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Où voir des œuvres et quand le musée est ouvert.

Collections : Art Institute of Chicago, Centre d'art britannique de Yale, Cleveland Museum of Art, Cooper Hewitt, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale University Art Gallery, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (44 musées), Paris Musées (12 musées), Joconde, la base des musées du ministère de la Culture (495 musées) et le Catalogo generale dei Beni Culturali du ministère italien de la Culture (25 musées). Les images appartiennent à leurs ayants droit.

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Catalogue

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60 822 œuvres de 131 musées44 exposées en ce momentTout effacer

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Technique
  • Toutes
  • Graphite137 439
  • Plume60 822
  • Aquarelle58 381
  • Encre51 491
  • Craie39 881
  • Gouache9 482
  • Fusain8 850
  • Pastel4 205
  • Huile2 434
  • Pointe d’argent430
  • Technique mixte297
Design for One-Quarter of a Ceiling; Elaborate Architectural Ornament in Perspective, Ferdinando Galli Bibiena, 1657–1743Ferdinando Galli-BibienaDesign for One-Quarter of a Ceiling; Elaborate Architectural Ornament in Perspective1657–1743Metropolitan Museum of Art
The Nativity, Heinrich Aldegrever, 1552Heinrich AldegreverThe Nativity1552National Gallery of Art
He Looks and Doesn't Recognize Himself (Se mira y no se ve), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHe Looks and Doesn't Recognize Himself (Se mira y no se ve)1807–45Metropolitan Museum of Art
Houses at Kilmallock, Thomas Crofton Croker, undatedThomas Crofton CrokerHouses at KilmallockundatedCentre d'art britannique de Yale
Ammon and Jonadab, Heinrich Aldegrever, 1539Heinrich AldegreverAmmon and Jonadab1539Metropolitan Museum of Art
Joseph and Potiphar's Wife, Heinrich Aldegrever, 1520–65Heinrich AldegreverJoseph and Potiphar's Wife1520–65Metropolitan Museum of Art
Cupido, Donato Creti, secc. XVII/ XVIIIDonato CretiCupidosecc. XVII/ XVIIIGaleries de l'Académie de Venise
Testa d'uomo con turbante, Donato Creti, secc. XVII/ XVIIIDonato CretiTesta d'uomo con turbantesecc. XVII/ XVIIIGaleries de l'Académie de Venise
The Virgin Bringing the Habit to the Seven Founding Fathers of the Servite Order, Donato Creti, 1691–1749Donato CretiThe Virgin Bringing the Habit to the Seven Founding Fathers of the Servite Order1691–1749Metropolitan Museum of Art
They Don't Fall Off Their Donkey (They Don't Admit Their Error), (No caen de su burro), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoThey Don't Fall Off Their Donkey (They Don't Admit Their Error), (No caen de su burro)1807–45Metropolitan Museum of Art
The Adoration of the Magi [recto], Attributed to Donato CretiAttributed to Donato CretiThe Adoration of the Magi [recto]National Gallery of Art
There Was No Business (No encontraron avio), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoThere Was No Business (No encontraron avio)1807–45Metropolitan Museum of Art
Monks in a Cathedral, Jean-Baptiste-Pierre Le BrunJean Baptiste Pierre Le BrunMonks in a CathedralNational Gallery of Art
Long Live the Chains! (Vivan las caenas [cadenas]), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoLong Live the Chains! (Vivan las caenas [cadenas])1807–45Metropolitan Museum of Art
Ruined Abbey, Thomas Crofton Croker, undatedThomas Crofton CrokerRuined AbbeyundatedCentre d'art britannique de Yale
Architectural Perspective, in an Oval: Porch of a Palace with Corinthian Columns, Ferdinando Galli Bibiena, 1657–1743Ferdinando Galli-BibienaArchitectural Perspective, in an Oval: Porch of a Palace with Corinthian Columns1657–1743Metropolitan Museum of Art
Telemachus Requests Permission from Pluto to Seek His Father in the Underworld, Bartolomeo Pinelli, 1809Bartolomeo PinelliTelemachus Requests Permission from Pluto to Seek His Father in the Underworld1809National Gallery of Art
The Death of Lausus, After Bartolomeo Pinelli, early 19th centuryBartolomeo PinelliThe Death of Laususearly 19th centuryNational Gallery of Art
Tumulus near Newry, Thomas Crofton Croker, undatedThomas Crofton CrokerTumulus near NewryundatedCentre d'art britannique de Yale
Virgin and Child with Five Saints, Attributed to Donato CretiAttributed to Donato CretiVirgin and Child with Five SaintsNational Gallery of Art
Birds of a Feather (Entre los suyos), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoBirds of a Feather (Entre los suyos)1807–45Metropolitan Museum of Art
