head, William Hogarth, undatedWilliam HogarthGrotesque Female HeadundatedCentre d'art britannique de Yale
Study for the Foundlings, William Hogarth, ca. 1739William HogarthStudy for the Foundlingsca. 1739Centre d'art britannique de Yale
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right, William Hogarth, undatedWilliam HogarthOperation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower RightundatedCentre d'art britannique de Yale
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentre d'art britannique de Yale
Reclining Figure, Henry Moore, 1939Henry MooreReclining Figure1939Centre d'art britannique de Yale
Reclining Figure, Henry Moore, 1972Henry MooreReclining Figure1972Yale University Art Gallery
Family Group, Henry Moore, 1944Henry MooreFamily Group1944Yale University Art Gallery
Study for an Illustration for a Poem by Sir Herbert Read, Henry Moore, 1946Henry MooreStudy for an Illustration for a Poem by Sir Herbert Read1946Centre d'art britannique de Yale
Studies for Sculpture, Henry Moore, 1934Henry MooreStudies for Sculpture1934Museum of Modern Art
The Murders in the Rue Morgue, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96, Aubrey Vincent Beardsley, 1894Aubrey BeardsleyThe Murders in the Rue Morgue, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–961894Metropolitan Museum of Art
Halfnaakt jongetje, Paolo Veronese, 1538 - 1588Paolo VeroneseHalfnaakt jongetje1538 - 1588Rijksmuseum Amsterdam
The Fall of the House of Usher, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96, Aubrey Vincent Beardsley, 1894Aubrey BeardsleyThe Fall of the House of Usher, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–961894Metropolitan Museum of Art
Grotesque Female Head, William Hogarth, undatedWilliam HogarthGrotesque Female HeadundatedCentre d'art britannique de Yale
Grotesque Female Head, William Hogarth, undatedWilliam HogarthGrotesque Female HeadundatedCentre d'art britannique de Yale
Gabriel Hunt, William Hogarth, undatedWilliam HogarthGabriel HuntundatedCentre d'art britannique de Yale
Hymen, William Hogarth, ca. 1748William HogarthHymenca. 1748Centre d'art britannique de Yale
Seated Nude, Henry Moore, 1927Henry MooreSeated Nude1927Centre d'art britannique de Yale
Shelter Scene, Henry Moore, 1942Henry MooreShelter Scene1942Yale University Art Gallery
Red Reclining Figure, Henry Moore, 1946Henry MooreRed Reclining Figure1946Yale University Art Gallery
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentre d'art britannique de Yale
Apollo and Marsyas, Attributed to Veronese, c. 1600Paolo VeroneseApollo and Marsyasc. 1600National Gallery of Art
The Masque of the Red Death, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–96, Aubrey Vincent Beardsley, 1894Aubrey BeardsleyThe Masque of the Red Death, for Edgar Allan Poe’s “Tales of Mystery and the Imagination,” Chicago, 1895–961894Metropolitan Museum of Art
Praying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219), Aubrey Vincent Beardsley, by May 30, 1893Aubrey BeardsleyPraying Angels and Poppies (Border Design for Thomas Malory, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vii, chapter i, p. 219)by May 30, 1893Metropolitan Museum of Art
The First Stage of Cruelty, William Hogarth, ca. 1750William HogarthThe First Stage of Crueltyca. 1750Centre d'art britannique de Yale
Grotesque Female Head, William Hogarth, undatedWilliam HogarthGrotesque Female HeadundatedCentre d'art britannique de Yale
Seated and Reclining Figures, Henry Moore, 1942Henry MooreSeated and Reclining Figures1942Museum of Modern Art
Benjamin Read, William Hogarth, ca. 1757William HogarthBenjamin Readca. 1757Centre d'art britannique de Yale
Grotesque Male Head, William Hogarth, undatedWilliam HogarthGrotesque Male HeadundatedCentre d'art britannique de Yale
Eight Reclining Figures (recto and verso), Henry Moore, 1966Henry MooreEight Reclining Figures (recto and verso)1966Yale University Art Gallery
Two Women Wrapped in Blankets, Henry Moore, 1942Henry MooreTwo Women Wrapped in Blankets1942Yale University Art Gallery
Study of a Woman, Henry Moore, 1928Henry MooreStudy of a Woman1928Yale University Art Gallery
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