Edwin Austin AbbeySheet of studies both sides, pilgrims, etc.Edwin Austin AbbeySheet of studies both sides, pilgrims, etc.
Edwin Austin AbbeyTrial Scene, from Merchant of Venice
Edwin Austin AbbeySketch of a man in Revolutionary dress beside a table
Edwin Austin AbbeyStudy of a man in XVII century costume, tipping his hat - unidentified
Edwin Austin AbbeyUnidentified illustration
Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)
Edwin Austin AbbeyPerdita's foster relatives - Act IV, Scene II, The Winter's Tale
Edwin Austin AbbeyLady with Hands Clasped, from King Richard II
Edwin Austin AbbeyThe Good-natured Man. Miss Richland and the Bailiff
Edwin Austin AbbeyStudy for Dull, from Love's Labour's Lost
Edwin Austin AbbeyStudy of back of a seated man in XV century costume, for a Shakespearean scene.
Edwin Austin Abbey"Permit me to lecture...," illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeyStudy for Isabella (study for .1105?), from Measure for Measure
Edwin Austin Abbey"Am I in Face To-day?," illustration for Oliver Goldsmith's She Stoops To Conquer
Edwin Austin AbbeyCarriages and a Man Fishing (recto); Three Caricatures of a Head and Abbey's Name (verso)
Edwin Austin AbbeyStudy of the goosegirl.
Edwin Austin Abbey"Secure to please..." - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 87
Edwin Austin AbbeyIsabella and the Duke (study for .1108), from Measure for Measure
Edwin Austin AbbeyBefore the Princess's Pavilion, from Act V, Scene II, Love's Labour's Lost
Edwin Austin AbbeySketch of a young man at window - unidentified illustration
Edwin Austin Abbey"Tony Lumpkin is his own man again," illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeySketch for a greeting card: A Happy New Year; study of a man reading a sign
Edwin Austin AbbeyBroken Pots, from "Kitty of Coleraine", Old Songs
Edwin Austin Abbey"While words of learned length and thundering sound," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57
Edwin Austin AbbeySketch of a lady, illustration for "Waiting for her Lover," from Old Songs
Edwin Austin AbbeyShylock on bridge - Act I, Merchant of Venice
Edwin Austin AbbeySketch for "Ring O'Ring of Roses" - nursery rhyme
Edwin Austin AbbeyPetruchio bears off his bride, from Act III, Scene ii, Taming of the Shrew
Edwin Austin AbbeyStudy of a blacksmith, hammering iron - unidentified illustration
Edwin Austin AbbeySketch for School for Scandal, illustration for Scribner's Monthly Magazine
Edwin Austin AbbeySketch of three men (study for 1937.1072?), from Merchant of Venice
Edwin Austin AbbeyIllustration for "Phillada Flouts Me," from Old Songs
Edwin Austin AbbeyCaptain Sandy
Edwin Austin AbbeyStudy of a Tankard
Edwin Austin AbbeyStudy for "Spanish and Italian Folk Songs"
Edwin Austin AbbeySketch for "To Master Anthony Stafford," from The Quiet Life
Edwin Austin AbbeySketch for "The Leather Bottel," from Old Songs
Edwin Austin AbbeyRosalind: "He calls us back!: My pride fell with my fortunes," illustration for Act I, Scene ii, As You Like It
Edwin Austin AbbeyStanding woman, sketch for an unidentified Shakespeare play
Edwin Austin AbbeyStudy of girl in sailing costume with boat hook
Edwin Austin AbbeyUntitled Illustration to Oliver Goldsmith's The Deserted Village
Edwin Austin AbbeyDromio of Ephesus: "What mean you, sir?", illustration for Act I, Scene ii, Comedy of Errors
Edwin Austin AbbeyKing Louis XI - Act III, Scene III, King Henry VI (Part III)
Edwin Austin AbbeyThe Parson's Wicket, sketch for "The Vicar," from The Quiet Life
Edwin Austin AbbeyAmaryllis dancing
Edwin Austin AbbeyThe Re-entrance of the Players, illustration for Act V, Scene I, A Midsummer Night's Dream
Edwin Austin AbbeySketch: two women in garden
Edwin Austin Abbey"Ah me!...," study for illustration to Oliver Goldsmith's She Stoops To Conquer