Father Killing His Daughter, Bartolomeo Pinelli, 1812Bartolomeo PinelliFather Killing His Daughter1812Yale University Art Gallery
Bathers in a Wooded Landscape, Donato Creti, 1671–1749Donato CretiBathers in a Wooded Landscape1671–1749Metropolitan Museum of Art
Athena Appearing to Telemachus (the son of Ulysses), illustration for Telemaco from Homer's Odyssey, Bartolomeo Pinelli, 1809Bartolomeo PinelliAthena Appearing to Telemachus (the son of Ulysses), illustration for Telemaco from Homer's Odyssey1809Yale University Art Gallery
Thetis Dipping the Infant Achilles into the Waters of the Styx, Donato Creti, 1671–1749Donato CretiThetis Dipping the Infant Achilles into the Waters of the Styx1671–1749Metropolitan Museum of Art
Brownies at Home - Twelve Vignettes, Palmer Cox, c. 1893Palmer CoxBrownies at Home - Twelve Vignettesc. 1893National Gallery of Art
Design for a Stage Set: A Town Square with a Fountain, Ferdinando Galli Bibiena, 1677–1743Ferdinando Galli-BibienaDesign for a Stage Set: A Town Square with a Fountain1677–1743Metropolitan Museum of Art
Vaulted Hall with Candelabra, Ferdinando Galli Bibiena, 1675–1743Ferdinando Galli-BibienaVaulted Hall with Candelabra1675–1743Metropolitan Museum of Art
Saint Mark the Evangelist, Peter Candid after Heinrich Aldegrever after Georg Pencz, c. 1600Heinrich AldegreverSaint Mark the Evangelistc. 1600National Gallery of Art
Ruined Gateway at Kilmallock, Thomas Crofton Croker, undatedThomas Crofton CrokerRuined Gateway at KilmallockundatedCentre d'art britannique de Yale
He Will Not Laugh (Y el no se rie), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHe Will Not Laugh (Y el no se rie)1807–45Metropolitan Museum of Art
Self-Portrait, Bartolomeo Pinelli, 1807Bartolomeo PinelliSelf-Portrait1807Yale University Art Gallery
Seven Figures Witnessing an Ascension [verso], Attributed to Donato CretiAttributed to Donato CretiSeven Figures Witnessing an Ascension [verso]National Gallery of Art
Flying and Other Excesses (Volando y otros excesos), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoFlying and Other Excesses (Volando y otros excesos)1807–45Metropolitan Museum of Art
Queen Tranquilla Being Shown the Corpse of Her Husband Tarquin, illustration for Charles Rollin’s Istoria Romana, Bartolomeo Pinelli, 1812Bartolomeo PinelliQueen Tranquilla Being Shown the Corpse of Her Husband Tarquin, illustration for Charles Rollin’s Istoria Romana1812Yale University Art Gallery
Endymion, Donato Creti, 1671–1749Donato CretiEndymion1671–1749Metropolitan Museum of Art
His Excellency is Not at Home (No recibe in Excel), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHis Excellency is Not at Home (No recibe in Excel)1807–45Metropolitan Museum of Art
Head of a Bearded Man, Hans Hoffmann, 1579Hans HoffmannHead of a Bearded Man1579Metropolitan Museum of Art
The Annunciation, Heinrich Aldegrever, 1552Heinrich AldegreverThe Annunciation1552National Gallery of Art
Having a Good Time (Se regodean), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoHaving a Good Time (Se regodean)1807–45Metropolitan Museum of Art
Lost Labor (Trabajo perdido), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoLost Labor (Trabajo perdido)1807–45Metropolitan Museum of Art
Family of the Artist, Bartolomeo Pinelli, 1808Bartolomeo PinelliFamily of the Artist1808Yale University Art Gallery
At Last She Sees Clearly (Ya ve claro), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoAt Last She Sees Clearly (Ya ve claro)1807–45Metropolitan Museum of Art
Venus, Mars, Iris, and Two Amorini, Bartolomeo Pinelli, ca. 1808Bartolomeo PinelliVenus, Mars, Iris, and Two Amorinica. 1808Yale University Art Gallery
Penitent Magdalene with Angels in a Landscape [recto], Attributed to Donato CretiAttributed to Donato CretiPenitent Magdalene with Angels in a Landscape [recto]National Gallery of Art
Holy Family with St. Elizabeth, St. John the Baptist, and Two Angels in a Landscape, Attributed to Donato CretiAttributed to Donato CretiHoly Family with St. Elizabeth, St. John the Baptist, and Two Angels in a LandscapeNational Gallery of Art
Holy Family [recto], Attributed to Donato CretiAttributed to Donato CretiHoly Family [recto]National Gallery of Art
They are Polishing Him Up (Y se las pulen), Leonardo Alenza y Nieto, 1807–45Leonardo Alenza y NietoThey are Polishing Him Up (Y se las pulen)1807–45Metropolitan Museum of Art
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