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Où voir des œuvres et quand le musée est ouvert.

Collections : Art Institute of Chicago, Centre d'art britannique de Yale, Cleveland Museum of Art, Cooper Hewitt, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale University Art Gallery, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (44 musées), Paris Musées (12 musées), Joconde, la base des musées du ministère de la Culture (495 musées) et le Catalogo generale dei Beni Culturali du ministère italien de la Culture (74 musées). Les images appartiennent à leurs ayants droit.

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61 422 œuvres de 150 musées48 exposées en ce momentTout effacer

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Technique
  • Toutes
  • Graphite139 729
  • Plume61 422
  • Aquarelle59 077
  • Encre52 795
  • Craie39 883
  • Fusain9 549
  • Gouache9 482
  • Pastel4 297
  • Huile2 442
  • Pointe d’argent430
  • Technique mixte301
Christ Driving the Money Changers from the Temple, Attributed to Ludovico Cardi called CigoliCigoliChrist Driving the Money Changers from the TempleNational Gallery of Art
Design for a Palace Façade, Carl Hårleman, early–mid 18th centuryCarl HårlemanDesign for a Palace Façadeearly–mid 18th centuryMetropolitan Museum of Art
The Polish Rider, Aleksandr Osipovich OrlovskiiAlexander OrlowskiThe Polish RiderNational Gallery of Art
Two Studies of a Roma Woman and a Roma Boy in a Large Hat, Jacob de Gheyn, II, c. 1605Jacques de GheynTwo Studies of a Roma Woman and a Roma Boy in a Large Hatc. 1605Art Institute of Chicago
Portrait of the Painter François Gysels, David Bailly, ca. 1620–30David BaillyPortrait of the Painter François Gyselsca. 1620–30Metropolitan Museum of Art
Cover design for "Le Jour et la Nuit", Félix Bracquemond, ca. 1879Félix BracquemondCover design for "Le Jour et la Nuit"ca. 1879Salle 690Metropolitan Museum of Art
Rome, A View of the Arch of Constantine with Other Ruins, James Barry, undatedJames BarryRome, A View of the Arch of Constantine with Other RuinsundatedCentre d'art britannique de Yale
Young Woman Assisted by a Gentleman, Joachim Anthonisz. Wtewael, about 1609–1611Joachim WtewaelYoung Woman Assisted by a Gentlemanabout 1609–1611J. Paul Getty Museum
Axial Figure, Jan Lebenstein, 1961Jan LebensteinAxial Figure1961Museum of Modern Art
Male with Arms Spread Wide Seen from Behind, James Barry, undatedJames BarryMale with Arms Spread Wide Seen from BehindundatedCentre d'art britannique de Yale
(One of) Twenty-one pen drawings of Decorative Details in Antique Style, Thomas Hope, undatedThomas Hope(One of) Twenty-one pen drawings of Decorative Details in Antique StyleundatedCentre d'art britannique de Yale
Study for "Divine Justice", James Barry, ca. 1802James BarryStudy for "Divine Justice"ca. 1802Metropolitan Museum of Art
Camel Driver, Reuven RubinReuven RubinCamel DriverNational Gallery of Art
Studies for the Resurrection, Cigoli, 1590–91CigoliStudies for the Resurrection1590–91Yale University Art Gallery
A Wooded Landscape with a Shepherd and His Family, Andrea De Leone, c. 1635/1640Giovanni Benedetto CastiglioneA Wooded Landscape with a Shepherd and His Familyc. 1635/1640National Gallery of Art
Fantastic Subject: Five Nude Male Figures Punishing Another, Giovanni Benedetto Castiglione, 1609–64Giovanni Benedetto CastiglioneFantastic Subject: Five Nude Male Figures Punishing Another1609–64Metropolitan Museum of Art
Study of Animals and Figures, Giovanni Benedetto Castiglione, 1609–64Giovanni Benedetto CastiglioneStudy of Animals and Figures1609–64Metropolitan Museum of Art
Séquestré, Adolphe Léon Willette, 1912Adolphe Léon WilletteSéquestré1912National Gallery of Art
Mercury and Argus, Attributed to Joachim Anthonisz WtewaelJoachim WtewaelMercury and ArgusNational Gallery of Art
Axial Figure, Jan Lebenstein, 1960Jan LebensteinAxial Figure1960Museum of Modern Art
Adam in the Garden of Eden, Naming the Animals, Joachim Wtewael, ca. 1605–10Joachim WtewaelAdam in the Garden of Eden, Naming the Animalsca. 1605–10Metropolitan Museum of Art
(One of) Twenty-one pen drawings of Decorative Details in Antique Style, Thomas Hope, undatedThomas Hope(One of) Twenty-one pen drawings of Decorative Details in Antique StyleundatedCentre d'art britannique de Yale
Mythological Figures, Taddeo Zuccaro, c. 1561Follower of Taddeo ZuccaroMythological Figuresc. 1561National Gallery of Art
