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  1. Collection/
  2. Art Institute of Chicago/
  3. Wounded Eurydice
Wounded Eurydice, Jean Baptiste Camille Corot, 1868–70

Wounded Eurydice

1868–70 · Painting

Notice

1868–70
17961875
Numéro d’inventaire
1894.1042

Pendant ce temps, chez Camille Corot

La vie entière
  1. 1860s

    An interest in photography

    In the 1860s Corot became interested in photography, taking photos himself and becoming acquainted with many early photographers. The monochrome tones of photographs suppressed his palette even further, making his paintings less dramatic but somewhat more poetic.

  2. 1865–1875

    “Père Corot” of Parisian artists

    In his final ten years Corot became the “Père (Father) Corot” of Parisian artistic circles, regarded with personal affection and acknowledged as one of the five or six greatest landscape painters the world had seen, along with Hobbema, Claude Lorrain, Turner and Constable.

  3. 29 juin 1867 · Distinction

    Officer of the Legion of Honour

  4. 1871

    The siege of Paris: a donation; the Commune, in Arras

    In 1871, during the Franco-Prussian War, Corot gave 2,000 francs for the poor of Paris, then under siege by the Prussians. During the Paris Commune he was at Arras with Alfred Robaut.

  5. 1872

    A house in Auvers for the blind Daumier

    In 1872 Corot bought a house in Auvers as a gift for Honoré Daumier, who by then was blind, without resources and homeless.

  6. 1872 · Distinction

    Knight of the Order of Leopold

Autres œuvres : Camille Corot

Toutes les œuvres

Dans la même salle · Gallery 224, Art Institute of Chicago

Page du musée

Sur le même thème · Mythological figures

Toutes les œuvres sur ce thème
Camille Corot, portraitCamille CorotFrance, 1796–1875

Peut-on la contempler ?

Oui, elle reçoit

Art Institute of Chicago

Chicago, États-Unis

Salle224

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

Mythological figuresGreeceGreekLandscapeArbreFemmeCentury of ProgressWorld's fairsChicago World's Fairs

Au catalogue

PeinturesHuilePeinture françaiseRéalismeImpressionnismeXIXe siècleFrance

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — CC0
Hagar in the Wilderness, Camille Corot, 1835

Hagar in the Wilderness

1835 · Metropolitan Museum of Art

Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot, 1836

Diana and Actaeon (Diana Surprised in Her Bath)

1836 · Metropolitan Museum of Art

Sibylle, Camille Corot, ca. 1870

Sibylle

ca. 1870 · Metropolitan Museum of Art

Mountainous Landscape, Camille Corot

Mountainous Landscape

Metropolitan Museum of Art

Paysage., Corot, Jean-Baptiste Camille, 2e quart du XIXe siècle (1632)

Paysage.

2e quart du XIXe siècle (1632) · Musée du Louvre

The Island and Bridge of San Bartolomeo, Rome, Jean-Baptiste-Camille Corot, 1825/1828

The Island and Bridge of San Bartolomeo, Rome

1825/1828 · National Gallery of Art

Italian Peasant Boy, Jean-Baptiste-Camille Corot, 1825/1827

Italian Peasant Boy

1825/1827 · National Gallery of Art

Panorama de la campagne romaine. Les monts Prenestini vus d'Olevano., Corot, Jean-Baptiste Camille, 2e quart du XIXe siècle (1825 - 1850)

Panorama de la campagne romaine. Les monts Prenestini vus d'Olevano.

2e quart du XIXe siècle (1825 - 1850) · Musée du Louvre

Interrupted Reading, Jean Baptiste Camille Corot, c. 1870

Camille Corot

Interrupted Reading, c. 1870

Arleux-Palluel, The Bridge of Trysts, Jean Baptiste Camille Corot, 1871/72

Camille Corot

Arleux-Palluel, The Bridge of Trysts, 1871/72

Souvenir of the Environs of Lake Nemi, Jean Baptiste Camille Corot, 1865

Camille Corot

Souvenir of the Environs of Lake Nemi, 1865

The Sheepshearers, Jean François Millet, c. 1857–61

Jean François Millet

The Sheepshearers, c. 1857–61

Bathing Nymphs and Child, Jean Baptiste Camille Corot, 1855–60

Camille Corot

Bathing Nymphs and Child, 1855–60

Woman Feeding Chickens, Jean François Millet, 1846-48

Jean François Millet

Woman Feeding Chickens, 1846-48

Hercules and the Lernaean Hydra, Gustave Moreau, 1875–76

Gustave Moreau

Hercules and the Lernaean Hydra, 1875–76

Art Institute of Chicago

The Sacred Grove, Beloved of the Arts and the Muses, Pierre Puvis de Chavannes, 1884/89

Pierre Puvis de Chavannes

The Sacred Grove, Beloved of the Arts and the Muses, 1884/89

Art Institute of Chicago

The Annunciation, Alessandro Vittoria, c. 1583

Alessandro Vittoria

The Annunciation, c. 1583

Art Institute of Chicago

Jupiter Rebuked by Venus, Abraham Janssens, c. 1612

Abraham Janssens

Jupiter Rebuked by Venus, c. 1612

Art Institute of Chicago

Lady Sarah Bunbury Sacrificing to the Graces, Sir Joshua Reynolds, 1763–65

Joshua Reynolds

Lady Sarah Bunbury Sacrificing to the Graces, 1763–65

Art Institute of Chicago

Saint Michael and the Devil, Spanish, 1475/1500

Spanish

Saint Michael and the Devil, 1475/1500

Art Institute of Chicago

Bust of Paris, Antonio Canova, 1809

Antonio Canova

Bust of Paris, 1809

Art Institute of Chicago

The Battle between the Gods and the Giants, Joachim Antonisz. Wtewael, c. 1608

Joachim Wtewael

The Battle between the Gods and the Giants, c. 1608

Art Institute of Chicago