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ART WIKI

Où voir des œuvres et quand le musée est ouvert.

Collections : Art Institute of Chicago, Centre d'art britannique de Yale, Cleveland Museum of Art, Cooper Hewitt, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale University Art Gallery, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (44 musées), Paris Musées (12 musées), Joconde, la base des musées du ministère de la Culture (495 musées) et le Catalogo generale dei Beni Culturali du ministère italien de la Culture (25 musées). Les images appartiennent à leurs ayants droit.

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Catalogue

Plume

60 822 œuvres de 131 musées44 exposées en ce momentTout effacer

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Technique
  • Toutes
  • Graphite137 439
  • Plume60 822
  • Aquarelle58 381
  • Encre51 491
  • Craie39 881
  • Gouache9 482
  • Fusain8 850
  • Pastel4 205
  • Huile2 434
  • Pointe d’argent430
  • Technique mixte297
Design for a Chimneypiece, Sir William Chambers, 1743–1800William ChambersDesign for a Chimneypiece1743–1800Metropolitan Museum of Art
Inundated Ruins of a Monastery, Karl Blechen, ca. 1824Carl BlechenInundated Ruins of a Monasteryca. 1824Metropolitan Museum of Art
The Crescent Moon, Samuel Palmer, undatedSamuel PalmerThe Crescent MoonundatedCentre d'art britannique de Yale
A Cottage among Trees, Shoreham, Samuel Palmer, undatedSamuel PalmerA Cottage among Trees, ShorehamundatedCentre d'art britannique de Yale
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Design for a Pedestal, for Richmond House, Whitehall, London, Sir William Chambers, ca. 1760William ChambersDesign for a Pedestal, for Richmond House, Whitehall, Londonca. 1760Metropolitan Museum of Art
Design for Segment of an Octagonal Ceiling; Gower House, Whitehall, London, Sir William Chambers, ca. 1766–74William ChambersDesign for Segment of an Octagonal Ceiling; Gower House, Whitehall, Londonca. 1766–74Metropolitan Museum of Art
Venus Receiving from Vulcan the Arms of Aeneas, Francesco Solimena, 1704Francesco SolimenaVenus Receiving from Vulcan the Arms of Aeneas1704J. Paul Getty Museum
Cornfields with Barn, Shoreham, Samuel Palmer, ca. 1829Samuel PalmerCornfields with Barn, Shorehamca. 1829Centre d'art britannique de Yale
Design for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals, Sir William Chambers, 1743–96William ChambersDesign for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals1743–96Metropolitan Museum of Art
Allegorical Figure of Study, Francesco Solimena, 1657–1747Francesco SolimenaAllegorical Figure of Study1657–1747Metropolitan Museum of Art
Design for a Tea Pot Removed from the Factory Record Book, Haviland & Co., 1850Haviland & Co.Design for a Tea Pot Removed from the Factory Record Book1850Metropolitan Museum of Art
Sketch of a Man, Paul GavarniPaul GavarniSketch of a ManNational Gallery of Art
An Ancient Barn at Shoreham, Samuel Palmer, undatedSamuel PalmerAn Ancient Barn at ShorehamundatedCentre d'art britannique de Yale
Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London, Sir William Chambers, after 1754William ChambersDesign for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, Londonafter 1754Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1743–1800William ChambersDesign for a Chimneypiece1743–1800Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Design for a Frame, Sir William Chambers, 1743–1800William ChambersDesign for a Frame1743–1800Metropolitan Museum of Art
David and Bathsheba, Carl Blechen, 1825/1828Carl BlechenDavid and Bathsheba1825/1828National Gallery of Art
Design for a Chimneypiece, Sir William Chambers, 1740–96William ChambersDesign for a Chimneypiece1740–96Metropolitan Museum of Art
The Continence of Scipio, Francesco Solimena, 1657–1747Francesco SolimenaThe Continence of Scipio1657–1747Metropolitan Museum of Art
Hollow Tree, Mary Delany, 1767Mary DelanyHollow Tree1767Centre d'art britannique de Yale
Jupiter with his Eagle (recto), Francesco Solimena, 1657–1747Francesco SolimenaJupiter with his Eagle (recto)1657–1747Metropolitan Museum of Art
Study for the Fall of Simon Maqus, S. Paolo Maggiare, Naples, Francesco Solimena, 1690Francesco SolimenaStudy for the Fall of Simon Maqus, S. Paolo Maggiare, Naples1690Metropolitan Museum of Art
Standing Man, Paul GavarniPaul GavarniStanding ManNational Gallery of Art
The Bridge at Shoreham, Samuel Palmer, ca. 1829Samuel PalmerThe Bridge at Shorehamca. 1829Metropolitan Museum of Art
Design for a Chimneypiece (recto); Sketches for Column Bases (verso), Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece (recto); Sketches for Column Bases (verso)1740–1800Metropolitan Museum of Art
Drawings for a Chimney-piece for 25 Harley Street, Westminster, London, Sir William Chambers, 1740–96William ChambersDrawings for a Chimney-piece for 25 Harley Street, Westminster, London1740–96Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Chimney Piece, Sir William Chambers, 1743–96William ChambersChimney Piece1743–96Metropolitan Museum of Art
Harvesters by Firelight, Samuel Palmer, 1830Samuel PalmerHarvesters by Firelight1830National Gallery of Art
Group of Allegorical figures: Sketch for a Ceiling Decoration ?, Francesco Solimena, 1657–1747Francesco SolimenaGroup of Allegorical figures: Sketch for a Ceiling Decoration ?1657–1747Metropolitan Museum of Art
Untitled, Charles Ray, 2003Charles RayUntitled2003Museum of Modern Art
Detail of Ceiling, Palazzo Massimi, Sir William Chambers, ca. 1750–55William ChambersDetail of Ceiling, Palazzo Massimica. 1750–55Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
The Primitive Cottage, Shoreham, Samuel Palmer, undatedSamuel PalmerThe Primitive Cottage, ShorehamundatedCentre d'art britannique de Yale
Landscape Sketch, Samuel Palmer, undatedSamuel PalmerLandscape SketchundatedCentre d'art britannique de Yale
The Magic Mountain, Agnes Denes, 1982Agnes DenesThe Magic Mountain1982National Gallery of Art
Head of a Woman, Paul GavarniPaul GavarniHead of a WomanNational Gallery of Art
Et pas le Sou pour Souper, Paul GavarniPaul GavarniEt pas le Sou pour SouperNational Gallery of Art
C'etais "pour se donner des forces", Paul Gavarni, c. 1845Paul GavarniC'etais "pour se donner des forces"c. 1845National Gallery of Art
Reverie, Paul GavarniPaul GavarniReverieNational Gallery of Art
Gulliver Awed by Three Giant Beggars in the Land of Brobdingnag, Paul Gavarni, 1862Paul GavarniGulliver Awed by Three Giant Beggars in the Land of Brobdingnag1862National Gallery of Art
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