Cardinal Albornoz Gives the Farnese the Keys to Valentino, Taddeo Zuccaro, about 1565Taddeo ZuccaroCardinal Albornoz Gives the Farnese the Keys to Valentinoabout 1565J. Paul Getty Museum
Design for a Palace Façade: detail of Windows and Doors, Carl Hårleman, early–mid 18th centuryCarl HårlemanDesign for a Palace Façade: detail of Windows and Doorsearly–mid 18th centuryMetropolitan Museum of Art
St. Michael's Church, Cherry Burton: North East View, Sir Horace Jones, 1845–50Horace JonesSt. Michael's Church, Cherry Burton: North East View1845–50Metropolitan Museum of Art
Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod], Hans Vredeman de Vries, ca. 1594–96Hans Vredeman de VriesArchitectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod]ca. 1594–96Metropolitan Museum of Art
The Pursuit of Pleasure, Joseph Noel Paton, 1848Joseph Noel PatonThe Pursuit of Pleasure1848Centre d'art britannique de Yale
Milton's Comus, Sir Joseph Noël Paton, 1842–48Joseph Noel PatonMilton's Comus1842–48Metropolitan Museum of Art
The Judgment of Paris, Joachim Anthonisz Wtewael, c. 1615Joachim WtewaelThe Judgment of Parisc. 1615National Gallery of Art
(One of) Twenty-one pen drawings of Decorative Details in Antique Style, Thomas Hope, undatedThomas Hope(One of) Twenty-one pen drawings of Decorative Details in Antique StyleundatedCentre d'art britannique de Yale
(One of) Twenty-one pen drawings of Decorative Details in Antique Style, Thomas Hope, undatedThomas Hope(One of) Twenty-one pen drawings of Decorative Details in Antique StyleundatedCentre d'art britannique de Yale
(One of) Twenty-one pen drawings of Decorative Details in Antique Style, Thomas Hope, undatedThomas Hope(One of) Twenty-one pen drawings of Decorative Details in Antique StyleundatedCentre d'art britannique de Yale
The Cave of the Cumean Sybil on the Shore of the Lake Avernus, James Barry, between 1740 and 1759James BarryThe Cave of the Cumean Sybil on the Shore of the Lake Avernusbetween 1740 and 1759Centre d'art britannique de Yale
A Tormentor With Tongs, Follower of Taddeo ZuccaroFollower of Taddeo ZuccaroA Tormentor With TongsNational Gallery of Art
Soldiers Carrying a Model of a City, Taddeo Zuccaro, about 1548Taddeo ZuccaroSoldiers Carrying a Model of a Cityabout 1548J. Paul Getty Museum
Alexander the Great and Bucephalus, Taddeo Zuccaro, c. 1553Follower of Taddeo ZuccaroAlexander the Great and Bucephalusc. 1553National Gallery of Art
Part of Goodrich Castle, Horace Jones, 1842Horace JonesPart of Goodrich Castle1842Centre d'art britannique de Yale
Two Nymphs and a Satyr, Giovanni Benedetto Castiglione, 1640/1647Giovanni Benedetto CastiglioneTwo Nymphs and a Satyr1640/1647National Gallery of Art
Standing Male Figure Holding a Sword (King Otto of Hungary; recto); Sketch of Standing Male Figure (verso), Cigoli, n.d.CigoliStanding Male Figure Holding a Sword (King Otto of Hungary; recto); Sketch of Standing Male Figure (verso)n.d.Metropolitan Museum of Art
Religion Kneeling before a Monstrance, Attended by Putti, Cigoli, 1559–1613CigoliReligion Kneeling before a Monstrance, Attended by Putti1559–1613Metropolitan Museum of Art
Design in Elevation for the Façade of a Building, Cigoli, 1590–1610CigoliDesign in Elevation for the Façade of a Building1590–1610Metropolitan Museum of Art
Drawing for Buontalenti's Model for the Facade of S. Maria del Fiore of Florence, Cigoli, 1589CigoliDrawing for Buontalenti's Model for the Facade of S. Maria del Fiore of Florence1589Metropolitan Museum of Art
Hein! Pas très blancs tes dessous... (Hmm! Your Underwear Isn't Very White), Adolphe Léon Willette, 1912Adolphe Léon WilletteHein! Pas très blancs tes dessous... (Hmm! Your Underwear Isn't Very White)1912National Gallery of Art
Study for Saint Sebastian, James Barry, undatedJames BarryStudy for Saint SebastianundatedCentre d'art britannique de Yale
(One of) Twenty-one pen drawings of Decorative Details in Antique Style, Thomas Hope, undatedThomas Hope(One of) Twenty-one pen drawings of Decorative Details in Antique StyleundatedCentre d'art britannique de Yale
Christ with the Cross, Joachim Wtewael, ca. 1605–15 (?)Joachim WtewaelChrist with the Crossca. 1605–15 (?)Metropolitan Museum of Art
Study of Hercules for 'Crowning the Victors at Olympia', James Barry, between 1777 and 1780James BarryStudy of Hercules for 'Crowning the Victors at Olympia'between 1777 and 1780Centre d'art britannique de Yale
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